Search results for "aesthetics"

showing 10 items of 552 documents

The Path of Cicely Saunders: The “Peculiar Beauty” of Palliative Care

2019

This paper is aimed at focusing on the writings and the experience of the Hospice movement Founder, Dame Cicely Saunders. The in-depth analysis carried out had the objective of verifying if “the way” of Cicely to understand, live and propose palliative care was still current and “beautiful”, so that we can nowadays refer to her fascinating “Original Palliative Care”. With “beauty” we mean, on the one hand, a way able to allow a personal path of research of the meaning of the disease and of the care, both for those who care and for those who are cared for. On the other hand, it seems to us that Cicely strongly suggests how this path can not be carried out alone, but is only possible within …

AdultMalePalliative careAttitude of Health Personnelmedia_common.quotation_subjectContext (language use)EmpathyNursing Staff HospitalRelational autonomyHistory 21st Centurytotal painCicelyHumansMeaning (existential)SociologyCicely Saundermedia_commonpalliative carebiologyGeneral MedicineHistory 20th CenturyMiddle Agedbiology.organism_classificationglobal approachAction (philosophy)AestheticsBeautyFemaleEmpathy
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Eleonora Duse's Library: The Disclosure of Aesthetic Value in Real Acting

2010

Even though Eleonora Duse (1858-1924) referred to her books as her own artistic wardrobe, her most highly valued possessions, scholars and biographers have insisted on neglecting her library and furthermore, have for many years considered it lost forever. This article explains the value of the founding and reconstructing of the Murray Edwards Eleonora Duse Collection in Cambridge. She specifically refers to a selection of books which have been renamed 'Cleopatra's Books'. They are remarkable examples which are representative of Duse's library as a whole and lay bare the roots of Duse's intellectual evolution. Many have believed the romantic notion that Duse acted out her own personal life o…

Aesthetic valueAestheticsmedia_common.quotation_subjectDuse library CambridgeArtSettore L-ART/05 - Discipline Dello Spettacolomedia_commonNineteenth Century Theatre and Film
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Dall’iperestetica all’anestetica: la negazione dell’umano nella società dell’apparenza

2021

Viviamo nella “società dell’immagine” che ottunde la sensibilità e produce indifferenza. Il saggio mette a fuoco la ricerca ossessiva di una bellezza superficiale e apparente in ogni ambito della vita quotidiana e la conseguente perdita dei valori morali. Per contrastare questa anestetizzazione dovuta all’esasperata tendenza all’eccesso e al superamento dei limiti del giusto, del necessario, del conveniente e del bello, il saggio propone di recuperare l’antica dimensione etico-estetica del bello in linea con alcuni interessi dell’Everyday Aesthetics. We live in the "society of the image" that obtunds sensitivity and produces indifference. The essay focuses on the obsessive search for a shal…

AestheticBeautyHyper-aestheticestetica bellezza Everyday Aesthetics iperestetica società dell’immagine. Anestetica aura Yuriko Saito.auraEveryday AestheticanesthetizationSettore M-FIL/04 - EsteticaYuriko Saitosociety of the image
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Aesthetic Lives

2013

AestheticismImpressionism[SHS.LITT] Humanities and Social Sciences/LiteratureaestheticsJane Morrisgender[SHS.ART] Humanities and Social Sciences/Art and art history[SHS] Humanities and Social SciencesWalter Pater[SHS.GENRE] Humanities and Social Sciences/Gender studiesOscar Wilde
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Reconnecting Aestheticism and Modernism

2016

Charting the period that extends from the 1860s to the 1940s, this volume offers fresh perspectives on Aestheticism and Modernism. By acknowledging that both movements had a passion for the ‘new’, it goes beyond the alleged divide between Modernism and its predecessors. Rather than reading the modernist credo, ‘Make it New!’, as a desire to break away from the past, the authors of this book suggest reading it as a continuation and a reappropriation of the spirit of the ‘New’ that characterizes Aestheticism. Basing their arguments on recent reassessments of Aestheticism and Modernism and their articulation, contributors take up the challenge of interrogating the connections, continuities, an…

Aestheticism[SHS.LITT] Humanities and Social Sciences/LiteraturerevisioneconomyBritish LiteratureModernismaestheticsPoetrycanonethics
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‘Debating “l’esthéticisme” and “l’esthétisme “ in (some) French Periodicals’

2018

Starting with the two competing translations of aestheticism (esthétisme and estheticisme), this article is devoted to retracing the complex reception of the English term in various French journalistic writings between 1880 and 1900. I follow the semantic vicissitudes of the two terms and their cognates, ‘esthète’ and ‘esthétique’, as they circulated in public discourse through the press and magazines. In France, British aestheticism appears at first not to have been strictly differentiated from Pre-Raphaelitism, the latest developments of which were also percolating in the 1870s and 1880s in the sections of specific press and magazines.I pay less attention to the already well-documented re…

AestheticismreceptionTranslation aestheticsReception and audience studies[SHS.LITT]Humanities and Social Sciences/Literatureperiodicalsfin de siècletranslation[ SHS.LITT ] Humanities and Social Sciences/LiteratureBritish AestheticismFrench journalism[SHS.LITT] Humanities and Social Sciences/LiteratureFranceComputingMilieux_MISCELLANEOUS
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L’uomo vivificato. Il "ganzer Mensch" come ideale antropologico della "Wirkungsästhetik" tra primo illuminismo e filosofia popolare

Aesthetics of the eighteenth centuryEstetica del Settecentovital knowledgeSettore M-FIL/04 - Esteticailluminismo tedescoGarveGerman EnlightenmentSulzerEstetica del Settecento; illuminismo tedesco; Baumgarten; Sulzer; Garve; conoscenza vivaBaumgartenconoscenza vivaAesthetics of the eighteenth century; German Enlightenment; Baumgarten; Sulzer; Garve; vital knowledge
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Bello e Idea nell’estetica del Seicento

2007

The Beautiful and The Idea in 17th-Century Aesthetics In his renowned lecture on the Idea, which he delivered at the Academy of Saint Luke in 1664, Giovan Pietro Bellori asserts the superiority of ideal beauty against the slavish imitation of reality and the unbridled freedom of the imagination. However, an equally important, albeit lesser known, contributor to the formulation of this classicist aesthetic theory is Giovan Battista Agucchi, author of a Treatise on Painting that appeared in fragmentary form in 1646. In this work, Agucchi identifes beauty as the truest and highest aim of painting; he attributes to the artist the power to contemplate the Idea, and confers a profound cognitive v…

Aesthetics Art Theory History of Ideas Agucchi Bellori beauty creativitySettore M-FIL/04 - Esteticaestetica teoria delle arti scultura storia delle idee Agucchi Bellori bellezza creatività
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Erweiterung des Kantismus, Umgestaltung der Metaphysik. Il giovane Viktor von Weizsäcker lettore di Kant

2015

This paper aims to examine the relationships between the research of young Viktor von Weizsäcker and Kant’s critical thinking. Starting from the criticism of Driesch’s Neovitalism, here are considered some of the major contributions of Weizsacker in the years 1911-1926, in order to show its path between criticism of knowledge, metaphysics, construction of a biology and a medical anthropology.

Aesthetics Biology Philosophical Anthropologylcsh:BH1-301lcsh:BSettore M-FIL/04 - Esteticalcsh:Philosophy. Psychology. Religionlcsh:AestheticsLebenswelt. Aesthetics and philosophy of experience.
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L'origine come materia comune

2012

The Origin Seen as Common Matter Twentieth-century theories of form and organic form show a hard ten- sion between the idea of the origin as appropriative dynamics – in which the dynamic element refers to a metaphysics of force, and the form-centring is just defined as appropriation – and the idea of the origin as a ‘common matter’. The essay explains these two theoretical options discussing these opposite polarities in biology and analysing some cinematic examples taken from Ejzenštejn’s thought on Disney’s Silly Symphonies.

Aesthetics Cinema Evolutionary Theory
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