Search results for "hamsun"
showing 5 items of 5 documents
Pētera Šmita sarakste ar Jāni Misiņu sakarā ar lūgumu atsūtīt lugas Vladivostokas Latviešu biedrības teātrim
1916
P. Šmits lūdz J. Misiņu atsūtīt Vladisvotokas Latviešu biedrības teātrim dažādu autoru - gan latviesu, gan cittautu autoru kopumā 40 lugas, Dziesmu lugām vēlētos arī notis. Ja nu gadījuma pats nevarot, tad lai lūgumu nododot citam grāmatu veikalam.
Knuta Hamsuna recepcija latviešu literatūrā 20.gs.sākumā un 21.gs. sākumā
2017
Bakalaura darbā pētīta Knuta Hamsuna popularitāte 20. gadsimta sākuma latviešu literatūrā un recepcija kritikā, kā arī apskatīta autora aktualitāte 21. gadsimtā. Darba mērķis ir noskaidrot kādus poētikas veidošanas paņēmienus latviešu autori aizguvuši no Knuta Hamsuna. Ir veikts salīdzinošs pētījums, sastatot tādu latviešu autoru kā Jānis Akuraters, Gunars Janovskis un Inga Ābele darbus ar norvēģu autora daiļradi. Pētījuma rezultātā apstiprinājusies hipotēze, ka iespaids uz 20. gadsimta literatūru bijis ievērojamāks, savukārt 21. gadsimtā aktualitāte zudusi. Noskaidrots, ka latviešu rakstnieki pielietojuši Knutam Hamsunam raksturīgo tēla psiholoģijas atklāsmi, dabas tēlojuma nozīmību daiļda…
Markens døde : forbrytelse og straff i Hamsuns Markens grøde
2011
Author's version of an article published in the journal: Edda. Also available from the publisher at: http://www.idunn.no/ts/edda/2011/02/art12 Artikkelen tar for seg Knut Hamsuns engasjement for å bekjempe barnedrap i Norge, et engasjement som kom tydeligst til uttrykk i den såkalte barnemorddebatten (1915-1916) og i romanen Markens Grøde (1917). I debattinnleggene retter Hamsun sterk kritikk mot både forbryterske mødre og milde dommere, og argumenterer for gjeninnføring av dødsstraff som kriminalpreventivt virkemiddel. I romanen videreføres kritikken, men her skildres barnemorderne Inger og Barbro på en mer nyansert måte. Begge reintegreres i det sosiale livet i marken. Romanen representer…
Uskyldige gleder, farlige slutninger. Selvhat og fundamentalisme i Knut Hamsuns roman Den siste Glæde (1912)
2020
Knut Hamsunʼs prose fiction around 1890 fulfills his programmatic intention to represent modern complex individuals. Two decades later the author steps forth to chastise the nation with simplistic reactionary truths. The hero of Hamsunʼs “wanderer” novels 1906 to 1912 may be taken to parody the protagonists of Hunger, Mysteries, and Pan 1888–1894. The hysteric tone in the narratorʼs criticism of modern society in Hamsunʼs 1912 novel, The Last Joy, points to a personal motivation. The ultimate pleasure in this book seems to be indulging in his own self, an experience of nothingness associated with literature. Interpreting the authorʼs U-turn from modernist to reactionary as fueled by fear of…
Urban Space and Gender Performativity in Knut Hamsun’s Hunger and Cora Sandel’s Alberta and Freedom
2018
In this article, I discuss the combination of city life and gender performativity in two Norwegian classics, Knut Hamsun’s Hunger (2016) [Sult, 1890] and Cora Sandel’s Alberta and Freedom (1984) [Alberte og friheten, 1931]. These are modernist novels depicting lonely human subjects in an urban space, the first one featuring a man in Kristiania (now Oslo) in the 1880s, the second one a woman and her female acquaintances in Paris in the 1920s. I interpret and compare the two novels by focusing on their intertwined construction of gender performativity and urban space. Gender norms of the city life are critical premises for how the subjects manage to negotiate with different options and obstac…