Search results for "Tirant lo Blanc"
showing 7 items of 27 documents
El papel de la música en el Tirant lo Blanch (Valencia, 1940)
2010
Este artículo presenta, en su contexto, las relativamente escasas alusiones a la música que encontramos en Tirant lo Blanc. Se analiza la presencia constante de la “trompeta” en la obra. Y se comprueba cómo la novela aporta un excelente testimonio sobre la circulación de un ingente repertorio musical que jamás fue escrito y que, en todo caso, fue escrito muy tardíamente o de forma marginal: el específico de los ministriles, fuesen instrumentos altos o bajos, danzas y en general música funcional; e igualmente testimonia un importante repertorio vocal de tradición oral o de carácter efímero.
Con li suoi vestimenti asciugare il morto viso della salata acqua, e bagnarlo di molte lagrime: la "Fiammetta" en el "Leànder y Hero" de Roís de Core…
2005
The «Elegia di madonna Fiammetta» has an evident impact of the story of Leandre and Hero, especially in the moments in which the lady suffers while waiting for her lover, who never comes. Fiammetta makes obvious this parallelism on several occasions, and manages to invent an end for the story loaded of pathos. Joan Roís de Corella realises about this relationship between both two works and makes the inverse path: he uses the tone and some narrative elements of the Elegia for writing his Leander and Hero. It is demonstrated that the so contreversial end of Corella’s story is not original of the Valencian, but it also depends on Boccaccio’s text
Corella i el «Tirant»: qüestions d'intertextualitat
1998
The article points out that the presence of Corellian fragments in Tirant does not only affect his published works,but also those that were never printed and that must have been orally transmitted. The author finds evidence of oral performance, and of a constant amplifying and simplifying process of a hypo-text, which seems to reflect an ornamental, free and creative use of paragraphs that does not influence the narrative flow.
La noria con arcaduces (cimera de Jorge Manrique) y otras doce invenciones poéticas en 'Tirant lo Blanc'
2005
Estudio de las trece invenciones poéticas (subgénero literario propio de la poesía de cancionero, que refleja los juegos de corte de la sociedad medieval y renacentista) que aparecen en "Tirant lo Blanc". Análisis específico de la invención relacionada con la cimera de la noria con arcaduces, que lució también el poeta castellano Jorge Manrique.
Catalan fiction in the 15th century
2018
Catalan fiction in the 15th century is framed within the context of the expansion of the Crown of Aragon around the Mediterranean, the emergence of Valencia as the cultural capital of the Crown, the crisis in the prevailing mediaeval values, the consolidation of a monetary economy, and fertile contacts between Catalan culture and Castile, France, Burgundy and especially Italy. This is perfectly illustrated by the five most important fictional pieces from that era: Història de Jacob Xalabín, which refers to the Ottoman Empire; Curial e Güelfa, which is set in Italy, France, the German Empire, the eastern Mediterranean and North Africa; Tirant lo Blanc, by Joanot Martorell, which focuses on E…
Joanot Martorell, Tirante il Bianco, a cura di Paolo Cherchi, Torino, Einaudi, 2013
2013
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Els auxiliars dels temps compostos en català medieval
2005
The study of auxiliary verbs in compound tenses («haver» vs. «Ésser») in Old Catalan is a topic discussed in many works. But no research deeply analysing literary works of the time and using an accurate methodology is available. Our purpose is to show that so significant medieval literary works such as «Llibre de Meravelles» by Ramon Llull, «Llibre dels Fets» by King James I & «Tirant lo Blanch», can also provide very valuable information to understand the phenomenon of change of auxiliary. Referring to usage frequencies, we show that chronology plays a great role in these alternations and outline a whole series of factors that explain the observed evolutive tendencies.