Search results for "interni"
showing 10 items of 222 documents
Hypothèse de Muséalisation en plein air pour le Quartier hellénistique-romain à Agrigente / Ipotesi di musealizzazione outdoor per il Quartiere ellen…
2014
The contribution presents the results of the activities carried out as a Expert in Museography for the APER project, which included the elaboration of a Musealisation hypothesis for the Domus IA-IB of the Hellenistic-Roman quarter located in Agrigento, i.e. the definition of intervention lines to be applied in an outdoor context to help the general public understand the archaeological site concerned to. The selected museographic strategies correspond to true forms of museal memorisation, aimed at knowing how to transmit the interpretation of an ancient context and its significance to a non-specialist public. In the conclusive phase, it has developed an executive project for two museographic…
Muséaliser l’archéologie : quelques interventions innovantes pour la présentation des ruines / Musealizzare l’archeologia: alcuni interventi innovati…
2014
Intervention on archaeological sites requires a multicriteria approach, which does not lend itself to providing solutions of a general nature so much as solutions linked to the individual case at hand and to the comparison of the interventions involved in the creation of a museum-like context for them. Nevertheless, one should not lose sight of the general aspect of the problem and underestimate a series of considerations regarding what to conserve and why in favour of how to conserve, an aspect which has been extensively tested and which today offers a large range of appropriate solutions and techniques. It is a question of communication, solutions to which must be provided both through to…
Fondazione Sciascia
2001
Scheda che descrive i contenuti e la struttura della sede fondazione dedicata al grande scrittore di Racalmuto facente parte di una più ampia raccolta sui Musei d'Arte in Sicilia meno conosciuti, in una iniziativa di grande respiro culturale voluta dal Pasquale Culotta in collaborazione con le Istituzioni.
Museums: new icons of the Digital Age
2014
Museum is much more than a place for preserving artifacts and objects. Indeed, throughout history, the museums, flexible and adaptive places, have been designed as social aggregators, to house objects and collections in which community could identify. They have always represented powerful means of communication through their ability to convey knowledge and to involve its audience (tourists and local residents). For over half a century, museums have become an important design topic, accompanied by a sharp increase in the creation of new architectural formal configurations. Also the role of museum has been changing: museum is not only a place for exhibiting, also the container itself has beco…
New technology for archaeological museums: three case studies on the Mediterranean coast
2013
The archaeology/technology combination has long been accepted with the second being seen to be at the service of the study and conservation of the first. Much less immediate and recent is the combination between the archaeological museum and technology for communication. Certainly, becauseof its ability to express dynamic and immediate information, new technology, if well integrated in the exhibition and well calibrated with the presence of original objects, can be a very effective support to the public’s appreciation. The paper aims to provide some examples that seem to adequately describe good integration practices between the authentic and the mediated, between the original and the virtu…
The Museum of London, a City Museum as Narrative Exhibition
2014
From temples of sacred objects to repositories of colonial trophies and from monuments of civility to spaces for self-expression, the shape and the appeal of museums through history has been fashioned to hold particular collections of objects. Moreover the museums have been also designed to adapt to particular display techniques appropriate for a particular collection. In the last century, a period of structural reinvention in the design and shaping of the exhibitions, the museum making is challenging, creative, and complex. The ‘new museum making’ includes emotive exhibitions within communicative buildings in order to create ‘narrative experiences’ which integrate objects, spaces, and audi…
DALLA PERIEGESI DI PAUSANIA ALLA MODERNA MUSEOGRAFIA SITE-MUSEUMS IN GRECIA
2011
La ricerca si interroga sul perché per i moderni allestitori, che si relazionano con le vestigia classiche greche, la Periegesi costituisca un richiamo ineludibile, che scatta, quasi in automatico, ogniqualvolta c’è da pensare a un’esposizione museale che abbia come oggetto le res antiquae. In effetti Pausania, vero πεπαιδευμένος, uomo colto del proprio tempo, che ha guidato intere generazioni di viaggiatori, archeologi, classicisti, storici, geografi e letterati, è stato da noi individuato come colui il quale gioca un ruolo determinante nelle scelte culturali di museologi e museografi per gli allestimenti dei site-museum in Grecia. La tesi ha rintracciato, negli allestimenti dei casi-studi…
QUEL CHE RESTA NEGLI OCCHI:LA SCENOGRAFIA COME IBRIDO D'ARCHITETTURA
2009
A Palermo sulle tracce dei Fenici: comunicare per valorizzare
2014
Nell’immagine di Palermo sono impressi i segni tangibili e intangibili dei molteplici popoli che l’hanno dominata. Nella pluralità di queste civiltà, meritano un racconto a sé i Fenici, fondatori della città, le cui tracce nel centro storico, restano ancora nascoste e spesso poco conosciute. Un opportuno recupero di tali testimonianze archeologiche può avvenire attraverso la loro comunicazione museografica al pubblico (turisti e cittadini). Tale contributo intende definire possibili strategie (ad esempio pannelli e applicazioni su dispositivi digitali) efficaci per trasmettere il significato storico e culturale di questi luoghi, inseriti in un percorso unico, e valorizzarne la memoria.
La misura del patio
2021
The void of the patio defines a confined space. In drawing a difference between an interior and an exterior, it is measured by the enclosure. Three actions distinguish an introverted confined space: closing towards the outside; the measure of its extension; the crossability between internal and open spaces. In this context, looking for the measure, to compose the seriality, to govern the repetition, outline three actions/objectives useful to define a project plan characterized by a seriality confirmed by the introduction of appropriate variations. Interpreter of an idea of the house intended as the last refuge of existence, the use of the patio fulfills the request for a weakening of the th…