Search results for "illustrations"
showing 10 items of 11 documents
Alfabēta spēļu grāmatas vizuāli stilistiskie aspekti
2019
Mūsdienās bērnus ir grūti uzrunāt ar vienkāršām grāmatām. Darba autores mērķis ir izveidot radošu bērnu grāmatu, kas spētu veicināt alfabēta apguvi. Hipotēze: Bērna motivācija apgūt alfabētu paaugstinās, ja grāmata ir radoša ar bērnam saprotamām ilustrācijām. Darba mērķis: Izveidot radošu bērnu alfabēta grāmatu, kura veicinātu tā apguvi. Darba teorētiskajā un empīriskajā daļā mērķis ir apkopot informāciju par grāmatu ilustrāciju tehnikām un to pielietojumiem alfabēta apguvē. Diplomdarbs sastāv no ievada, teorētiskās, empīriskās, radošās nodaļas un apakšnodaļām, secinājumiem un pielikuma. Darba kopējais apjoms ir 51 lapa. Literatūras sarakstā ir 13 grāmatu resursi un 14 interneta resursi.
Se révolter au nom de Dieu en France : héroïsation, dérision et allégorie dans les estampes des XVIe et XVIIe siècles
2016
International audience; ...
Le malformazioni delle piante nell’iconografia: percorso storico-documentario
2014
Plant malformations in iconography: historical-documentary journey -.The present contribution traces the progress of the iconography of plant anatomical anomalies. The cases illustrated in the most important works from the second half of the 17th to the 19th century are here reported.
Disegni botanici di Angelina Damiani Lanza (1879 - 1936)
2017
Botanical drawings of Angelina Damiani Lanza (1879 - 1936). The drawings of Sicilian plants made by Ange- lina Damiani are reported and commented. After a brief presentation of the author’s personality, the technique used in the drawings is examined, together with the relevant value from the artistic and botanical point of view. This material, mainly consisting of pencil drawings gathered in an album recently donated to the Director of the Palermo Botanical Garden, sin- ce 2006 is exhibited in the small historical museum set up in one of the halls of the monumental Gymnasium of the same Botanical Garden. Most of the drawings done by Angelina Damiani for the studies of her husband, the Sicil…
Current feminine authors of spanish cartoons. A further revision on the label ’feminine comic’
2011
This article, whose title is so generic, does not intend to be an exhaustive and historiographic list of women authoring contemporary Spanish comics. A priori, the deficiencies of the global label “woman comic” are questioned and the representative work of a group of draftswomen and scriptwriters is shown, since the 1980 decade (Madriz, El Cairo and El Víbora) to nowadays publications: Laura Pérez-Vernetti, Ana Juan, Ana Miralles, Sonia Pulido and Clara- Tanit. These authors are linked by a generational bond and offer a series of sights, paintstrokes, subjects and diverse plastic styles. The woman production phenomenon is observed along with its reception in ad hoc-collections published by …
APPLIQUER LES PRINCIPES DE LA ROYAL SOCIETY – L’EXEMPLE DU VOYAGE DE HANS SLOANE (1660-1753) A LA JAMAIQUE (1687)
2013
International audience; Les collections accumulées durant sa vie par l’éminent médecin Hans Sloane formèrent le noyau originel du British Museum, qui ouvrit au public en 1759. Hans Sloane fut secrétaire de la Royal Society pendant 20 ans (à partir de 1693) puis président de celle-ci après la mort de Newton de 1727 à 1741. Mais il en était membre depuis 1685, avant son départ à la Jamaïque, où il passa 15 mois entre 1687 et 1689. Il publia en deux énormes volumes les résultats de ce voyage en 1707 et 1725 (A Voyage to the Islands Madera, Barbadoes, Nieves, St Christopher’s and Jamaica ; with the Natural History of the Herbs and Trees, Four-Footed Beasts, Fishes, Birds, Insects, Reptiles, &c …
L'héritage de Buffon
2009
Buffon naturaliste, mathématicien, chimiste, styliste. Buffon aux multiples facettes, à la force de travail phénoménale, à la tête d'un monument : l'Histoire naturelle. Qu'en reste-t-il de nos jours ? Comment les idées de Buffon ont-elles cheminé, aux XVIIIe, XIXe et XXe siècles, dans le dédale de la pensée des autres chercheurs, dans l'Europe et au-delà, dans les théories scientifiques ou la littérature moderne ? Au centre du réseau de ses correspondants, critique de Linné, précurseur de Darwin, Buffon jette des ponts vers la biologie moderne, tisse des liens avec les penseurs de l'avenir, avance aux côtés des artistes inspirés de son œuvre, à l'écoute des oiseaux, animaux, grands singes q…
The Collaboration of Lewis Carroll and Harry Furniss: illustrating the Sylvie and Bruno books
2008
The collaboration between Harry Furniss and Lewis Carroll did not stem from friendship, but from necessity: Carroll always illustrated his own texts as he wrote them, but his drawing skills were not good enough for publication. Yet it was impossible for him to write up the novel if the illustrating process did not take place simultaneously. To what extent is the collaborative creation of Sylvie and Bruno a real dialogue? Did Carroll only consider Furniss as an extension of himself? The correspondence between the two men allows us to analyse the complex relationship between the writer and the artist, but also acts as a prism that decomposes Carrollian creation into its graphic and textual co…
Art and Science in Word and Image: Exploration and Discovery
2019
International audience; Art and Science in Word and Image investigates the theme of ‘riddles of form’, exploring how discovery and innovation have functioned inter-dependently between art, literature and the sciences. Using the impact of evolutionary biologist D’Arcy Thompson’s On Growth and Form on Modernist practices as springboard into the theme, contributors consider engagements with mysteries of natural form in painting, photography, fiction, etc., as well as theories about cosmic forces, and other fields of knowledge and enquiry. Hence the collection also deals with topics including cultural inscriptions of gardens and landscapes, deconstructions of received history through word and i…
La ville et la coquille: huit essais d'emblématique
2016
International audience; Cet ouvrage rassemble les travaux présentés par huit historiens de la littérature, de l'art et des représentations réunis à l'Université de Bourgogne dans le cadre des colloques de l'équipe de recherches sur l'emblème (Centre Pluridisciplinaire Textes et Cultures, EA 4178)