Search results for "gesture"
showing 10 items of 186 documents
Interfaces volume 39: "Gestures and their Traces"
2018
International audience; This, the first of two volumes featuring the topic of gestures, presents a selection of essays published in the wake of the Interfaces conference that was held at Université de Bourgogne (Dijon, France) in June 2017 (“Gestures in Texts and the Visual Arts”). Volumes 39 and 40 inaugurate a new phase in the publishing history of the journal as we are moving from print to digital publication.The present collection brings together contributions that encompass philosophical analysis, media archaeology and artistic experimentation with a bent for anthropology, art history and intermediality. They emphasize the reconstructive nature of critical and artistic enquiry when dea…
Interfaces, volume 40: "Gestures and Transmission"
2018
Viittomakielet hybridisysteemeinä - hämärärajaisuus ja epäkonventionaalisuus osana viittomakielten rakennetta
2018
Tässä artikkelissa tarkastellaan hämärärajaisuutta ja epäkonventionaalisuutta osana joitakin kaikista viittomakielistä löydettyjä yksiköitä ja rakenteita ja niiden käyttöä. Täsmällisemmin artikkelin fokuksessa ovat tietyt muodoltaan ja merkitykseltään tilanteisesti muuntuvat viittomat (erityisesti niin kutsutut osittain leksikaaliset viittomat) sekä eräänlainen vaihteleva-asteinen näytteleminen (niin kutsuttu konstruoitu toiminta), jota viittojat käyttävät tuottamiensa syntaktisten rakenteiden osana ja niiden sijaan. Käytännössä artikkeli esittelee näkemyksen, jonka mukaan molemmissa tarkastelun kohteena olevissa ilmiöissä on kyse samasta asiasta eli kielen diskreettien ja konventionaaliste…
Finnish Sign Language
2019
This chapter discusses ellipsis in Finnish Sign Language (FinSL). First, in order to provide a necessary background for the discussion, an overview is given of both the basic grammar of FinSL (Section 2) and the larger role ellipsis plays in FinSL (Section 3). After this (Sections 4–6), several elliptical phenomena discussed in this book (nominal ellipses, conjunction reduction, VP-ellipsis, sluicing, gapping, stripping, and fragment answers) are introduced and described for FinSL, together with other elision phenomena (e.g. argument ellipsis, also known as pro drop). Not all the phenomena can be discussed in equal depth, nor can all the phenomena presented in the book be addressed, because…
Review of New Perspectives in Music and Gesture
2014
How Hand Gestures Contribute to Action Ascription
2019
This article investigates the embodied achievement of intersubjectivity by analyzing depictive gestures that are produced during the final components of the ongoing verbal TCU and extended into the following turn transition space. The depictive gestures in focus elaborate the TCUs by providing additional information on the verbal content of the turn. They may, for example, provide a visual representation of an action that is referred to in the verbal TCU, depict details that are not referred to in talk, or perform bodily enactments that model projected next actions. The analysis demonstrates that timed in this way, the gestures contribute to the multimodal action package that they are part …
Measuring Aksak Rhythm and Synchronization in Transylvanian Village Music by Using Motion Capture
2015
<p>Techniques based on motion capture can be useful in <span><span style="font-size: x-small;">analyzing a wide range of musical styles and practices</span></span>: in this case, Transylvanian village music. We focused on a repertoire known as “Gypsy songs of sorrow”, played by professional Gypsy musicians during parties and celebrations of their own community. Two parameters were the object of study: rhythmic duration, and synchronization between musicians (a violinist and a viola player). Results show that rhythm is a local variant of <em>aksak</em> and is based on two duration units (S=short, L=long) which respect the formula 2:3 &lt; S:L &am…
Modelling Perceived Segmentation of Bodily Gestures Induced by Music
2017
This article presents an ongoing investigation whose goal is to model perceived segmentation of music-induced bodily gestures. The investigation consists of three stages. The first stage is a database of multimodal recordings of people moving to music. The data of these recordings are video and motion-capture (acceleration and position at several points of the body). In the second stage the videos produced in the first stage are manually segmented. This is regarded as ground truth for the evaluation of the performance of an automatic gesture segmentation system developed in the third stage of the study. This system extracts kinetic features from motion-captured data. Then a novelty score is…
Human Sensorimotor Communication: A Theory of Signaling in Online Social Interactions
2013
Although the importance of communication is recognized in several disciplines, it is rarely studied in the context of online social interactions and joint actions. During online joint actions, language and gesture are often insufficient and humans typically use non-verbal, sensorimotor forms of communication to send coordination signals. For example, when playing volleyball, an athlete can exaggerate her movements to signal her intentions to her teammates (say, a pass to the right) or to feint an adversary. Similarly, a person who is transporting a table together with a co-actor can push the table in a certain direction to signal where and when he intends to place it. Other examples of ``si…
Music as a mnemonic to learn gesture sequences in normal aging and Alzheimer’s disease
2014
Strong links between music and motor functions suggest that music could represent an interesting aid for motor learning. The present study aims for the first time to test the potential of music to assist in the learning of sequences of gestures in normal and pathological aging. Participants with mild Alzheimer's disease (AD) and healthy older adults (Controls) learned sequences of meaningless gestures that were either accompanied by music or a metronome. We also manipulated the learning procedure such that participants had to imitate the gestures to-be-memorized in synchrony with the experimenter or after the experimenter during encoding. Results show different patterns of performance for t…