Search results for "broadcast"

The role of broadcast media in disaster preparedness education : lessons learned in the scientific

2014

This paper aims to clarify the role of broadcast media in disaster preparedness education concerning natural disasters such as earthquakes and tsunamis. This is done by means of a systematic review of the scientific literature on this topic over the last 10 years. The results show that media information is a strong facilitator of awareness of disasters. Preparedness includes action to reduce risks, which also needs community interaction, resources and motivation. It adds to indigenous knowledge and experience of disasters, and may combine self-education by the media, school education and community efforts for disaster risk reduction. An inclusive approach is also called for in order to invo…

Wpływ epidemii koronawirusa na medialne transmisje Eucharystii

2021

The coronavirus epidemic has become a completely unexpected challenge for the pastoral activity of the Church. The introduced restrictions on the number of the faithful who can participate in the parish liturgy and in some countries even the complete closure of places of worship, resulted in a new perception of the role of media broadcasts of the Eucharist. The article presents the history of introducing television broadcasts of the Holy Mass and the related and variously solved problem of the place where such a liturgy is celebrated. Issues related to the specific phenomenon of broadcasting the Holy Mass from parish churches via the Internet with the use of one webcam are also discussed. A…

The proceedings of Spanish Audiovisual Councils on discriminatory discourse

2021

Mass media, and especially television, are powerful discursive instruments, responsible for the construction of social imagery through ideologically determined content. For this reason, the creation of a regulatory body with authority over the audiovisual sector in countries without one was urged by the Committee of Ministers of the Council of Europe in 2000. Spain is the only EU country without an audiovisual council with authority at the state level. Currently, only the Audiovisual Council of Catalonia (CAC), created in 2000, and the Audiovisual Council of Andalusia (CAA), which dates from 2004, operate in Spain. Within an environment increasingly marked by hate speech, this research anal…

ELS live surgery: a developing story

2019

Since 2015, the European Laryngological Society (ELS) has organized on a yearly basis the European Laryngological Live Surgery Broadcast. The goal of this paper is to demonstrate the increasing worldwide audience. The number of individual computers logged in, number of estimated audience, and number of countries with an active audience were calculated and compared to the numbers in 2015. In 2018, 19 live interventions were performed in three parallel sessions. The surgeons worked in 10 departments in 8 different countries. The number of individual computers logged in increased from 1000 in 2015 to 16000 in 2018. The estimated audience increased from 3000 to 32000 visitors. The number of cou…

An Experiment with Facebook as an Advertising Channel for Books and Audiobooks

2016

The paper addresses the problem of using social media to promote innovative products available in online stores. Motivated by the fast development of the audiobook market, on the one hand, and the efficiency of social media marketing, on the other hand, we conducted an experiment with a marketing campaign of books and audiobooks on the most popular social networking site, Facebook, and discussed it in the paper. The goal of the experiment was exploring possible differences in FB users’ reaction to FB advertisements of traditional books and audiobooks. The experiment was implemented by using a real Facebook fanpage of a Polish publishing house having its own online bookstore. Results show so…

“Congratulations, you’re on TV!”: Middle-space performances of live tweeters during the FIFA World Cup

2018

Social television has transformed the traditional role of the television viewers by providing ‘ordinary people’ access to the public stage. This article describes how public access to television affected the dialogues of Finnish tweeters on Twitter during the massive media event of the FIFA World Cup. Through the lens of digital conversation analysis, the study shows how the media publicity of tweets changed the direction of the interaction between tweeters and transformed their roles vis-à-vis the television show, making one of them into a ‘media flasher’ and the others viewers of his or her performance. The publicity was constructed as important through noticings, congratulations, and com…

Local Television and Its Role in Building Plural Societies

2015

The discursive construction of leader identity: Tim Cook in a broadcast interview

2016

Tämän tutkimuksen aiheena on tutkia johtajaidentiteetin rakentumista diskursiivisesta näkökulmasta. Sosiolingvistisen tutkimussuuntauksen piirissä identiteetin rakentuminen nähdään kielellisenä prosessina: identiteetti rakentuu vuorovaikutuksessa diskursiivisten prosessien kautta. Tätä taustaa vasten tavoitteena on selvittää, kuinka Applen toimitusjohtaja Tim Cookin johtajaidentiteetti rakentuu haastattelutilanteessa erilaisten kielellisten keinojen kautta. Tutkimuksen keskiössä ovat erityisesti kielellisen asemoinnin keinot eli erilaisten lyhyt- ja pidempiaikaisten identiteettiasemien osoittaminen niin Cookin itsensä kuin haastattelijan toimesta. Teoreettinen viitekehys koostui Bucholtzin …

Making sense of the senseless : the management of problematic questions in the Noriko Show

2008

Mehr als Musik: Die sieben Dimensionen des Eurovision Song Contests

2008

"Der Eurovision Song Contest (ESC) ist der weltweit größte internationale Wettbewerb für populäre Musik und das erfolgreichste Fernsehunterhaltungsprogramm in Europa. Obwohl der ESC ursprünglich das Ziel verfolgte, die Entstehung neuer Lieder zu fördern, handelte es sich doch stets um ein von den Fernsehanstalten inszeniertes Medienereignis, das erst nachrangig musikökonomischen Zwecken dient. Für das Publikum ist der ESC auf Grund seiner Periodizität, seiner spezifischen Programmstruktur und nicht zuletzt des Zugehörigkeitsgefühls der Zuschauer, das auf Schemata nationaler und kultureller Identifikation beruht, zu einem hochgradig ritualisierten Medienereignis geworden. Seine Bedeutung geh…