Search results for "Violin"
showing 10 items of 20 documents
Cross-cultural music cognition: cognitive methodology applied to North Sami yoiks
2000
This article is a study of melodic expectancy in North Sami yoiks, a style of music quite distinct from Western tonal music. Three different approaches were taken. The first approach was a statistical style analysis of tones in a representative corpus of 18 yoiks. The analysis determined the relative frequencies of tone onsets and two- and three-tone transitions. It also identified style characteristics, such as pentatonic orientation, the presence of two reference pitches, the frequency of large consonant intervals, and a relatively large set of possible melodic continuations. The second approach was a behavioral experiment in which listeners made judgments about melodic continuations. Thr…
Does viotin activate violin more than viocin? On the use of visual cues during visual-word recognition.
2013
The vast majority of neural and computational models of visual-word recognition assume that lexical access is achieved via the activation of abstract letter identities. Thus, a word’s overall shape should play no role in this process. In the present lexical decision experiment, we compared word-like pseudowords like viotín (same shape as its base word: violín) vs. viocín (different shape) in mature (college-aged skilled readers), immature (normally reading children), and immature/impaired (young readers with developmental dyslexia) word-recognition systems. Results revealed similar response times (and error rates) to consistent-shape and inconsistent-shape pseudowords for both adult skille…
Conversazioni umane e artificiali
2023
C’è una caratteristica centrale che distingue ChatGPT e simili da un interlocutore umano: pur sapendo rispondere in modo coerente e creativo a richieste anche complesse, sono del tutto incapaci di proporre contenuti conversazionali non puramente reattivi, manca, all’AI, la parte “affiliativa” della conversazione
"Indépendance Cha Cha": African pop music since the independence era
2010
Investigating why Latin American music came to be the soundtrack of the independence era, this contribution offers an overview of musical developments and cultural politics in certain sub-Saharan African countries since the 1960s. Focusing first on how the governments of newly independent African states used musical styles and musicians to support their nation-building projects, the article then looks at musicians' more recent perspectives on the independence era. Der Beitrag gibt eine kurze Übersicht über die Entwicklung ausgewählter Musikstile in verschiedenen afrikanischen Ländern seit der Unabhängigkeit. Der Autor schildert die Bemühungen der Regierungen in den jungen Nationalstaaten, M…
Localising African popular music transnationally: ‘Highlife-Travellers’ in Britain in the 1950s and 1960s
2008
The paper argues that a critical toehold for understanding the formation, modernization, and popularity of Highlife in the 1950s is its transnational dimension. To corroborate this claim, the paper puts emphasis on Highlife musicians in the UK, especially London, during this time, their musical activities and productions there, and the effects of their journeys on popular music. The growing evidence that cultural practices and processes in different locales, across national and continental boundaries, were interrelated in the making of Highlife, asks for a multi-sited study of Highlife especially with regard to the musical creativity and productivity of 1950s and 1960s. It requires further …
Recensione a Vjera Katalinic, Violinski koncerti Ivana Jarnovica: glazbeni aspekt i drustveni kontekst njihova uspjeha u 18. stoljecu (2006, in "The …
2008
Il recensore mette in luce le modalità del del virtuosismo strumentale di fine Settecento, quale fenomeno paragonabile a quello dei cantanti, e il problema della Rezeptiongeschichte che collega in modo ambiguo i generi compositivi ai diversi ambienti musicali (teatro, sala da concerto, musique en plain air). Focalizza inoltre l'attenzione sul felice tentativo 'ermeneutico' di analizzare le musiche per violino di Ivan Jarnovic (Giornovicchi) (1747-1804) attraverso la teoria dell'epoca, posta a confronto, in forma di dialogo ideale, con le attuali teorie della forma.
La vocalidad del violín en el norte de Italia en torno a 1600
2021
Throughout the present research I intend to demonstrate the powerful link between the vocal practice in accompanied monody and the way Early Italian violin music ought to be interpreted. Due to the scarce amount of articulation and ornamentation in this music, I consider that historical criteria should be found in order to back up the subjective choices in its performance. According to this, I focus on reviewing sources that describe the vocal practice around 1600, but also contemporary sources in which we can find instructions addressed to bow instruments. Besides, a catalogue of articulations and ornamentations present in early editions of printed violin music is attached. Last, I comment…
Leo Tolstoy’s and Joseph Conrad’s Relation to Music
2017
It is important to stress that Tolstoy’s and Conrad’s texts are to be understood to include not only literary, and thus verbal, texts but also elements of other media, such as music, theatre and visual arts. It should be noted that for Conrad music was also one of the arts that he greatly appreciated. Though Conrad’s main concern was to make us “see,” he was also concerned with making us “hear.” The use of music to accompany sexual desire, frustration and violence is a technique often used by the writer. Likewise, music had an enormous infl uence on Tolstoy. He was fascinated with its power, just as with the power of sexuality, beauty and war. His favourite composer was Chopin, but he also …
Fractionating auditory priors: A neural dissociation between active and passive experience of musical sounds
2019
Learning, attention and action play a crucial role in determining how stimulus predictions are formed, stored, and updated. Years-long experience with the specific repertoires of sounds of one or more musical styles is what characterizes professional musicians. Here we contrasted active experience with sounds, namely long-lasting motor practice, theoretical study and engaged listening to the acoustic features characterizing a musical style of choice in professional musicians with mainly passive experience of sounds in laypersons. We hypothesized that long-term active experience of sounds would influence the neural predictions of the stylistic features in professional musicians in a distinct…
A step forward in disclosing the secret of stradivari's varnish by NMR spectroscopy
2017
It is commonly thought that the varnishes used by the great violin-maker Antonio Stradivari may have a role in determining not only the esthetical features but also the acoustic properties of his instruments, and the idea of a “lost secret” is still widespread among musicians and violin-makers. Previous scientific researches on varnish samples of Stradivari's instruments revealed that they were generally made by a mix of linseed oil with and colophony or metal rosinates in different ratios ranging between 75/25 (oil/resin) and 60/40 (oil/rosinate). However, it is still not clear whether the mixture composition can be related to any structural and/or functional feature of the resulting varni…