Search results for "creative industries"
showing 10 items of 39 documents
Theorizing cultural work: labour, continuity and change in the cultural and creative industries
2014
Theorizing Cultural Work, edited by Mark Banks, Rosalind Gill, and Stephanie Taylor, deals with contemporary cultural work and creative industries by elaborating the specificities of the present th...
Economic development and the creative industries: a tale of causality
2014
Cultural and creative industries are thought to be a driver for economic growth. During the last decade, research has tried to link higher intensity of these industries with the region's welfare. However, this is a controversial relationship that still needs to be proved. In this article, we build a conceptual framework to help us test the possible causality between regional income generation and employment in the cultural and creative sectors. Using regional European data for 1999–2008, our results show that there is a significant feedback (bidirectional causality) between the per capita GDP and employment intensity in the cultural and creative industries, allowing us to conclude that ther…
Knowledge bases and regional development: collaborations between higher education and cultural creative industries
2016
This paper builds on the assumption that cooperation between higher education institutions (HEIs) and creative and cultural industries (CCIs) stimulates innovation and economic growth at the regional level. It further assumes that HEIs and CCIs hold different perspectives on their intention to cooperate with external actors and, thus, there is a need for joint arenas to develop and integrate knowledge and practices among stakeholders across academia and industry. With this rationale in mind, the paper’s main objective is to discuss how universities’ roles in the establishment and development of locally embedded CCIs change or evolve over time. Taking a process economics perspective and buil…
Economic reasoning and creative industries progress
2017
ABSTRACTThis article offers a theoretical discussion on how major neoclassical economic theory assumptions blur the understanding of creative industries. By distinguishing between creative-rational and creative-intuitive industries, with different compositions of commercial and cultural attributes, we particularly show how the latter sector has characteristics and dynamics that are incompatible with a theory based on preference rationality, profit maximisation and equal access to information among actors. When customer utility is composed of economic, as well as aesthetic, spiritual, social, historical, symbolic and authenticity values, then all these will affect customers' willingness to p…
Linking content and technology: on the geography of innovation networks in the Bergen media cluster
2017
This paper deals with the geography of innovation networks and analyses combinatorial knowledge dynamics from a single cluster perspective. Addressing firms in the media cluster in Bergen, Norway, we examine how and from where companies acquire and combine different types of knowledge for their innovation activities. The empirical analysis, which is based on structured interviews with 22 media companies, identifies two main types of cluster firms: media content providers that rely heavily on symbolic knowledge and media technology providers that draw mostly on synthetic knowledge. Even though they draw on different knowledge bases, the two types of firms are strongly interlinked in their in…
European Capital of Culture Designation as an Initiator of Urban Transformation in the Post-socialist Countries
2012
Since 1985, the EU has designated cities as European Capital of Culture (ECOC) for 1 year at a time. Various ECOCs have used the designation as a tool to revive the city space. The cultural initiatives, such as the ECOC designation, are the EU's political instruments, whose significance has increased during the recent decades, and through which the EU aims to influence various political objectives, such as the unity of the Union and economic growth. These particular objectives were brought into the focus of the ECOC initiative during the Eastern enlargement of the Union. Since 2007, various Central and Eastern European cities have aimed to regenerate their economy through large construction…
The creative class: do jobs follow people or do people follow jobs?
2017
Accepted manuscript version. Published version available in Regional Studies, DOI: 10.1080/00343404.2016.1254765 Regional adjustment models are applied to explore causal interaction between two types of people distinguished by educational attainment, and two types of jobs: creative class jobs and other jobs. Data used are for labour market regions in Finland, Norway and Sweden from the 2000s. Creative class jobs follow people with high educational attainment (one way causation), but creative class jobs also follow other jobs and vice versa (circular causation). The results suggest that stimulating creative class job growth could be accomplished through attracting people with higher educatio…
The ‘actually existing’ cultural policy and culture-led strategies of rural places and small towns
2016
Abstract Questions regarding the relevance of culture-based development strategies are even more relevant to ask when such strategies are applied to rural places and small towns. In urban contexts, the number of citizens and the volume and variety of the cultural sector, other industries and services are important success criteria. In small Norwegian rural municipalities, these factors are even more critical because the Norwegian rural context is characterized by low population density and low variety and volume in industries and services. Rural places and small towns are, to a large extent, neglected in the culture-led development studies, and likewise, culture is largely neglected in rura…
From Silk to Digital Technologies: A Gateway to New Opportunities for Creative Industries, Traditional Crafts and Designers. The SILKNOW Case
2020
Nowadays, cultural heritage is more than ever linked to the present. It links us to our cultural past through the conscious act of preserving and bequeathing to future generations, turning society into its custodian. The appreciation of cultural heritage happens not only because of its communicative power, but also because of its economic power, through sustainable development and the promotion of creative industries. This paper presents SILKNOW, an EU-H2002 funded project and its application to cultural heritage, as well as to creative industries and design innovation. To this end, it presents the use of image recognition tools applied to cultural heritage, through the interoperability of …
Becoming and Being a Creative and Entrepreneurial Mum in Finland
2020
This chapter explores the pathways of mothers with young children into cultural and creative industries (CCIs). These women can be described as mumpreneurs, meaning that they combine running a business enterprise with looking after their children. Typically unstable, insecure, and unpredictable, CCIs also offer scope for great self-engagement and personal satisfaction. At the same time, the current culture of intensive mothering has made motherhood more challenging than in the past. Mumpreneurship may be a way to ‘have it all’ for the women interviewed for this study. However, critical researchers have suggested that this individual ‘choice’ locks women into marginalised roles in the neolib…