Search results for "intermediality"
showing 10 items of 30 documents
Il cinema politico
2020
The essays aims to illustrate the new form of political contemporary cinema, starting from the event of September 2001
Pictorial Real, Historical Intermedial. Digital Aesthetics and the Representation of History in Eric Rohmer’sThe Lady and the Duke
2016
AbstractInThe Lady and the Duke(2001), Eric Rohmer provides an unusual and “conservative” account of the French Revolution by recurring to classical and yet “revolutionary” means. The interpolation between painting and film produces a visual surface which pursues a paradoxical effect of immediacy and verisimilitude. At the same time though, it underscores the represented nature of the images in a complex dynamic of “reality effect” and critical meta-discourse. The aim of this paper is the analysis of the main discursive strategies deployed by the film to disclose an intermedial effectiveness in the light of its original digital aesthetics. Furthermore, it focuses on the problematic relation…
Lignes et points : Illustration, impressionnisme littéraire et procédés
2020
International audience; Cette conférence a porté de manière générale sur les rapports entre illustration et procédés de reproduction. Elle est plus précisément consacrée à l’utilisation de la photogravure dans le livre illustré britannique de la fin du 19ème siècle. L’exemple choisi est le recueil d’essais London Impressions (Constable, 1898) d’Alice Meynell, illustré par l’artiste britannique William Hyde. Peintre et aquafortiste, Hyde collaborait avec l’inventeur écossais Donald Cameron-Swan (1863-1951) de la Swan Electric Engraving Company, spécialisée dans le cliché trait comme dans le cliché simili. À la croisée de pratiques autographiques et d’opérations mécaniques, la photogravure al…
The Inner Border: Edward Hopper’s Reimagining the Frontier
2020
International audience
Intermedialitāte P. Handkes darbos
2018
Intermedialitāte – mākslu mijiedarbība, kas pieprasa estētisko izpratni un pamatojumu. Daudzi 20. gs. autori atsaucās uz pagātnes māksliniekiem un mākslas darbiem, kuri kļūst par iedvesmas avotu un turpmāk par estētiskām pozīcijām. Īpaši lielu iespaidu un ietekmi uz rakstniekiem 20. gs. literatūrā atstāj franču gleznotājs, klasiskā modernisma tēvs Pols Sezans. Viens no iedvesmotajiem rakstniekiem ir austriešu rakstnieks un dramaturgs Pēteris Handke. Šī darba mērķis ir izpētīt intermedialitāti, t. i. vārda un attēla attiecības, izskatīt, aprakstīt literārās mākslas un glezniecības saiknes problemātiku P. Handkes darbos. Analīze tiek veikta, izmanto…
Les topologies imaginaires de Lauren Beukes dans Moxyland (2008) et The Shining Girls (2013)
2019
International audience; This article examines two novels published by South African writer Lauren Beukes. More specifically, it explores the way in which the two cities in which the novels are set blur a number of boundaries, thus creating paradoxical, and intermedial, topologies.
Le sfide degli adattamenti
2021
This introduction discusses the critical pathways to new theories of adaptation and transcodification
Per una voce sola. Intertestualità e intermedialità nella scrittura di Michele Mar
2022
The aim of this paper is to compare three recent republications of Michele Mari’s works, Di bestia in bestia (1989 Longanesi and 2013 Einaudi), Asterusher. Autobiografia per feticci (2015 and 2019 Corraini edizioni) and Leggenda privata (2017 Einaudi),which all show consistent changes. The intention is precisely to point out the reciprocal relationships between these works and the different ways they have been transformed, both in the cases of literary writing alone and in those involving phototextual forms, in order to trace a possible unity of intent. In Di bestia in bestia Mari chooses to thin out the novel ; in the second case to increase the number of pages of the phototext, and in the…
Illustration and Intermedial Avenues
2017
International audience; This volume contains nine original articles by artists and researchers who offer a variety of perspectives on illustration from the nineteenth to the twenty-first century. This selection is the result of the research work carried out by Illustr4tio, a French interdisciplinary network devoted to expanding the field of Illustration Studies worldwide and to bringing together illustrators, printmakers, publishers, curators, collectors and academics who have a common interest in illustration. It offers a wide spectrum of stances and practices which highlight the intermedial dimension of the illustrative image. The topics under consideration range from the illustrator's an…