Search results for "Visual arts"

showing 10 items of 1155 documents

La investigación artística. Un espacio de conocimiento disruptivo en las artes y en la universidad”

2020

lcsh:Fine ArtsVisual Arts and Performing Artslcsh:Visual artslcsh:Nlcsh:N1-9211Arte, Individuo y Sociedad
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Sedimentary humic substances from lakes in Latvia

1997

Humic and fulvic acids, isolated from sediments of lakes in different trophic states (Latvia) were studied. The humic substances (HS) were characterized by their elemental and functional composition, their spectral properties, and molecular mass. The humus properties strongly depend on the origin of the sedimentary HS. Substantial similarity between sedimentary HS from oligotrophic and dystrophic water bodies was found, unless the biology of these lakes greatly differs. Humic molecules from sediments of oligotrophic and dystrophic lakes are smaller, more uniform, and contain lower amounts of carboxyl- and hydroxyl-groups than HS from meso- and eutrophic water bodies. On the other hand, sedi…

lcsh:GE1-350ChemistrySpectral propertiesMineralogyHumuschemistry.chemical_compoundEutrophic waterNitrateEnvironmental chemistryComposition (visual arts)Sedimentary rockEutrophicationlcsh:Environmental sciencesGeneral Environmental ScienceTrophic levelEnvironment International
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Multi-elemental EDXRF mapping of polluted soil from former horticultural land.

2004

The distribution of major and trace elements was systematically investigated by use of energy dispersive X-ray fluorescence spectrometry (EDXRF) on a former horticultural soil. The purpose of the study was to combine mapping of soil element concentration levels with multivariate statistics for characterisation of soil metal pollution in relation to previous and present land use. A 1-ha study site was chosen from a former horticulture where a previous preliminary survey indicated increased concentration levels of toxic elements. The soil was sampled from the top 20 cm of the soil surface in a 10×10-m grid-like pattern covering the 1-ha study area. In addition, three soil profiles were studie…

lcsh:GE1-350TopsoilSoil testFluorescence spectrometryTrace elementMineralogySpectrometry X-Ray EmissionAgriculturePesticideSoil contaminationEnvironmental chemistryMetals HeavyMultivariate AnalysisEnvironmental scienceSoil PollutantsComposition (visual arts)Enrichment factorlcsh:Environmental sciencesGeneral Environmental ScienceEnvironmental MonitoringEnvironment international
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Text and Illustration in the Medieval Book: Composition, Reading and Reception

2016

Presentaci´´on de este numero: Texto e ilustración en el libro medieval: factura física, lectura y recepción

lcsh:Language and LiteratureRecepciónLiterature and Literary TheoryVisual Arts and Performing ArtsArts and Humanities (miscellaneous)LiteratureLibro medievallcsh:PLiteraturaComposiciónPhilologyIconografíaMusicLecturaFilología
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De Balneator del Sendebar a Senescalus de los Siete sabios: del “exemplo” al relato de acción

2015

Resumen:  Estudio de la difusion del cuento Balneator/Senescalus en el ciclo del Sendebar –tanto la rama transmision oriental, como la occidental–, para examinar las recreaciones de que ha sido objeto este relato en un continuo proceso de narrativizacion que convierte el «exemplo» del Sendebar, en relato de ccion en el Libro de los siete sabios de Roma y que responde a la necesidad de reactualizar la obra a lo largo de la Edad Media y de adaptarla a distintos modelos genericos, cauces de difusion variados y nuevos contextos y gustos literarios de recepcion.  Palabras clave:  Sendebar. Libro de los siete sabios de Roma. Balneator. Senescalu s . Transmision. Recepcion.  Abstract:  A study tha…

lcsh:Language and LiteratureRecepciónTransmisiónLiterature and Literary TheoryVisual Arts and Performing Artsmedia_common.quotation_subjectArtBalneatorSendebarArts and Humanities (miscellaneous)Senescaluslcsh:PMiddle AgesCartographyHumanitiesLibro de los siete sabios de RomaMusicmedia_commonRevista de Poética Medieval
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Semblanza iconográfica de la realeza sapiencial de Alfonso X: las miniaturas liminares de los códices regios

2016

La producción libraria de Alfonso X testimonia la simbiosis perfecta entre las funciones de gobierno y la labor intelectual y sistematiza su ideario político y cultural, no solo en texto, sino también en imagen. A partir de las miniaturas liminares de los códices regios, se evidencia que el motivo icónico privilegiado en la representación personal de Alfonso X es el rey con el libro: se analizan las distintas variantes de este modelo iconográfico que estampa la amplia gama de atribuciones que conforman el concepto de autoría alfonsí y consolida el modelo de la realeza sapiencial castellana.

lcsh:Language and LiteratureRoyal manuscriptsLiterature and Literary TheoryVisual Arts and Performing Artsmedia_common.quotation_subjectRealeza sapiencialIconographic motifsCódices regiosWise kingshipArts and Humanities (miscellaneous)MonarchyMotivo icónicomedia_commonIlluminationsArtCultural beliefsMiniaturasLiteraturelcsh:PLiteraturaAlfonso XPhilologyHumanitiesMusicFilología
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Arte da Linguagem na Era da Panofonia

2018

This article calls attention to the hybrid genre of voice-based performances and its blending of the supposed binaries of human and machinic speech. Using the concept of panophonia, the author refers to the animatronic sculptures of speaking figures created by Ken Feingold and to Mark Böhlen’s talking robots. Through their comparative analysis, the author explores different poetic metalanguages both artists create to deconstruct communicative structures that demarcate post-human era.

lcsh:Language and Literaturesíntese de falamedia_common.quotation_subjectMark Böhlenlcsh:Literature (General)Speech synthesiscomputer.software_genrepanphoniaauraturaVisual artsKen Feingoldspeech synthesissynthetic voicepanofoniamedia_commonvoz sintéticaLanguage artsSculpturePoetryperformances vocaisArtlcsh:PN1-6790voice-based performancesauraturelcsh:PcomputerMatLit : Materialidades da Literatura
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Le infinite vite delle fotografie: l’ecologia delle immagini di Joachim Schmid

2015

The turn from analogue to digital photography requires rethinking the heuristic potential of this medium: in the last century, it was produced countless photos and we lost the sense of them. What should we do with all these pictures? Joachim Schimd reflects on the abundance and proliferation of images and he works to give them a future in the age when digital technology changes our sense of what it means to take a picture. So we need an ecology of images which consists in the re-use of all the existing photos by an aesthetics of remix able to reorganize the sense of the images.

lcsh:Literature (General)Settore M-FIL/04 - EsteticaJoachim Schimdecology of imageslcsh:Visual artsfotografia visual culture esteticalcsh:N1-9211lcsh:PN1-6790photographyphotography; Joachim Schimd; ecology of images
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“Waiting for the Bass to Drop”: Correlations Between Intense Emotional Experiences and Production Techniques in Build-up and Drop Sections of Electro…

2014

This study investigates the correlations between theories of intense emotional experiences and production techniques used in the electronic dance music (EDM) sections “build-up” and “drop”, which are designed to build tension and create a heightened emotional intensity among clubbers. This is done by descriptive and interpretive music analysis, where spectrograms and a schematic model visually represent the dominant production techniques. Through a theoretical framework consisting of musical expectancy and gravity, the analysis suggests that i) extensive use of uplifters, ii) the “drum roll effect”, iii) large frequency changes, iv) removal and reintroduction of bass and bass drum and v) a …

lcsh:M1-5000Cultural StudiesExpectancy theoryEDMlcsh:MusicVisual Arts and Performing ArtsMultimediaMusicalmusical expectancycomputer.software_genreElectronic dance musicgravityBass (sound)Peak experienceMusic theoryemotional experiencesproductionSchematic modelClubPsychologycomputerCognitive psychologyDancecult
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Report on the 10th International Conference of Students of Systematic Musicology (SysMus17)

2018

The 10th annual International Conference of Students of Systematic Musicology (SysMus) took place on September 13–15, 2017, at Queen Mary University of London (UoL). The SysMus series has established itself as an international, student-run conference series aimed at introducing graduate students to networking and discussing their work in an academic conference environment. The term “Systematic Musicology,” first coined by Guido Adler (1885), nowadays covers a wide range of systematic or empirical approaches to theoretical, psychological, neuroscientific, ethnographic, and computational methodologies in music research. Presentations for SysMus17 focused on three central topics in relation t…

lcsh:M1-5000Musicologylcsh:Musiclcsh:PsychologyMusic theorylcsh:BF1-990Systematic musicologyMusic educationQueen (playing card)Visual artsMusic & Science
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