Search results for "beings"
showing 7 items of 17 documents
De la performance musicale dans la Guyane traditionnelle : expression cognitive singulière d?une musique-verbe
2021
Guianese culture and traditional music, here evoked, are various. It is more a transcultural process that, along centuries, gave an original result born in the Americas, in Guiana in this case. It is a form of refoundation, of recreation of cultures and new human beings generally called Creoles. The musical performance, that I study here, is the echo of social and cultural space of this reformulation of thought, life, and conception of the world. It is, as well, a mean of transposition and transformation of the values issued of diverse sources and categories. It is in no way a second-rate cultural practice, as it is the place where were born philosophies and actions for common life as well …
New Mediterranean Marine biodiversity records (December, 2013)
2013
M. Bilecenoglu [et al.]
In groppa all’asino, diretti verso l’ignoto
2018
L'articolo affronta il tema del rapporto uomo natura attraverso la relazione con gli animali e si sofferma sul significato simbolico dell'asino, approfondendo e motivando le valenze terapeutiche della relazione uomo-asino e confrontandola, sempre in chiave simbolica, con la relazione analista paziente. The article deals with the theme of the relationship between human beings and natural world through the relationship with animals , and focuses on the symbolic meaning of the donkey, deepening and motivating the therapeutic value of human beings-donkey relationship and comparing it, always in a symbolic key, with the relationship between analyst and patient
Rapporti nazionali: Sezione III - Belgio
2019
SOMMARIO: 1. Introduzione. - 2. Il favoreggiamento dell’immigrazione clandestina: l’evoluzione legislativa - 2.1. La condotta illecita. - 2.2. Le forme di manifestazione del reato. - 2.3. La responsabilità delle persone giuridiche. – 2.4. Il trattamento sanzionatorio. – 2.5. L’esenzione dalla pena. – 3. La tratta di esseri umani: l’incriminazione autonoma. - 3.1. La condotta illecita. – 3.2. Le forme di manifestazione del reato. – 3.3. La responsabilità delle persone giuridiche. – 3.4. Il trattamento sanzionatorio. – 4. L’assistenza e la tutela delle vittime.
Rapporti nazionali: Sezione IV - Francia
2019
SOMMARIO: 1. Introduzione. - 2. Il favoreggiamento dell’immigrazione clandestina: l’evoluzione legislativa - 2.1. La condotta illecita. - 2.2. Le forme di manifestazione del reato. - 2.3. La responsabilità delle persone giuridiche. – 2.4. Il trattamento sanzionatorio. – 2.5. L’esenzione dalla pena per condotte collaborative. – 3. La tratta di esseri umani. - 3.1. La condotta illecita. – 3.2. Le forme di manifestazione del reato. – 3.3. La responsabilità delle persone giuridiche. – 3.4. Il trattamento sanzionatorio. – 3.5. L’esenzione dalla pena per condotte collaborative. – 3.6. L’assistenza e la tutela delle vittime.
The Human Right to Social Security and Its Impact on Socio-Political Action in Germany and Finland
2017
Social human rights have rarely been given attention in social work research or comparative studies on welfare states. The paper aims at filling the gap by analysing the conception of human beings inherent in human rights and in unemployment policy documents in Germany and Finland. Its focus lies on the right to social security, a central norm of the International Covenant on Economic, Social and Cultural Rights. The main question is what impact does the right to social security have on socio-political action in Germany and Finland. The results of the analysis, which was based on the objective hermeneutics, revealed a structural similarity between the conceptions of human beings in both cou…
Gestural Agency in Human-Machine Musical Interaction
2017
Musical technologies are evolving in such a way that they start to resemble the people that use them. In this vision it seems pertinent to abandon the conception of musicians as users of musical instruments in favor of machines and humans interacting to make music. Both the machine and the human can be modeled as embodied cognitive agents that comprise a network of musical gestures. These gestures are multi-modal signals that allow the agents to exert influence upon each other towards making music. This standpoint integrates traditional and novel music-making technologies, towards a better understanding of musical interaction. peerReviewed