Search results for "Timbre"
showing 6 items of 46 documents
Acoustic, neural, and perceptual correlates of polyphonic timbre
2012
Timbral Qualities of Semantic Structures of Music.
2010
The rapid expansion of social media in music has provided the field with impressive datasets that offer insights into the semantic structures underlying everyday uses and classification of music. We hypothesize that the organization of these structures are rather directly linked with the ”qualia” of the music as sound. To explore the ways in which these structures are connected with the qualities of sounds, a semantic space was extracted from a large collection of musical tags with latent semantic and cluster analysis. The perceptual and musical properties of 19 clusters were investigated by a similarity rating task that used spliced musical excerpts representing each cluster. The resulting…
Timbral Environments: An Ecological Approach to the Cognition of Timbre
2011
This study formulates an ecological framework that links the environment and human systems, to support further arguments on the influence of timbre in the music appreciation schemata. At the core of the framework is the notion of timbral environments, which is introduced as an epistemological foundation to characterize perceptual cues of internalized representations of music, and to explore how these are expressed in the dynamics of diverse external environments. The proposed notion merges the concepts of macrotimbre (Sandell, 1998) and soundscape (Schafer, 1977) to distinguish between the formulated framework and traditional approaches to timbre, which are mainly concerned with short-term …
Timbre and affect dimensions: Evidence from affect and similarity ratings and acoustic correlates of isolated instrument sounds
2012
considerable effort has been made towards understanding how acoustic and structural features contribute to emotional expression in music, but relatively little attention has been paid to the role of timbre in this process. Our aim was to investigate the role of timbre in the perception of affect dimensions in isolated musical sounds, by way of three behavioral experiments. In Experiment 1, participants evaluated perceived affects of 110 instrument sounds that were equal in duration, pitch, and dynamics using a three-dimensional affect model (valence, energy arousal, and tension arousal) and preference and emotional intensity. In Experiment 2, an emotional dissimilarity task was applied to a…
Single chords convey distinct emotional qualities to both naïve and expert listeners.
2014
Previous research on music and emotions has been able to pinpoint many structural features conveying emotions. Empirical research on vertical harmony’s emotional qualities, however, has been rare. The main studies in harmony and emotions usually concern the horizontal aspects of harmony, ignoring emotional qualities of chords as such. An empirical experiment was conducted where participants ( N = 269) evaluated pre-chosen chords on a 9-item scale of given emotional dimensions. 14 different chords (major, minor, diminished, augmented triads and dominant, major and minor seventh chords with inversions) were played with two distinct timbres (piano and strings). The results suggest significant…