Search results for "crucifix"

Iusti Lipsi De cruce libri tres : Ad sacram profanamque historiam vtiles : Vnà cum Notis

1599

Inclou: "Index capitum" Els grav. calc. Sign.: A-N4 Text amb postil·les marginals Reclams Capll. ornades

Afectos y suspiros de un corazon arrepentido á Cristo crucificado : los encarga á los fieles, la mision de Padres Capuchinos.

El full orlat Grav. xil. enmarcat de Crist crucifixat, flanquejat per ornaments florals Text del poema a tres col

La crucifixion dans les peintures murales carolingiennes dans l'Europe latine chrétienne et sur ses marges (IXè - début du XIème siècle)

2015

This Dissertation focuses on the iconography of the Crucifixion in the Carolingian mural painting between the 9th and the beginning of the 11th century. Pivot in the Christian thought with its dogmatic scope, the Crucifixion remains however poorly represented in the Latin West until the middle of the 8th century. Actually, the Carolingian period is a decisive turning point when the Crucifixion displays gradually on all the supports and through different technics, at the same time as the iconography tends to be crystallized. Based on a documentation composed of thirteen decorations painted between the 9th and the beginning of the 11th century and distributed in the former limits of the Carol…

Un'aggiunta al catalogo delle opere in argento di Filippo Juvarra

2007

Si studia l'inedito Crocifisso d'argento di collezione privata palermitana. La presenza del punzone FL.IV porta ad ascrivere il manufatto, realizzato nel 1695, a Filippo Juvarra, inserendolo tra le sue opere giovanili in argento. The unprecedented silver Crucifix from the Palermo private collection is being studied. The presence of the FL.IV punch leads to ascribe the artifact, made in 1695, to Filippo Juvarra, inserting it among his youthful works in silver.

How was the Turin Shroud Man crucified?

2014

As the literature is not exhaustive with reference to the way the Turin Shroud (TS) Man was crucified, and it is not easy to draw significant information from only a "photograph" of a man on a linen sheet, this study tries to add some detail on this issue based on both image processing of high resolution photos of the TS and on experimental tests on arms and legs of human cadavers. With regard to the TS Man hands, a first hypothesis states that the left hand of the TS Man was nailed twice at two different anatomical sites: the midcarpal joint medially to the pisiform between the lunate/pyramidal and capitate/uncinate bones (Destot's space) and the radiocarpal joint between the radio, lunate…

Compte rendu de : Christiane Klapisch-Zuber, Le voleur de paradis. Le Bon Larron dans l’art et la société (XIVe-XVIe siècles), Paris, Alma éditeur, 2…

2016

National audience; …

Study and restoration of a wooden Crucifix in the Monastery of S. Caterina D’Alessandria in Palermo, Italy

2022

This article presents the analyses and work on the iconographic subject related to a wooden crucifix of an unknown author from the S. Caterina monastery, from the first half of the 17th century. This study focuses on the stylistic comparison between this artefact and others crucifixes of the same historical period. Alongside, an in-depth description of its conservative history and restoration work on the artefact is reported

La méthode stratigraphique appliquée à l'étude de la sculpture médiévale. La fiche d'unité stratigraphique pour la documentation de la polychromie du…

2011

Lors d'un dégagement de couches picturales d'une sculpture en bois polychrome, nous nous trouvons dans une situation semblable à celle d'une fouille archéologique. Si nous n'avons pas prévu à l'avance un relevé systématique des informations contenues dans les strates que nous supprimons, nous perdrons un grand nombre de données. La restauration, au lieu d'être " le moment privilégié de connaissance de l'œuvre d'art " (Cesare Brandi), peut se transformer en un moment crucial d'effacement des données historiques...