Search results for "Writer"

showing 10 items of 51 documents

How to Become an Author: The Poet Isa Asp and Her Childhood Fascination with Writing for Magazines

2021

In this article the author explores the early development of the identity as a writer of a Finnish-speaking poet Lovisa (or Isa) Asp (1853–1872). She wrote her lyrics in the Finnish language in the 1870s, and she is regarded as the first 19th-century female Finnish poet (whose works were published in Finnish). She began writing poetry (initially in Swedish) as a teenager and started her literary career as a contributor to children’s magazines. Asp began her studies at the Teacher Training College in Jyväskylä in autumn 1871 with the aim of working as an elementary school teacher, but she also dreamt of becoming an established writer someday. Unfortunately, her early death meant that most of…

Historyidentity as a writerLiterature and Literary Theorymultilingualismomaelämäkerrallisuusmedia_common.quotation_subjectIdentity (social science)Early deathlapset (ikäryhmät)Library and Information ScienceslukeminensukupuoliBibliography. Library science. Information resourcespoetschildren’s readingReading (process)lastenlehdetgenderMultilingualismidentiteettikirjallisuudentutkimusmonikielisyysGirlchildren’s magazinesbiographical methodmedia_commonrunoilijatFinnish languageLiteraturePoetrybusiness.industryCommunicationAsp IsaelämäkertatutkimusLyricsrunotwritingIsa AspRuneberg Johan Ludvigkirjailijatluova kirjoittaminenprofessionsbusinessTopelius ZachariaskirjoittaminenZKnygotyra
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Brancati su Pirandello e il pirandellismo

2019

Nel romanzo breve "Sogno di un valzer" uscito a puntate su “Quadrivio”, dal 5 giugno al 14 agosto 1938, Vitaliano Brancati mette in scena, tra osservazione dei luoghi e rilevamento di costume, un’umanità fuori misura, continuamente in bilico tra realtà e sogno. A Caltanissetta (Nissa) la città nel cui Istituto magistrale lo scrittore, voltate le spalle alla Roma fascista, è venuto a insegnare, personaggi non appariscenti, insignificanti, che tuttavia covano desideri, si arrovellano in domande metafisiche. Prende così forma il leitmotiv delle critica al pirandellismo che più volte con ironia sottile affiora negli scritti brancatiani. Il saggio mostra come esso si intrecci con la comicità sul…

In the short novel "Sogno di un valzer" published on "Quadrivio" from 5 June to 14 August 1938 Vitaliano Brancati enacts between observation of places and survey of customs a world beyond measure constantly hovering between reality and dream. In Caltanissetta (Nissa) the city in which the writer is the magistral institute turned his back on fascist Rome he came to teach unobtrusive insignificant characters who nevertheless covet desires racking their brains in metaphysical questions. Thus the leitmotiv of the critics of pirandellism takes shape which often with subtle irony emerges in the Brancatian writings. The essay shows how it intertwines with the sulphurous comedy of the writer of Don Giovanni in Sicilia who tracing a particular topography of the island supported by inner relief leads his analysis of eccentric behaviors and of the aberrations of the mind in which the trivialized Pirandellian thought ends to become an explosive element.
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Paradigms in the compositional practice of Irish singer-songwriters

2016

The singer-songwriter has emerged as a significant figure in contemporary Irish culture. Ireland’s monumental history in musical practice has cultivated some of the most internationally respected singersongwriters of recent decades. While much research has been devoted to the songs of Irish artists at large, little attention has been allocated to demystifying their songwriting praxis. The present work critically examines the relationship between the Irish singer-songwriter and wider mediated discourses surrounding their artistry. Independent of genre it interrogates the compositional practices of performing songwriters by way of phenomenological study. Specifically, the lived experience of …

Irishphenomenologysinger-songwriterpracticeculture
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Orientālistika (Latvijas Universitātes Raksti, 803. sēj.)

2015

Kristiešu un musulmaņu attiecībasKrimas pussalas etniskā vēstureIsmā‘īlī philosophyTuvo Austrumu pētniecības vēsture“Pārmaiņu grāmata” (ķīn. val. “Jidzjin”)Women Writers in Latvia and JapanCultural Traditions of East and WestLatvian BearslayerStarpreliģiju dialogsAustrumu pētniecībaal-FarābīArabic intellectual heritageJapāņu valoda - transkripcijaMuslim Population in EuropeComment on Samuel Huntington
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The reader does matter or how to tell a story about post-war Czechoslovakia

2018

Artykuł dotyczy roli odbiorcy w kreowaniu świata przedstawionego przez pisarzy w dwóch odmiennych sytuacjach: pisarza krajowego oraz emigracyjnego. Jako przykład posłużyły trzy powieści: krajowa Báječná léta pod psa (1992) Michala Viewegha  oraz emigracyjne Ledová tříšť (Treibeis, 1992) i Zjasněná noc (Verklärte Nacht, 1997) Libušy Moníkovej. Podczas analizy zastosowano metodologię Pascale Cassanovy, dzielącą literatury na dwie grupy: literatury „słabe” i „mocne” lub, stosowane zamiennie, „młe” i  „duże”. Okoliczności, w których tworzy autor, determinują środki wyrazu, jakich używa: pisarz krajowy jest w bardziej osobistym kontakcie z czytelnikiem, używa skrótów myślowych, ironii czy metafo…

Linguistics and LanguageMichal Vieweghlanguage conversion of writerLibuše Moníkováliteratura emigracyjnakonwersja językowa pisarzaElectrical and Electronic EngineeringLibuše MonikováLanguage and Linguisticsliterature in exileBohemistyka
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Metaphors in dialogue: feminist literary critics, translators and writers

2011

This article seeks to investigate the changing perception of the term “translation” in feminist TS thanks to a continuous dialogue with other fields such as, feminist literary criticism, post-structuralism, postcolonial studies and cultural studies that have borrowed and utilised the notion of translation. “Translation” has become a “travelling concept” for feminist scholars who have utilized it in a metaphorical way for a feminist critique of language and ideology. The essay proposes a new approach to feminist translation studies from an interdisciplinary perspective that takes into account key-concepts and figurative language in different feminisms in dialogue. Metaphors of translation an…

Linguistics and Languagemedia_common.quotation_subjectWomen writersFeminist philosophyLiteral and figurative languageLanguage and LinguisticsEducationNOFeminist translation; Feminist literary criticism; Women writers; Metaphors; DialogueTraducción feminista; Crítica literaria feminista; Escritoras; Metáforas; DiálogoTranslation studiesMetaphorsSociologyDialogueTraducción feministamedia_commonmetaphors feminist translation feminist literary theoriesLiteratureUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASCrítica literaria feministaDiálogobusiness.industryEscritorasFeminist literary criticismTraducción e InterpretaciónTraducció--RevistesFeminist literary criticismAestheticsfeminist literary theoriesCultural studiesRhetoric:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Literary criticismFeminist translationIdeologyMetáforasbusiness
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« LITTERATUR och LAG » : Skandinavisk kultur och litteratur i ett internationellt och tvärvetenskapligt perspektiv

2014

Raksti no Starptautiskās Skandināvistikas studiju asociācijas (IASS) 29. zinātniskās konferences Rīgā un Daugavpilī 2012.

Literary historiographyHistorical Crime NovelWilliam Heinesen’s Novel "The Good Hope"Swedish literary criticismPsychology of crimeRhetoric of prison literatureHenri NathansenDag Solstad's "Novel 11 Book 18"Greek TragedyDetective storiesCrime fictionGenre normStieg LarssonLaw and literature:HUMANITIES and RELIGION::Languages and linguistics [Research Subject Categories]Swedish Detective Literature in LatviaMartin KochHenning Mankell’s "The Dogs of Riga"Female writerKerstin Ekman’s “The Practice of Murder”
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'No speech at my command will fit the forms in my mind': Shaping the Spiritual through Writing and Typing in George MacDonald’s Lilith Manuscripts

2020

International audience; In “Lilith B” (1893), the most extensively rewritten draft of George MacDonald’s fantasy novel Lilith (1895), puzzling triangular-shaped insertions, some handwritten and some typed, although not retained in the later versions of the text, allow for a better understanding of the creative process and show how the material crafting of the manuscript, through collage and combination techniques, played a part in the invention of fantasy. The introduction of the typewriter as a new drafting tool in MacDonald’s writing habits, not only for copying but also for revising, corresponds to a shift in the metaphorical and allegorical system which enables the parallel worlds of th…

LiteratureCopying[SHS.LITT]Humanities and Social Sciences/Literaturebusiness.industryTheory of Formsmedia_common.quotation_subjectParallel universeGeorge MacDonaldArtmachine à écrire[SHS.LITT] Humanities and Social Sciences/Literaturefantasy literatureGEORGE (programming language)LilithHEROTypewriterThe SymbolicTextual criticismFantasyFunction (engineering)businessGénétique textuellespiritualitémedia_common
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Vengo a vivere da te. Enclavi/exclavi: l''altro' e il rapporto con lo spazio urbano

2019

Among the factors involved in the development of individual personalities, the space, and especially home, is certainly the most significant one. The destabilization of the concept of home as a nest, and the consequent sense of belonging to it, find in the texts of migrant writers a new centrality, telling about others perspectives and imaginary with respect to the dominant one. Often forced to confine themselves in enclaves that exclude them from the territory of the natives, immigrants are driven to transform these spaces into exclusive places of their supportive diversity.

Migrant writers urban space IdentitySettore L-FIL-LET/14 - Critica Letteraria E Letterature Comparate
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Powstanie listopadowe we "Wspomnieniach" Nadieżdy Golicyny

2016

The article presents Nadezhda Ivanovna Golitsyna’s (1796—1868) memories of the Polish November Uprising. Golitsyna was a wife of a count Alexander Fyodorovitch Golitsyn (1796—1864), who was a high‑ranking Tsarist official. They lived in Warsaw, where the husband of the author of the Memoirs worked in the office of the Grand Prince Konstantin. Golitsyn was, most probably, a secret agent of the Third Division. After the outbreak of the November Uprising the Golitsynys, together with prince Konstantin’s troops, left Warsaw. The Poles’ struggle for independence is presented in Golitsyna’s Memoirs as a sudden and unexpected rebellion organised by a group of students against the Russian ruler. Go…

Nadezhda Golitsynamemoirswoman-writerNovember UprisingRusycystyczne Studia Literaturoznawcze
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