Search results for "aestheticism"
showing 10 items of 16 documents
Aesthetic Lives
2013
Impression(s)
2019
The articles presented in this cluster discuss literary and visual impressions from the premise that literary impressionism and printmaking share the trope of impression as “impress” and as “imprints” in a technical and epistemological sense. Most works on Impressionism and literary impressionism dwell on the genealogy and mutual influence of fiction and painting, but few authors tackle the importance of printmaking. The five essays presented here all examine impressions as theme, trope and technique in 19th and 20th-century texts and images. These essays discuss intermedial practices, the mutual influence of artistic practice and textual production, as well as the dual meaning of impressio…
Reconnecting Aestheticism and Modernism
2016
Charting the period that extends from the 1860s to the 1940s, this volume offers fresh perspectives on Aestheticism and Modernism. By acknowledging that both movements had a passion for the ‘new’, it goes beyond the alleged divide between Modernism and its predecessors. Rather than reading the modernist credo, ‘Make it New!’, as a desire to break away from the past, the authors of this book suggest reading it as a continuation and a reappropriation of the spirit of the ‘New’ that characterizes Aestheticism. Basing their arguments on recent reassessments of Aestheticism and Modernism and their articulation, contributors take up the challenge of interrogating the connections, continuities, an…
‘Debating “l’esthéticisme” and “l’esthétisme “ in (some) French Periodicals’
2018
Starting with the two competing translations of aestheticism (esthétisme and estheticisme), this article is devoted to retracing the complex reception of the English term in various French journalistic writings between 1880 and 1900. I follow the semantic vicissitudes of the two terms and their cognates, ‘esthète’ and ‘esthétique’, as they circulated in public discourse through the press and magazines. In France, British aestheticism appears at first not to have been strictly differentiated from Pre-Raphaelitism, the latest developments of which were also percolating in the 1870s and 1880s in the sections of specific press and magazines.I pay less attention to the already well-documented re…
Ten Words About Morphogenetic Images
2018
This chapter describes how the repertoire of images derived from morphogenetic shaping processes is widely studied in every scientific and humanistic field. These are from the pioneering experiences of cinematic, programmed and generative arts of the 1960s and 1970s, the utopian digital space spells in the ‘90s, the morphogenetic architectural projects in the early 2000s, to the latest experiences. It is possible to look at these currents with a critical look detached from the time distance that has developed. Many denominations indicate processes and experiences in different fields but result from a common intellectual matrix. This is used to generate shapes, figures, spaces or images from…
Über die frühen Werke von Carl Gotthard Graß in der Akademischen Bibliothek der Universität Lettlands, über die Freundschaft, Antiquarismus in der Ge…
2020
Croce e il ruskinismo italiano: i rapporti con Conti e "Il Marzocco"
2006
Il saggio riguarda il confronto e le divergenze tra l'estetica di Croce e l'estetismo di matrice ruskiniana. The essay deals with the confrontation and the conclicts between Croce’s aesthetics and the aestheticism of Ruskin and his followers
Introduction: Impression(s)
2019
This is the introduction to the volume "Impression(s)". The articles presented in this cluster discuss literary and visual impressions from the premise that literary impressionism and printmaking share the trope of impression as “impress” and as “imprints” in a technical and epistemological sense. Most works on Impressionism and literary impressionism dwell on the genealogy and mutual influence of fiction and painting, but few authors tackle the importance of printmaking. The five essays presented here all examine impressions as theme, trope and technique in 19th and 20th-century texts and images. These essays discuss intermedial practices, the mutual influence of artistic practice and text…
�Cu�l es la funci�n de los valores en el cine?: Apuntes sobre la �cr�tica �tica del arte�
2018
In this paper we raise the question of whether moral values play any decisive role in cinematographic art (and, therefore, whether film can or not influence the behavior of the spectator). To this end, we will first introduce the controversy between two opposing positions: the “(moralist) consequentialism” and the “(aestheticist) autonomism”; secondly, we will propose an alternative to this approaches based on some notions of two contemporary philosophers of film: David Bordwell and Noel Carroll. Our overall objective will be to present the main lines of this debate – centered on the relationship between Ethics and Aesthetics – and point out the different positions involved.
«‘The independence of the word’: Words, Styles, Literature, and the Question of Value between 1880 and 1920 »
2013
International audience; This presentation deals with I. A. Richards's re-evaluation of the legacy of Aestheticism