Search results for "auschwitz"

showing 10 items of 23 documents

Auschwitz, la vergüenza y el sujeto posmoderno

2002

Bastante de la literatura sobre Auschwitz que posee interés filosófico ha aparecido en el curso de los últimos diez o quince años. Esto pone de manifiesto que la herida dejada por aquella devastadora experiencia sigue sin cicatrizar, no sólo en el alma de quienes la padecieron y sobrevivieron a ella, sino también en la conciencia intelectual de nuestro tiempo.

:ÉTICA [UNESCO]UNESCO::ÉTICA:ANTROPOLOGÍA [UNESCO]Primo LeviUNESCO::ANTROPOLOGÍAAuschwitzsuperviviente
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A work of “total” art. Phenomenology of the Italian memorial in Auschwitz

2016

In 1978 the Italian Association ANED (national association of people formerly deported to nazi camps) starts the design and implementation of a Memorial, to tell the story of the Italian deportation, shaping it with respect to the inner space of one of the existing blocks on the site of the extermination camp in Auschwitz (Block 21). From the first project idea, the art potentiality was assumed as the most suitable instrument for the construction of memory. The Memorial was configured, in fact, as a true work of total art, coincidence of intention and perfect synthesis of the various arts in compliance with the same program: a choral work, a work of artists and intellectuals who, each accor…

Auschwitz Italian memorial Total art Narrative space PhenomenologySettore ICAR/14 - Composizione Architettonica E Urbana
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Riconoscere Auschwitz

2012

Auschwitz rappresentazione Primo Levi simbolo
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Auschwitz, il Blocco 21 e la pensabilità del secolo

2009

Auschwitz rappresentazione monumento secolo simbolo.
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Fenomenologia di un’opera d’arte “totale”

2014

Phenomenology of a work of "total" art The Italian memorial at Auschwitz From the first project idea, the initiative ANED for the construction of a Memorial was aimed to tell the tragic story of the Italian deportation, and had founded in the potential of art the most suitable tool for the construction of memory. The Memorial was configured as a true work of total art, coincidence of intention and perfect synthesis of the various arts in compliance with the same program: a choral work, work of artists and intellectuals who, each in its own jurisdiction, had composed it like an "organic" system in the deep sharing of the ultimate meaning of the thinking and doing. Starting from these premise…

Auschwitz work of "total" art Italian memorialSettore ICAR/14 - Composizione Architettonica E UrbanaAuschwitz opera d'arte totale memoriale italiano
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La singularidad de Auschwitz. Un debate sobre el uso publico de la historia

2004

Ciencias sociales. GeneralidadesUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Humanidades. GeneralidadesHumanidadesGrupo CAuschwitzCiencias socialesGrupo D
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Block 21 and the Pensabilità of the Representation of Auschwitz

2012

Abstract Building on the assumption that the Memorial in Honor of Italians Fallen in Nazi Extermination Camps (situated in Auschwitz I, Block 21) expresses the meta-reflexive inclination that strengthened the twentieth century (the capacity of that century to think of itself as a subject), this article aims to highlight and illustrate the dual philosophical significance of the Memorial. From the perspective of the philosophy of history, this philosophical significance, which has a symbolic value, leads us to investigate an organic and historically embodied conception of deportation. From the perspective of the aesthetics of memory, this philosophical meaning offers a new framework for the …

Cultural StudiesCognitive scienceHistoryRAPPRESENTAZIONEAUSCHWITZVisual Arts and Performing ArtsPhilosophy of historymedia_common.quotation_subjectReligious studiesSubject (philosophy)Representation (arts)ArtMeaning (philosophy of language)DeportationExpression (architecture)AestheticsHonorPensare dopo AuschwitzSettore M-FIL/01 - Filosofia TeoreticaThe SymbolicRappresentazione estetica memoria Auschwitzmedia_commonImages
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The Original Position and the Rationality of Primo Levi's Shame

2016

Contrary to what he expected, Primo Levi didn’t experience his life after being released from Auschwitz as cheerful and light-hearted. He – like many other survivors – was haunted by an obscure and solid anguish that he finally identified as springing from a sense of shame or guilt in front of those who were exterminated in the Lager. Levi was unable to either acknowledge his shame as rational or reject it as irrational. This looks, though, like a rather unstable situation calling for some further elucidation. I will thus examine Levi’s shame in light of the dominant conception of practical deliberation and, more specifically, in view of the the role that John Rawls ascribes to the original…

Guerra Mundial II 1939-1945 Atrocitatsvergogna rationalità principi posizione originale Auschwitz.
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Il Memoriale italiano di Auschwitz

2012

L'articolo tratta del Memoriale di Auschwitz, costruito da Ludovico Belgioioso, con una grande tela di Pupino Samonà, e con la partecipazione di Luigi Nono e di Primo Levi, che rischia di essere smembrato e distrutto.

MonumentoSettore ICAR/14 - Composizione Architettonica E UrbanaAuschwitz
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Il Lager per famiglie di Theresienstadt (BIIb) a Birkenau (settembre 1943 - luglio 1944)

2008

Il saggio di M. Kàrny ricostruisce la vicenda del "Familienlager" del settore BII2 di Auschwitz-Birkenuau, costituito nel settembre del 1943 e destinato ad accogliere poco più di 50.000 deportati provenienti dal ghetto di Theresienstadt. Tra la fine del 1943 e la primavera del 1944 vennero trasferite nel medesimo Lager altre 12.500 persone, che vi rimasero sino alla definitiva liquidazione avvenuta nel luglio 1944. Il saggio rivela l'esistenza di un'attività musicale all'interno del Lager e costituisce un elemento di fondamentale importanza - sino ad ora del tutto inedito in Italia - per la ricostruzione della storia del ghetto di Theresienstadt e gli sviluppi della sua vita culturale e mus…

Nazismo Ebrei Shoah Theresienstadt Auschwitz-Birkenau FamilienlagerSettore L-ART/07 - Musicologia E Storia Della Musica
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