Search results for "iconic"

showing 10 items of 46 documents

Clausal coordination in Finnish Sign Language

2016

This paper deals with the coordination of clauses in Finnish Sign Language (FinSL). Building on conversational data, the paper first shows that linking in conjunctive coordination in FinSL is primarily asyndetic, whereas in adversative and disjunctive coordination FinSL prefers syndetic linking. Secondly, the paper investigates the nonmanual prosody of coordination: nonmanual activity is shown both to mark the juncture of the coordinand clauses and to draw their contours. Finally, the paper addresses certain forms of clausal coordination in FinSL that are sign language-specific. It is suggested that the sign language-specific properties of coordination are caused both by the fact that signe…

Linguistics and LanguagecoordinationComputer sciencedifferenceta612102 engineering and technologykoordinaatioSign languageLanguage and Linguisticsprosody0202 electrical engineering electronic engineering information engineeringnonmanual elementProsodyclauseJuncture060201 languages & linguisticsStructure (mathematical logic)prosodiikkaCommunication06 humanities and the artsLinguistics0602 languages and literaturesuomalainen viittomakieli020201 artificial intelligence & image processingProduction (computer science)modalityIconicityFinnish Sign LanguageSign (mathematics)
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Onomatopea e fonosimbolismo

2016

National audience

diagrammaiconicitàfonestema[SHS.PSY]Humanities and Social Sciences/Psychologysinestesia[SHS.LANGUE] Humanities and Social Sciences/Linguistics[ SHS.HISPHILSO ] Humanities and Social Sciences/History Philosophy and Sociology of Sciences[SHS.HISPHILSO]Humanities and Social Sciences/History Philosophy and Sociology of Sciences[SHS.PSY] Humanities and Social Sciences/Psychology[ SHS.PSY ] Humanities and Social Sciences/Psychology[SHS.HISPHILSO] Humanities and Social Sciences/History Philosophy and Sociology of Sciences[ SHS.LANGUE ] Humanities and Social Sciences/Linguisticsonomatopeaideofonofonosimbolismo[SHS.LANGUE]Humanities and Social Sciences/LinguisticsiconaComputingMilieux_MISCELLANEOUS
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Diachronie, analogie et iconicité : vers un principe d'adaptation sémiologique

2014

ACL Nat Axe 3; National audience; L’on constate, en linguistique diachronique, une tendance croissante à lier les évolutions linguistiques à la notion d’iconicité. Plus précisément, plusieurs des processus du changement linguistique, comme bon nombre de ses étapes, semblent orientés en vertu d’une tendance à l’accroissement de l’iconicité dans la langue. Or, parmi ces processus, l’analogie tient un rôle particulier dans la mesure où elle est associée à une simplification du système, à une harmonisation de ses formes. Mais si l’iconicité demeure un principe usuellement situé sur le plan cognitif, ses effets se mesurent aussi sur le plan de la sémiologie, autrement dit des signes qui constitu…

[ SHS.LANGUE ] Humanities and Social Sciences/LinguisticsanalogieDiachronieiconicité[SHS.LANGUE]Humanities and Social Sciences/LinguisticsFrançais médiéval[SHS.LANGUE] Humanities and Social Sciences/LinguisticsSémiologie
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Il filosofo, la ballerina, il sadico e la "cosa" nella notte di necercity

2012

B-Alarm!cinema-cinemaiconico
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Intertekstualność w demotywatorach

2017

Demotivators as a new kind of hybrid texts, namely texts combining text with graphics very often refer and allude to the texts embedded in literature and culture. Intertextuality in such texts is realised on the lexical and graphical level. Frequently, winged words form a verbal layer of the demotivators, while a graphical layer refers to the works of art: paintings, films, book illustrations, etc. The authors of the demotivators refer to the literary works, pictures, namely to the works embedded in culture to comment the current events.

intertekstualnośćintertextualityhybrid textwarstwa tekstowaiconic layerwarstwa ikonicznatekst hybrydalnytext layerdemotivatordemotywator
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Teorie fonosimboliche nella storia

2016

L'article esquisse de manière très synthétique les caractéristiques distinctives des trois principaux types de théories du signe qui au cours de l'histoire ont tenté de définir le rapport entre le son et le sens dans le langage, et en suggère une interprétation épistémologique d'un point de vue socio-anthropologique: les théories conventionnalistes semblent caractériser les cultures écrites matures, les théories mystiques de la parole "créatrice du monde" caractériseraient au contraire les cultures orales et enfin les théories imitatives semblent être typiques des périodes de crise de la culture écrite nécessitant de puiser de nouveau à la perspective orale pour produire de l'innovation thé…

[SHS.HISPHILSO]Humanities and Social Sciences/History Philosophy and Sociology of SciencesSymbolisme phonétique[SHS.HISPHILSO] Humanities and Social Sciences/History Philosophy and Sociology of Sciences[ SHS.LANGUE ] Humanities and Social Sciences/LinguisticsIconicitéArbitraire[SHS.LANGUE]Humanities and Social Sciences/LinguisticsOralité et écriture[SHS.LANGUE] Humanities and Social Sciences/Linguistics[ SHS.HISPHILSO ] Humanities and Social Sciences/History Philosophy and Sociology of SciencesParole divine
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Dispositivi pittorici nella narrativa di Vincenzo Consolo.

2018

The study highlights the originality of Consol's stylistic experimentation and examines the iconological construction of novels. The adoption of an iconic perspective is the rhetorical strategy with which the Sicilian author formalizes techniques of metaphorical irradiation and analogical sequences.The problematic intensity of the historic invention is set out in a complex mesh of symmetries and antitheses among pictorial and narrative symbols, and is articulated as metonymic flow of images that are able to show materials and forms of the modern novel.

Vincenzo Consolo novels iconic devicesSettore L-FIL-LET/10 - Letteratura Italiana
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La Grammaire de Condillac face au paradoxe de l'origine naturelle du langage

2012

The recent discovery of mirror neurons has rivived the gestural-imitative theory of the origin of language advocated by Condillac in the XVIIIth century. Condillac develops this theory in two stages: in the Essai (1746) he proposes a gestural theory based on the arbitrariness of the sign, while in the Grammaire (1775) he refuses arbitrariness and accepts the theory of analogy and natural imitation proposed by Charles de Brosses (1765). This choice depends on the fact that in Rousseau (1755) and Beauzee (1765) arbitrariness, as a "paradox of the original contract", now plays the role of key argument in favor of the divine origin of language. So, the theory of analogy and natural imitation is…

AnalogieSymbolisme phonétique[SCCO.NEUR]Cognitive science/Neuroscience[SCCO.NEUR] Cognitive science/NeuroscienceSound symbolismLanguage originsIconicitéThéorie imitative[SHS.LANGUE] Humanities and Social Sciences/Linguistics[ SHS.HISPHILSO ] Humanities and Social Sciences/History Philosophy and Sociology of Sciences[SHS.HISPHILSO]Humanities and Social Sciences/History Philosophy and Sociology of Sciences[SHS.HISPHILSO] Humanities and Social Sciences/History Philosophy and Sociology of SciencesIconicity Linguistics[ SCCO.NEUR ] Cognitive science/Neuroscience[ SHS.LANGUE ] Humanities and Social Sciences/Linguistics[SHS.LANGUE]Humanities and Social Sciences/LinguisticsHistory of linguistic ideasHistoire des idées linguistiquesOrigine du langage
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Visual Tools in Virtual Reality: Complex Environment

1994

In this paper, we analyse an integrated system able to merge graphical and vision technique in order to improve virtual space environment. Virtual space is characterized by Dynamic Visual Icons and Virtual Reality for arising a hererogeneous environment. Essentially, we propose a fusion technique between visual icon and virtual space, where their integration is supported by Visual lcon Grammar (VIG) working on Dynamic lcon and Visual World. VIG allows to test the actions of the Dynamic Icon on the active Visual Word metaphor at the lime "t", and the different rage of transactions between user and VW(visual query, view and brows of under-world,... ). Moreover, user can define, modify and rem…

Visual Tools Visual Language Iconic Grammar data structure.
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Verso una dimensione narrativa delle mappe

2021

Tra il pensiero e la costruzione dell’architettura il disegno ha un ruolo baricentrico per connettere i diversi protagonisti di una realizzazione e per coinvolgere la collettività facendo percepire inedite prospettive. La scrittura si rivela utile per esplicitare ciò che nella grafica è sotteso e per stabilire un ordine nuovo nel ragionamento progettuale. I rapporti fra segni e significati si moltiplicano nei sistemi informativi recenti in cui si ha la sensazione di poter dire moltissimo (dati numerici e spaziali) ma a volte sfugge quella sintesi indispensabile per una interpretazione concreta, finalizzata alla costruzione di possibili esperienze fisiche. Per l’esplorazione dell’uso di dive…

Between the idea and the construction of the architecture the drawing plays a central role to connect the different protagonists of a project. It involves the community by envisaging unprecedented perspectives. Writing is useful to explicit the graphics and establish a new order in the design reasoning. The relationships between signs and meanings multiply in recent information systems in which it seems possible to conclude a lot (thanks to numerical and spatial data) but sometimes a synthesis is missing though that synthesis is fundamental to create new physical experiences. For the exploration of the use of different architectural languages and for the push towards the project rather than a sterile cataloging the case of the Piano Programma for the historic center of Palermo (Giuseppe Samonà Giancarlo De Carlo Umberto Di Cristina Anna Maria Sciarra Borzí 1979-82) reveals to be ambitious. Giuseppe Samonà integrates the classical representation based on Monge's projections with photographs and iconic drawings associating signs with a linguistic-structural communication capable of expressing the relationships between the parts at the basis of a morphological approach to the plan. The graphic story ("second language") of the urban fabric has creative implications expressed by images and annotations ("first language") useful for decoding them. Since the plan focuses on the potential of a storytelling that orients the imagination of its readers (designers citizens politicians) it can contribute to the study titled "B4R– BRANDING 4 RESILIENCE - Tourist infrastructure as a tool to enhance small villages by drawing resilient communities and new open habitats” as a starting point for the mapping in which GIS analysis and multidisciplinary data (geometric topological and quantitative) relating to some villages of the internal Sicily shall translate into a new architectural urban and landscape quality.Settore ICAR/14 - Composizione Architettonica E Urbana
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