Search results for "exhibition"

showing 10 items of 142 documents

<em>El dibujado</em>: volver a la pared

2021

The exhibition El dibujado by Paco Roca (IVAM, 2019) is an exploration of the paradigm shift brought forth by the abandonment of paper and reproducibility as a space for the dissemination of the comic strip. The exhibition hall of a museum (the Instituto Valenciano de Arte Moderno) becomes a space for formal and ephemeral experimentation at different levels, from the purely creative to the pondering about the unexplored possibilities of the language of the comic book. With this exhibition cartoonist Paco Roca poses a challenge to a spectator who is called to leave his/her role as a visitor and become the reader of an experience in which s/he becomes a part of the work’s own narrative. The a…

business.industryCartoonistmedia_common.quotation_subjectVisitor patternArtComicsSpace (commercial competition)Visual artsExhibitionParadigm shiftmedia_common.cataloged_instanceNarrativebusinessmedia_commonComic stripEU-topías. Revista de interculturalidad, comunicación y estudios europeos
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Live human exhibitions in the territory of Latvia: re-discovered events

2022

Abstract of the report “Live human exhibitions in the territory of Latvia: re-discovered events”, presented on June 15, 2022 at the international conference “RE: 22 Nordic Ethnology and folklore conference” organized by the University of Iceland.

:HUMANITIES and RELIGION [Research Subject Categories]Nordic EthnologyLive human exhibitions in the territory of LatviaFolklore
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L'architettura dei padiglioni dell'alimentazione e della ristorazione nelle esposizioni dell'Oltremare del Secondo Imperialismo

2014

Il periodo compreso fra le rivoluzioni liberali del 1848 e lo scoppio della seconda guerra mondiale nel 1939 (che dà il via al tramonto della cosiddetta “età aurea” del sistema capitalista e della supremazia del “vecchio continente” sul resto del mondo), pur in maniera difforme, è caratterizzato da un nuovo scenario economico e tecnologico della civiltà occidentale che riconosce nelle grandi esposizioni internazionali e nazionali, ma anche in quelle regionali e coloniali, le sedi più idonee per azioni di propaganda commerciale e politica. L’origine del genere delle esposizioni coloniali, che prende il via in sordina e con sensibile ritardo, è puramente mercantilistica e si manifesta inizial…

Colonial Exhibition area overseasPadiglioni Alimentazione OltremareSettore ICAR/18 - Storia Dell'Architettura
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“Narrative Museums” and Curators’ Rights: The Protection of a Museum Exhibition and Its Scenario under Polish Law

2020

Since at least the 1990s, museums have expanded to cover a variety of societal functions, often enabling inclusive and participatory spaces for critical dialogue about the past and the future, and bridging together various narratives and cultural experiences, contributing to social cohesion and reconciliation. The new functions of museums, involving novel technological forms of display and communication, pose several legal questions concerning the management of such institutions, their resources, and exhibitions, including issues of copyright and other intellectual property rights. While referring to a recent case concerning an alleged infringement of the moral rights of the authors of the …

Cultural StudiesVisual Arts and Performing Artsmedia_common.quotation_subjectcopyrightConservationArtMuseum of the Second World War in GdanskExhibitionCreative workLawcurators’ moral rightsNarrativecreative workmuseum exhibitionLawmedia_commonSantander Art and Culture Law Review
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Narrativity and intertextuality in the making of a shared European memory

2016

The latest wave of European integration process, cultural Europeanization, includes complex processes, such as the attempts to create a shared European memory that would transcend national interpretations of the past. The cultural Europeanization can be perceived as a narrative operation: in it the EU, Europe, and Europeanness are given meanings and made sense of through narrativization. The article investigates the EU’s attempts to create a shared European memory by analyzing the exhibition narrative of the Parlamentarium, the visitors’ center of the European Parliament. The analysis indicates how the construction of an official shared European memory is operationalized through textual and…

Cultural StudiesnarrativeSociology and Political Science050109 social psychologyPerformative utteranceExhibitionintertekstuaalisuusEuropean integrationNarrative structure050602 political science & public administrationmedia_common.cataloged_instanceta6160501 psychology and cognitive sciencesNarrativeSociologyEuropean UnionEuropean unionIntertextualitymedia_common05 social sciencesNarrativityMedia studies0506 political scienceintertextualityParlamentariumLawPolitical Science and International RelationsEuropean memory
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Proceeding Book of 12th European Symposium on Religious art, Restoration & Conservation

2022

Fundamental contribution to filling out the condition reports of the work of arts involved in temporary exhibitions is provided by non-invasive investigation techniques. Investigation, carried out before and after the movement, allow to collect objective data to monitoring the surface or structural alterations and defining the state of conservation, representing an important moment of deepening of knowledge. Generally, these aspects often are left to photographic documentation and observations by conservators and curators. An example of good practice is represented by the case of the Saint Gregory Polyptych (Antonello da Messina, 1473) belonging to the Regional Museum of Messina (Italy). Th…

wooden paintings non-invasive monitoring temporary exhibition Antonello da Messina.Settore CHIM/02 - Chimica Fisica
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Politics of Mobility and Stability in Authorizing European Heritage : Estonia’s Great Guild Hall

2019

AbstractKaasik-Krogerus scrutinizes the European Heritage Label (EHL) as an authorized heritage discourse (AHD) in the making. She analyses how the discourse is formed in a politics of mobility and stability between the local, national, and European scales resulting from the interplay of europeanization (of the national and local) and domestication (of the European). The chapter asks how this politics of mobility and stability is conducted to manage the scalar dissonance in one of the sites, the Great Guild Hall in Tallinn, Estonia. Kaasik-Krogerus argues that the politics conducted in the exhibitions works in two controversial ways: legitimizing mobility and stability as natural and simult…

Estonia021110 strategic defence & security studiesViro05 social sciences0211 other engineering and technologiesPower relations02 engineering and technologykulttuuriperintö0506 political sciencekulttuurihistorialliset museotExhibitionEuropePoliticsliikkuvuusPolitical economyPolitical sciencediskurssiGuild050602 political science & public administrationCognitive dissonancestabiilius (muuttumattomuus)eurooppalaistuminenEurooppaeurooppalaisuus
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Exhibition Design Stories : metodi e pratiche di fruizione della cultura

2022

Museums, the main actors in the conservation and communication of works and promoters of a cultural offer, are at the center of a profound transformation; the technological aspects are the most obvious phenomenon, which increases the ability to accommodate and structure an ever-increasing request for participation and socialization on the part of the user. In particular, the importance of museum accessibility is described through the activation of participatory design processes which, through a narrative construction, are able to produce meaningful knowledge processes. The designer is able to articulate, mediate, coordinate, with awareness and effectiveness, the great complexity implemented…

exhibition design stories community participationSettore ICAR/13 - Disegno Industriale
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Suomalaisuuden ja toiseuden rajamailla : eksotisointi Gallen-Kallelan Museon Afrikka-kokoelman näyttelyhistoriassa

2020

Museoilla on ollut historiallisesti keskeinen rooli kansallisuuden ja kansallisen kuvaston tuottajina ja kulttuuriperinnön ylläpitäjinä. Osana kansallisen identiteetin rakentamisprojektia museot ovat osallistuneet myös eksotisoivan kuvaston ja toiseuden tuottamiseen ja toiminnallaan vahvistaneet kolonialistisia erontekoja. Tässä artikkelissa otamme erityiseen tarkasteluun Gallen-Kallela Museon Afrikka-kokoelman näyttelyhistorian ja pohdimme, miten museo on kokoelmaa esittäessään osallistunut kolonialistisen kuvaston tuottamiseen ja uudelleen tulkitsemiseen. Tutkimuksessa esiin nostamamme näyttelyt jakautuvat neljälle vuosikymmenelle (vuosille 1972, 1987, 1993, 2003). Aineistonamme on kirjal…

näyttelytoimintacolonialismnäyttelytkolonialismithe Gallen-Kallela MuseumGallen-Kallelan museohistoriaexhibition historyeksotiikkaAfrikkaartefact reviewAfricamuseotvaikea kulttuuriperintötoiseusexotismarvottaminen
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Un profilo di Nino Geraci, scultore del Novecento

2023

Il contributo presenta un approfondimento sulla figura di Nino Geraci, scultore attivo a Palermo dal 1900 al 1980 con una fortunata parentesi a New York dal 1927 al 1931 e artista meritevole di una più attenta considerazione critica. The contribution presents an insight into the figure of Nino Geraci, a sculptor active in Palermo from 1900 to 1980 with a successful interlude in New York from 1927 to 1931 and an artist worthy of more careful critical consideration.

MostreDecorationexhibitionContemporary artSettore L-ART/03 - Storia Dell'Arte ContemporaneaSculptureSculturaNino GeraciDecorazioneArte Contemporanea
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