Search results for "archi"

showing 10 items of 9402 documents

Tres tablas más que añadir al catálogo de Vicente Macip. (Albaida, h. 1468- Valencia, 1551)

2013

1551) Samper EmbizUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]h. 1468- ValenciaVicente 29 360211-5808 9678 Archivo de arte valenciano 367242 2013 94 4718364 Tres tablas más que añadir al catálogo de Vicente Macip. (Albaida
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Committenti, teorie e modelli (XV-XVI secolo)

2022

The chapter deals with the theme of the role of clients in architectural debate in Italy during 15th and 16th centuries, trough a slection of case studies.

16th century architecture15th centrury architecturearchitectural debateClientSettore ICAR/18 - Storia Dell'Architettura
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Il caracol quadrato in Sicilia (XVI secolo)

2022

Square spiral staircases appear in Sicily during the 16th century in different contexts and for different purposes. This contribution focuses on two case studies at the “opposite poles” of a casuistry that shares the common characteristics of suspended ramps revolving within a square masonry box around a central void. By analysing these cases we find a probable link with models from Spain. At the same time, they demonstrate a common descent from a constructive culture rooted in the Spanish and Mediterranean stereotomic experience of the early modern age.

16th centurySquare spiral staircasestereotomySettore ICAR/18 - Storia Dell'ArchitetturaSicily
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La fortificación del Reino de Valencia en la década de1640 a la luz de la revolución militar

2019

This article proposes a study of the traditions in defensive architecture that concurred in the projects designed by Spanish military engineers for the fortification of the Valencian frontier in 1648 and 1649, in the context of the War of Catalonia (1640-1652). For this it is essential to follow the route of the Valencian adaptations to the military revolution in the matter of fortifications throughout the sixteenth century and compare them with those brought to Valencia in 1641 by the Marquis of Leganes and his engineers from the school of Milan.

17th centuryfortification 197 224UNESCO::HISTORIAguerra de Cataluñarevolución militarKingdom of ValenciaRevista de historia moderna 529735 2019 45 7107717 La fortificación del Reino de Valencia en la década de1640 a la luz de la revolución militar Hernández Ruano [0210-9093 553 Estudis]military revolutionWar of CataloniaJavier This article proposes a study of the traditions in defensive architecture that concurred in the projects designed by Spanish military engineers for the fortification of the Valencian frontier in 1648 and 1649fortificaciónsiglo xVII:HISTORIA [UNESCO]in the context of the War of Catalonia (1640-1652). For this it is essential to follow the route of the Valencian adaptations to the military revolution in the matter of fortifications throughout the sixteenth century and compare them with those brought to Valencia in 1641 by the Marquis of Leganes and his engineers from the school of Milan. Reino de Valencia0210-9093 553 Estudis: Revista de historia moderna 529735 2019 45 7107717 La fortificación del Reino de Valencia en la década de1640 a la luz de la revolución militar Hernández Ruano
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MUTAZIONI IN CORSA: L’AVVENTURA DELLA COSTRUZIONE DI UNA FACCIATA DEL SETTECENTO. LA CHIESA DI SAN GIOVANNI A VIZZINI

2022

A series of documents helps to define the history of the genesis of an eighteenth-century church façade in Sicily: the church of San Giovanni in Vizzini. The history reveals a constant change of intentions and an empirical approach where, without necessarily proceeding to demolish the already built, the project is subjected to continuous revisions and additions. The process therefore reveals a radical alternative to the idea of an orderly succession between drawing and execution.

18th century Sicily façade constructionSettore ICAR/18 - Storia Dell'Architettura
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Earthquake-resistant construction techniques in Italy between 1880 and 1910: alternatives to reinforced concrete

2017

The series of earthquakes that struck Italy between the late nineteenth century and the first decade of the twentieth century spurred a lively debate about earthquake-resistant buildings that, through the influence of foreign experience, resulted in specialised literature and competitions that gave rise to a series of interesting patents. Innovative construction solutions for seismic areas were largely developed after the earthquake that struck the cities of Messina and Reggio Calabria in 1908, alongside the parallel advances in reinforced concrete. New earthquake-resistant construction solutions were based on a reassessment of traditional construction methods that used bricks, timber or me…

1908Earthquake-resistant construction; patents; Messina and Reggio Calabria earthquake; earthquake-resistant technology; 1908.patentsMessina and Reggio Calabria earthquakeearthquake-resistant technologyEarthquake-resistant construction patents Messina and Reggio Calabria earthquake earthquake-resistant technology 1908.Settore ICAR/18 - Storia Dell'ArchitetturaEarthquake-resistant construction
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Echi del terremoto. Francesco Valenti, Ernesto Basile, Antonio Zanca, Enrico Calandra a confronto per Messina

2008

1908TerremotoArchitettiSettore ICAR/18 - Storia Dell'ArchitetturaMessina
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Jaime Gutiérrez de haro (Port de Sagunt, 1951). Vitalismo, deseo y fantasía como núcleos narrativos

2011

1951). VitalismoUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASdeseo y fantasía como núcleos narrativos Silvestre:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]0211-5808 9678 Archivo de arte valenciano 301724 2011 92 3910504 Jaime Gutiérrez de haro (Port de SaguntRicard 459 475
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Jyväskylän yliopiston kampus, Seminaarinmäki : Jyväskylä, Alvar Aalto 1951-1971 & Arto Sipinen 1970-1974

2017

1960-lukuUniversity of Jyväskyläarchitecture1950'shistoria1960's 1970'smodernismiJyväskyläyliopistotmodernismkampuksetrakennuksetAalto Alvar1970-lukuarkkitehtuuribuildingscampus areasSeminaarinmäkiJyväskylän yliopistoSipinen Artopostwar periodsodanjälkeinen aikahistory1950-lukukulttuurihistorialliset rakennuksetcultural heritage buildingsuniversities
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La Sala Parpalló en el Centre Cultural La Beneficència (1995-1999)

2020

During the period 1995-1999, the Sala Parpalló was located in the Beneficència Cultural Center of Valencia, sharing the place with the spaces of the Museum of Prehistory, the Museum of Ethnology and the IVEI. In the investigation it exposed a technical file for each of the 57 self-produced exhibitions carried out in the period and a selection of the studies that accompanied them: the files are displayed chronologically according to the procedures used. The work concludes with the analysis of the objectives that were mainly all the programming: 1) Sala Parpalló as an integrated project; 2) Studies and exhibitions around the Valencian Cultural Imaginary; 3) Analysis of the postmodern crisis; …

2) Studies and exhibitions around the Valencian Cultural ImaginaryUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASManuel During the period 1995-1999and 4) Contemporary creation as an extension of the Avant-garde Theory. 331 411the files are displayed chronologically according to the procedures used. The work concludes with the analysis of the objectives that were mainly all the programming: 1) Sala Parpalló as an integrated project [the Museum of Ethnology and the IVEI. In the investigation it exposed a technical file for each of the 57 self-produced exhibitions carried out in the period and a selection of the studies that accompanied them]:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]the Sala Parpalló was located in the Beneficència Cultural Center of Valencia3) Analysis of the postmodern crisissharing the place with the spaces of the Museum of Prehistory0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707993 La Sala Parpalló en el Centre Cultural La Beneficència (1995-1999) Muñoz Ibáñezthe Museum of Ethnology and the IVEI. In the investigation it exposed a technical file for each of the 57 self-produced exhibitions carried out in the period and a selection of the studies that accompanied them: the files are displayed chronologically according to the procedures used. The work concludes with the analysis of the objectives that were mainly all the programming: 1) Sala Parpalló as an integrated project
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