Search results for "graffitit"
showing 3 items of 13 documents
From experiencing sites of past to the future of the Demolition Man and how graffiti fits to all
2019
This paper explores the possibilities graffiti can provide to research user experience, focusing in those that might emerge in urban environments. The concept of User Experience (UX) can be seen as a consciously experienced phenomenon entailing for example biological, psychological and cultural, spatial and temporal aspects. Graffiti can be used as a tool to study experiences and meanings in physical and social places and practices. This can be done by studying direct experiences while completing a task, but also for example by narratives and memories involving graffiti. As the technology develops, it is incorporated in our lives, becoming more adaptive and virtual. This might have a strong…
The Graffiti Storyline and Urban Planning : Key Narratives in the Planning, Marketing, and News Texts of Santalahti and Hiedanranta
2018
This article regards urban planning as a form of storytelling and argues that there is significance in whose stories and which storylines are acknowledged to belong to the narrative fabric of a place and how the stories of future districts are communicated to the public through narratives during a planning project. My focus is on the storyline that follows the activity of graffiti culture in the two case areas of Santalahti and Hiedanranta (located in the city of Tampere in Finland) during these areas’ phases of transition created during the redevelopment of former industrial areas into residential districts. In my discursive analysis I identify key narratives that recur in planning, market…
Graffiti and Street Art Research : An Outsider Perspective
2023
In this paper we discuss our endeavours and experiences in the field of graffiti and street art research (GSAR) in the form of a dialogue. We reflect on planning and engaging with GSAR, contemplate our (field) work, analyse the methods we have developed, and shed light on the possibilities that arose during research processes. In particular, we focus on what it is like to do GSAR as outsiders, i.e. as those who are not writers or artists themselves, or who do research into a graffiti or street art scene that is foreign to them. peerReviewed