Search results for "UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS"

showing 10 items of 5140 documents

Educación artística : revista de investigación

2016

La tecnología multiplica los espacios donde ocurre la relación pedagógica. Determinadas temáticas en la universidad, como los procesos de reflexión sobre las preconcepciones, permiten en este trabajo analizar una actividad crítica de la formación inicial de docentes. También pensar, simultáneamente, sobre una relación pedagógica ampliada. Los autores dialogan, con sus experiencias de varios años inmersos en este tipo de prácticas, sobre el propósito, las limitaciones, los resultados y la toma de conciencia sobre la profesión. Se han generado actividades de debate mediante foros, tutelados por ellos, en varias materias para la formación de maestros: unas de tipo pedagógico y otra que es el s…

tecnología de la informaciónUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASperíodo de prácticasDidácticas aplicadasestudiante para profesorteoría de la educacióncomunicaciónArte. Generalidadesformación de profesoresenseñanza superior:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]nuevas tecnologíasPsicología y educaciónArteuso didáctico del ordenador
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Educación artística : revista de investigación

2017

Resumen: El tema de la cocreacion, impulsada por la influencia del contexto economico y tecnologico, ha dado empuje a nuevas formas de trabajar el diseno, asi como al desarrollo de nuevos roles para los disenadores. Estos enfoques colaborativos se presentan como uno de los principales desafios a los que se enfrentan, en la sociedad postmoderna, las escuelas de diseno. Los educadores de moda tienen la oportunidad de adoptar un nuevo paradigma que puede preparar a los estudiantes para aprender a trabajar de una manera mas sostenible, colaborativa e integrada junto con las necesidades reales de la sociedad. Ademas, esto fomenta el desarrollo de una cultura basada en un nuevo lenguaje y un nuev…

tecnología de la informaciónbellas artesUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASred social:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]trabajo en equipocreación artísticapedagogía experimentaleari. educación artística. revista de investigación
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Fragments experimentals per a una teoria de l'espectador

2002

By means of an elliptical reflection in an experimental-noted format, the author proposes a series of communicative and pragmatic elements of reception as a way to define the relationships between the dramatic play and the audience in the performance.

teoria de la recepciólcsh:Language and Literaturelcsh:Philology. LinguisticsUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASteoria de la recepció; teoria de l'espectador; teatreLingüísticalcsh:P1-1091Filologías:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]teatreteoria de l'espectadorlcsh:PCaplletra. Revista Internacional de Filologia
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Microformas: Mi solitario vuelo (Microrrelato), La mariposa efímera (Microcuento)

2021

territorios para el arte 590908 2021 7 8182074 Microformas: Mi solitario vuelo (Microrrelato) [revista de investigación musical]Rosa 418 419UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASrevista de investigación musical: territorios para el arte 590908 2021 7 8182074 Microformas: Mi solitario vuelo (Microrrelato)La mariposa efímera (Microcuento) Iniesta Masmano:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]2386-8260 13268 Itamar
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Contraintes et libertés textuelles

2006

The article starts from a conception of language according to which the semiotic units that speakers use do not emanate from individual mental processes but from the socialization of representation instruments which, being individual elements initially, have later been involved in processes of communicative circulation. In the same way that, in each language, verbal uses are limited by a series of restrictions in the constitution of some phonic, lexical or morphosyntactic structures, there are also some other constraints that affect textual genres. This means that these are the product of the history of the uses of language and that they work at a praxeologic level. These ideas apply to the…

textual Restrictionslcsh:Language and LiteratureUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLingüísticaFilologíasgenre Types (genres des texts)Sciences du langagePraxeologylcsh:Philology. LinguisticsLinguistiqueliterary WorkSémiologie (généralités)Narrativeddc:370lcsh:P1-1091textual FreedomsType of speeches:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Expression of Temporalitylcsh:Pgenre Types (genres des texts); Type of speeches; textual Restrictions; textual Freedoms; Narrative; Praxeology; Expression of Temporality; literary WorkAnalyse des textes et des discoursCaplletra: Revista Internacional de Filologia
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La destrucció del patrimoni artístic i la seua reconstrucció. Un exercici de microhistòria: el cas de Llíria i la Confraria de la Sang (1936-1949)

2020

The problem of artistic destruction and its reconstruction has been little studied. Using a microhistorical analysis method, we study the town of Lliria (Valencia) and its brotherhood of ?La Sang de Jesucrist? (had a great heritage from the 16th to the 19th centuries), and we also analyze how and why this destruction and reconstruction was generated during the context of the civil war. We use and combine different sources (public of the ?Causa General? and private of the ?Minute Books?) for this research, with the intention of specifying the analysis of this complex process. We also explain social and artistic relationships of these two processes, that help us study the workshops of the mos…

that help us study the workshops of the most important sculptors in Valencia during the 1940s and 1950s (PonsodaUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASSambonet o Cuesta). 249 261we study the town of Lliria (Valencia) and its brotherhood of ?La Sang de Jesucrist? (had a great heritage from the 16th to the 19th centuries)and we also analyze how and why this destruction and reconstruction was generated during the context of the civil war. We use and combine different sources (public of the ?Causa General? and private of the ?Minute Books?) for this research0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707988 La destrucció del patrimoni artístic i la seua reconstrucció. Un exercici de microhistòria: el cas de Llíria i la Confraria de la Sang (1936-1949) Llibrer Escrig:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Bellverel cas de Llíria i la Confraria de la Sang (1936-1949) Llibrer Escrig [0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707988 La destrucció del patrimoni artístic i la seua reconstrucció. Un exercici de microhistòria]Antoni The problem of artistic destruction and its reconstruction has been little studied. Using a microhistorical analysis methodwith the intention of specifying the analysis of this complex process. We also explain social and artistic relationships of these two processes
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El proyecto de un pórtico clasicista para la iglesia de los Santos Juanes de Valencia y su impacto en el entorno urbano (1788-1856)

2020

In the year 1788, the parish of Los Santos Juanes in Valencia proposed to the City Council the erection of same classical-style portico in order to beautify its outer eastern façade, surrounding the head of the temple and relying on the Plaza del Mercado. This portico was never built, but there would be an impact of such an architectural purpose in subsequent reform plans of that outstanding urban location.

the parish of Los Santos Juanes in Valencia proposed to the City Council the erection of same classical-style portico in order to beautify its outer eastern façadeUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASbut there would be an impact of such an architectural purpose in subsequent reform plans of that outstanding urban location. 229 248:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Fernando In the year 17880211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707987 El proyecto de un pórtico clasicista para la iglesia de los Santos Juanes de Valencia y su impacto en el entorno urbano (1788-1856) Pingarrónsurrounding the head of the temple and relying on the Plaza del Mercado. This portico was never built
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Aspecte i prefixació verbal en català antic

2021

The paper examines aspectual and selectional properties of Old Catalan prefixed verbs in comparison with their non prefixed counterparts. We ground our analysis on Talmy’s (1985, 2000) notion of verb framed and satellite framed languages and on Mateu (2002, 2003) and Mateu & Rigau (2002) theory of lexical structure, and we argue that telicity and other aspectual properties associated with prefixed verbs are by effects derived from the semantic value of the prefix together with the lexical structure they give rise to. Taking as a case in point the a- prefix of verbs such as «acórrer», we analyse the prefix as a path which relates a figure (the grammatical subject) to a ground (the argument i…

theory of lexical structurelcsh:Language and LiteratureUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLingüísticaFilologíasprefixed verbssatellite framed languagesCatalà anticlcsh:Philology. LinguisticsPrefixació verballcsh:P1-1091old catalan; prefixed verbs; verb framed; satellite framed languages; theory of lexical structure:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]old catalanlcsh:Pverb framed
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El edificio gremial de los abaixadors o tundidores, en Valencia

2020

In the ?barri del mercat?, in the city of Valencia and very close to its Lonja, there is a building complex which is the object of this study. The research, carried out from the simple field of toponymy, to the constructive analysis, lead us to suppose that it is the building of the Valencian trade union of cloth-shearers. It can be seen how the building now camouflaged by other subsequent interventions, corresponds to a type that cannot be related to those usually built in the city of Valencia. Its origins clearly from the Valencian self-governing period splendor, its dimensions and the finishes used in its construction seem to refer to a medieval workshop. A structure of great importance …

there is a building complex which is the object of this study. The researchUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASin the city of Valencia and very close to its Lonjahave come to confirm this hypothesis. This article offers unpublished graphic documentationits dimensions and the finishes used in its construction seem to refer to a medieval workshop. A structure of great importance has been recognized that jointly affects the different properties today. This together with other circumstances of their own as necessary to exercise the office of abaxadoren Valencia Gómez Gilwhich gives an account of the current status of the property and suggests a reconstructive hypothesisRamón0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707981 El edificio gremial de los abaixadors o tundidoresAntonioAmanda In the ?barri del mercat?existing in the buildingcorresponds to a type that cannot be related to those usually built in the city of Valencia. Its origins clearly from the Valencian self-governing period splendor:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]both in plan and in volume. 127 145carried out from the simple field of toponymyto the constructive analysislead us to suppose that it is the building of the Valencian trade union of cloth-shearers. It can be seen how the building now camouflaged by other subsequent interventions
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ACTO II / ACT II Mujeres / Women ¿Es gay la música de Chopin? Aspectos de la recepción de la música de Chopin en el siglo XIX

2021

Considering that it is difficult, if not impossible, for an analysis of Chopin?s music to unmask some aspects of his private life (such as an alleged sexual and affective attraction for individuals of his own sex), we can however argue that, throughout the 19th century, a connection was established between his work and a ?feminine universe.? That connection might have had implications in the way in which the feminized image of its author was constructed. The analysis of certain aesthetic and stylistic traits of Chopin?s music can help understand the causes of that perception.

throughout the 19th centuryUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASrevista de investigación musical: territorios para el arte 590908 2021 7 8182078 ACTO II / ACT II Mujeres / Women ¿Es gay la música de Chopin? Aspectos de la recepción de la música de Chopin en el siglo XIX Alboterritorios para el arte 590908 2021 7 8182078 ACTO II / ACT II Mujeres / Women ¿Es gay la música de Chopin? Aspectos de la recepción de la música de Chopin en el siglo XIX Albo [revista de investigación musical]:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Francisco Javier Considering that it is difficultif not impossiblea connection was established between his work and a ?feminine universe.? That connection might have had implications in the way in which the feminized image of its author was constructed. The analysis of certain aesthetic and stylistic traits of Chopin?s music can help understand the causes of that perception. 489 5062386-8260 13268 Itamarfor an analysis of Chopin?s music to unmask some aspects of his private life (such as an alleged sexual and affective attraction for individuals of his own sex)we can however argue that
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