Search results for "iconography"

showing 10 items of 116 documents

Les images de la vie terrestre de la Vierge dans l'art mural (peintures et mosaïques) en France et en Italie : des origines de l’iconographie chrétie…

2012

This thesis is devoted to wall images of the Virgin’s earthly life, an iconographic sequence composed of the young Mary’s history and episodes from Christ’s life which are related to the Virgin, until Pentecost. This research comes within the extended framework from the early Christian art to the Council of Trent. It is based on an abundant iconographic documentation which includes more than 2300 pictures, wall paintings and mosaics, preserved in France and Italy. The first part of the thesis is dedicated to the quantitative analysis of the iconographic documentation, according to a triple point of view. A thematic analysis identifies three phases in the chronological sequence of the Virgin…

Moyen ÂgeVirgin MaryWall painting (France and Italy)Mosaic (France and Italy)BiblePeinture murale (France et Italie)[SHS.ART]Humanities and Social Sciences/Art and art history[SHS.RELIG] Humanities and Social Sciences/Religions[ SHS.ART ] Humanities and Social Sciences/Art and art history[SHS.RELIG]Humanities and Social Sciences/ReligionsMosaïque (France et Italie)Apocryphal gospelsIconographyVierge Marie[SHS.ART] Humanities and Social Sciences/Art and art history[ SHS.RELIG ] Humanities and Social Sciences/ReligionsMiddle AgesÉvangiles apocryphesIconographie
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Du Zodiaque et des hommes : temps, espace, éternité dans les édifices de culte entre le IVe et le XIIIe siècle

2017

This dissertation deals with the iconography of the Zodiac between Antiquity and Middle Age, in particular in churches between the XIth and the XIIIth century. The heart of the dissertation is the analysis of a corpus of 260 items. These items concern the figuration of the signs of the Zodiac and the Labors of the months, whether or not combinated, within ecclesial ornamentation between the XIth and the XIIIth century. This period corresponds to the “renaissance” and to the growth of the figuration of the Zodiac in this context. The study is divided into three parts. The first section deals with historiography and with the presentation of the corpus. Then, the origins, re-appropriations and…

Moyen Âge[ SHS.ART ] Humanities and Social Sciences/Art and art historyZodiaque[SHS.ART]Humanities and Social Sciences/Art and art historyJérusalem célesteCalendarTimeZodiacIconographyCalendrier[SHS.ART] Humanities and Social Sciences/Art and art historyMiddle AgesHeavenly JerusalemIconographie
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Iconography and monumental art in "feodal space" from the 10th to the 12th century : the depiction of the Three Kings and its spread

2012

This dissertation deals with the iconography of the Three Kings from the Xth to the XIIth century, by means of a study of its adaptation on monumental decoration in Latin Europe, so as to unravel how it was adapted by feudal society. In order to do so, the first question is that of the new royal status acquired in the Xth century by the Magi from the Gospel of Matthew, analyzed thanks to the concept of “ruler figure” that emerged at the time and was depicted by Marc Bloch in Les Rois thaumaturges (1924) and Ernst Kantorowicz in the The King’s Two Bodies (1957). The aim is to define where the newly defined Three Kings stand in the intricate network of “ties between man and man” theorized by …

Occident latinWise MenLatin OccidentFeudalismArt monumentalMagiSpace[SHS.RELIG] Humanities and Social Sciences/Religions[ SHS.ART ] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art history1000-1200RoyautéChristian iconographyRois magesFéodalité[SHS.RELIG]Humanities and Social Sciences/ReligionsKingshipArchitectural decorationEspace[SHS.ART] Humanities and Social Sciences/Art and art history[ SHS.RELIG ] Humanities and Social Sciences/ReligionsÉpiphanieIconographie chrétienne
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Un contrato inédito de Juan de Juanes. El retablo de la Cofradía de la Sangre de Cristo de Valencia (1539)

2012

This article is based on an unpublished contract signed in 1539 by Vicente and Juan Macip for an altarpiece for the Valencian Brotherhood of the Blood of Christ. The agreement stipulates that Juan, later known as Juan de Juanes, had to paint the scenes. Thus the document reinforces the hypothesis that Juan Macip was the most important painter in the Macip workshop during the 1530’s. It also fills a documental void in between the completion of the Silversmith’s Guild altarpiece (1534-1539) and the contract for the Fuente la Higuera altarpiece (1548). This study also verifies the popularity of the iconography of the seven sheddings of the Blood of Christ and processions of disciplinants.<b…

Pintura renacentistaPaintingVicente MacipVisual Arts and Performing Artslcsh:NX1-820Blood of Christ Brotherhoodmedia_common.quotation_subjectArts in generalCofradía de la SangreRetablosArtlcsh:Arts in generalNX1-820Valencianlanguage.human_languageAltarpieceJuan de JuaneslanguageRenaissance paintingAltarpieceValenciaIconographyHumanitiesmedia_commonArchivo Español de Arte
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La devoción a san Jorge durante el siglo XVIII en Durango. A propósito de un lienzo conservado en la sacristía de la catedral

2019

ABSTRACT: St. George was one of the best known figures in Christendom, due both to his unique story as well as for the help he gave to the various Spanish kingdoms in the fight against the enemies of Jesus Christ. His cult spread to New Spain where he was known, although not in the same manner as in Europe. But nevertheless, in the cathedral of the bishopric of Durango, the efforts of bishop Pedro Anselmo Sánchez de Tagle interests resulted in St. George being declared patron of the city in 1749 by both civil and ecclesiastical chapters. This event granted the saint another function: the fight against poisonous animals, specifically, the scorpions endemic to the region. As a result, the Sai…

Poisonous animalsLinguistics and LanguageUNESCO::HISTORIAVisual Arts and Performing ArtsCommunicationmedia_common.quotation_subjectSAINTArtLanguage and LinguisticsSacristyKingdomJesus christIconography:HISTORIA [UNESCO]HumanitiesCultmedia_common
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Annals of the 'Constantin Brrncuui' University of Targu Jiu: Letters and Social Sciences Series No. 4/2014 (Analele Universitatii 'Constantin Brancus…

2014

English Abstract: In this issue are included scientific articles who debate problems from social science fields: modernity crises, lean startup, action research, federative states, Russia grand strategy, Europe, joint investigation teams, Emile Zola, iconography, George Bernard, negation, foreign language, revolution of December 1989, management, development, teaching English, political power, criminal procedure, demographic change."Constantin Brancusi" University Annals from Targu Jiu, Letters and Social Sciences Series is published by "Academica Brâncusi" Press of "Constantin Brancusi" University from Targu-Jiu, a state university, institutionally certified. The journal includes articles …

Political scienceTeaching englishForeign languageAction researchIconographyHumanitiesSSRN Electronic Journal
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The Serial Character of Abolition: Charting Transatlantic and Gendered Critiques of Slavery in The Liberty Bell

2019

This chapter discusses the editorial work of the female abolitionist Maria Weston Chapman and examines how Chapman envisions the gift book—a collection of poetry, short fiction, essays, and letters designed to be given away as present to a loved one—as a transatlantic space in which political thinkers, writers, and intellectuals could exchange their ideas. In order to enhance the dialogical endeavor of the gift book The Liberty Bell (1839–1859), Chapman makes strategic use of seriality by employing, for example, repeated iconography and cross-references that link contributions in each volume but also the individual volumes with each other. This chapter thus examines how the serial character…

PoliticsSeriality (gender studies)PoetryDialogical selfArt historyCharacter (symbol)Context (language use)SociologyIconographyOrder (virtue)
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The cremation structures of the Roman Empire: anthracological data versus historical sources

2011

ISSN: : 0210-3729; International audience; During the excavation of the Roman necropolis site Richeaume (Bouches-du-Rhone, Provence, France), cremation primary structures have been identified. A specific protocol consisting in collecting the entire sediment for sampling charred funeral remains on a grid of 20 to 40 cm, was systematically experimented and put into practice. The first anthracological results offer a reading of both qualitative and quantitative spatial residues of the cremation (including the discovery of the ignition lock, and technical aspects revealing a specific choice adapted to the practice of cremation). This reading led to interpret anthracological results in a technic…

Roman Empire[SHS.ARCHEO]Humanities and Social Sciences/Archaeology and Prehistorywritten sourcessources iconographiquescremationanthracologyEmpire romainanthraoclogieiconographysources écrites[SHS.HIST]Humanities and Social Sciences/History
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Co łączy "Wędrowca nad morzem chmur" i "Kobietę w oknie" - bohaterów płócien Caspara Davida Friedricha

2020

The author attempts to interpret two paintings by Caspar David Friedrich with the motif of the hero turned with the back to the spectator. The former is one of his most renown works entitled Wanderer above the Sea of Fog also known as Wanderer Above the Mist, the latter, a slightly later work Woman at a Window – the example of a frequently used open widow motif in the iconography of Romanticism. The differences that decide on the meaning of these two canvases – as the author argues – is the gender of the created personas and the place from which they perceive the world.

Romantic iconographysztukafine artsmistykamysticismikonografia romantyczna
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The Visual Experience of Triumphant Church. The Mosaic of S. Maria in Trastevere

2021

Rome; Christian art; Medieval; Mosaic; Iconography. Epigraphy; Liturgy; Art theory; Colors; Church Reform; 11th century[SHS.ARCHEO] Humanities and Social Sciences/Archaeology and PrehistoryIconography. EpigraphyColorsChurch ReformRomeChristian artSettore L-ART/01 - Storia dell'Arte Medievale11th centuryMosaicMedievalArt theoryLiturgy
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