Search results for "dekolonisaatio"
showing 6 items of 16 documents
Corporate storytelling and the idea of Latin America
2021
The aim of this article is contributing to a great variety of theoretical perspectives and empirical settings to generate cumulative evidence about the influence of historical legacies and organisational ability for managing the past. In a continuation of critical perspectives that challenges the dominance of Anglo-Saxon onto-epistemologies in management and organisation studies (MOS), we conducted an empirical study on a multinational airline company whose past successes depended on the North/South, Anglo/Latin American borderlands. We analysed the grand narratives of Pan American Airways' (PAA) corporate archival material to determine its dominant discourses about people from Latin Americ…
The Task of History
2023
Kriittinen ja korjaava artikkelikokoelma inklusiivisemmasta museotyöstä
2022
Marginaaleista museoihin. Toim. Anna Rastas & Leila Koivunen. Vastapaino 2021. 345 s.
Revealing colonial power relations in early childhood policy making: An autoethnographic story on selective evidence
2021
The COVID-19 pandemic exposes uncertainty, instability and glaring inequality that requires urgent global policy decisions. Historically, bureaucrats regard uncertainty as the enemy and look for tested solutions (Stevens, 2011). In contrast, Fielding & Moss (2010) acknowledge an uncertain future and encourage shifting policy making towards the search for possibilities instead of replicating singular solutions. Escobar (2020) advocates for pluriversal politics, with many possibilities created through collective decision-making by autonomous interlinked networks. In this paper, I combine autoethnography with policy analysis drawing on my own experience in South African early childhood pol…
Editorial
2022
Museum coloniality : displaying Asian art in the whitened context
2021
The transformation of Musée Guimet and the transition of museums in the ‘countries of origin’ of its collections elucidates how white-cube crystallises Western cultural hegemony by erasing the colonial past of the objects and by representing the physical form of modernity. It contributes as well to nullifying the demand of repatriation, which seems to merely raise new power struggles rather than to recover indigenous beliefs (or identities). Through such a muséographie, the deities of the Other are ‘elevated’ from ethnographic specimen into art in the West while ‘diminished’ from sacred icons into art or historical artefacts in Asia. Museumification as such constitutes a whitening (Westerni…