Search results for "exhibit"
showing 10 items of 156 documents
Storie di oggetti (e di sogni) perduti. Musei contemporanei per ritrovarsi
2022
What happens to humanity discarded by history? To the broken dreams (of love and life)?What to do with the objects that fill our life as "fragile ruins" of a dream lost forever? The article, looking at various contemporary projects of permanent museums and temporary exhibitions, intends to outline and lead a reflection on the radical paradigm change that intervenes in the exhibition processes and in the strategies of emotional engagement within contemporary museological policies. Conceived as places of encounter and relationship, museums are open to communities and individual stories. In particular, the emotion of lost guided the constitution of collections of objects, in a series of exhibi…
Liberation exhibitions as a commemorative membrane of socialist Hungary
2011
Towards Natural Engagement in Nonexhibitional Dramatic Role-Plays
2003
Modern language teaching and drama have long had a tenuous relationship. Foreign/second language teaching (F/SLT) and Language for Specific Purposes (LSP) instruction often mistakenly associate drama with learning games and role-play simulations. However, these remedial activities, though useful, offer only limited opportunities for natural speech interaction. This article argues that, as a natural dialogical process of cognitive and affective involvement, nonexhibitional dramatic role-play generates authentic meaning through action and personal commitment.
Taikoja ja tenhoa Oxfordissa: raportti Living in a Magical World: Inner Lives -konferenssista ja Spellbound-näyttelystä
2018
Oxfordissa pidettiin 17.–19. syyskuuta kuluvan vuoden merkittävin magian, esoteeristen alojen ja taikauskon tutkimuksen kansainvälinen konferenssi Living in a Magical World: Inner Lives, 1300–1900. Samaan aikaan Oxfordin Ashmolean Museumissa pyörii yhteistyössä konferenssijärjestäjien kanssa kuratoitu näyttely Spellbound. Magic, Ritual, Witchcraft (31.8.2018 – 6.1.2019), jossa on esillä laaja valikoima magian ja taikauskon historiaa keskiajalta 1900-luvulle. Lyhyt reportaasi arvioi sekä konferenssin että näyttelyn antia.
Suomalaisuuden ja toiseuden rajamailla : eksotisointi Gallen-Kallelan Museon Afrikka-kokoelman näyttelyhistoriassa
2020
Museoilla on ollut historiallisesti keskeinen rooli kansallisuuden ja kansallisen kuvaston tuottajina ja kulttuuriperinnön ylläpitäjinä. Osana kansallisen identiteetin rakentamisprojektia museot ovat osallistuneet myös eksotisoivan kuvaston ja toiseuden tuottamiseen ja toiminnallaan vahvistaneet kolonialistisia erontekoja. Tässä artikkelissa otamme erityiseen tarkasteluun Gallen-Kallela Museon Afrikka-kokoelman näyttelyhistorian ja pohdimme, miten museo on kokoelmaa esittäessään osallistunut kolonialistisen kuvaston tuottamiseen ja uudelleen tulkitsemiseen. Tutkimuksessa esiin nostamamme näyttelyt jakautuvat neljälle vuosikymmenelle (vuosille 1972, 1987, 1993, 2003). Aineistonamme on kirjal…
Delphi: dall'omphalos cosmico al Museo Archeologico
2009
The permanent exhibition in the Archaeological Museum, which focuses on the history of the Delphic temenos and the events related to the famous oracle and omphalos, is analyzed through the complex and delicate relationship which the contemporary museum building has established with his context, as the archaeological site of Delphi can be read as an open-air museum, which was able to accumulate and settle inside its perimeter, in a variety of declinations, the architecture and the art of ancient Hellas.
Hands-on math and art exhibition promoting science attitudes and promoting science attitudes
2017
The current science, technology, engineering, art, math education (STEAM) approach emphasizes integration of abstract science and mathematical ideas for concrete solutions by art.The main aim was to find out how experience of learning mathematics differed between the contexts of school and an informal Math and Art Exhibition. The study participants (𝑁 = 256) were 12-13 years old from Finland. Several valid questionnaires and tests were applied (e.g., SRQ-A, RAVEN) in pre- and postdesign showing a good reliability.The results based on General Linear Modeling and Structural Equation Path Modeling underline the motivational effects. The experience of the effectiveness of hands-on learning at …
Communication et médiation par le toucherdans quelques expositions de sciences : Limites et contraintes dans l’expérience des visiteurs
2016
This communication deals with the “general public” of visitors to a number of interactive exhibits that accord a direct or indirect role to the sense of touch in knowledge mediation and interpretation. The role of touch is discussed in terms of its limitations and constraints in communication situations. The social mobilizations of touch are not immediately evident; what are the conditions under which visitors actually use touch in experiencing an exhibit? What connections with other signifiers are the most conducive to reception? This qualitative research relies on observation and interviews. Apprehension of interactive objects appears to be dependent on the surrounding setting of sociabil…
A "best practice" for inclusive art cities: the case study of the I-Access project
2022
The essay aims to illustrate the results of the I-Access Interreg Italia Malta 2016-20 project, conducted by a partnership led by the Department of Architecture, University of Palermo, with the scientific coordination of Renata Prescia. The project involved the Vucciria district in Palermo and the Bijcceria district in Valletta. Within the range of products that have been created (including database, web platform, mobile apps, protocol), in this essay we want to illustrate the actions implemented to facilitate both physical and cultural accessibility, from the integrated points of view between restoration and exhibition design. They are actions for overcoming of architectural barriers, cult…
Catalogo delle opere esposte da Maria Accascina nella Mostra d’Arte Sacra delle Madonie, Identificazione, ricostruzione e aggiornamento
2017
Il catalogo raccoglie le schede delle opere d’arte decorativa esposte da Maria Accascina alla Mostra d’Arte Sacra delle Madonie allestita nel 1937 presso il Convento dei PP. Riformati di Petralia Sottana, centro delle alte Madonie. Si tratta di gioielli, suppellettili liturgiche, oggetti preziosi di uso profano, coralli, paramenti sacri, tessuti, statue lignee, intagli, maioliche e tappeti realizzati dal XI al XIX secolo. Le opere, alcune delle quali perdute, provengono dalle collezioni nobiliari, dall’allora Museo Nazionale di Palermo, ora Galleria Regionale della Sicilia, Palazzo Abatellis, dal Real Istituto d’Arte della stessa città e soprattutto dalle chiese dei centri delle Madonie, ne…