Search results for "intertext"

showing 10 items of 114 documents

Infancia y cuento de hadas en Il bacio della Medusa, de Melania Mazzucco

2017

Il bacio della Medusa, opera prima de la escritora italiana Melania Mazzucco (Roma, 1966), narra el amor erótico entre dos mujeres a comienzos del siglo XX. En este artículo estudiaremos las representaciones de la infancia (un tema recurrente en distintas obras de la autora), a partir del análisis de la intertextualidad con el cuento de hadas. Los procedimientos de reescritura, citación e inversión transmiten una visión desencantada de la niñez.

lcsh:Language and LiteratureUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASinfancialcsh:NX1-820:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]afectividadlcsh:Pintertextualidadlcsh:Arts in generalcuentos de hadasZibaldone: Estudios Italianos
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Intertextualidad, historia e imaginación en las aventuras de Alfred y Agatha

2016

Las aventuras de Alfred y Agatha constituyen una serie de novelas para jóvenes lectores que muy buen pueden considerarse una introducción al género negro. Adoptando la formula detectivesca convencional como forma narrativa, la escritora Ana Campoy ha recreado la infancia de los célebres Alfred Hitchcock y Agatha Christie, y los ha tomado como héroes protagonistas de una serie de casos en los que se mezclan la fantasía, los datos históricos y la ficción literaria. Tras un encuentro fortuito, Alfred y Agatha no solamente se hacen amigos, sino que junto con su perrita “Morritos” deciden montar una agencia de detectives llamada Miller and Jones. Nos encontramos en Londres a principios de Siglo …

literatura infantil intertextualidad aventuras historia
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Mobilising Consumers for Food Waste Reduction in Finnish Media Discourse

2019

Raippalinna explores how consumers are mobilised for food waste reduction in media discourse. Food waste reduction initiatives are often criticised for putting the responsibility on individual consumers, but little research exists on the mobilisation of consumers in actual contexts. Through critical discourse analysis of media texts, Raippalinna investigates how the food waste problem and consumers are constructed in relation to each other in Finlands leading newspaper Helsingin Sanomat 2010–2017. The analysis demonstrates that the discourses of consumer mobilisation appear mostly as consumer education where the consumer’s role is to manage individual consumption and household practices. Th…

media discoursekestävä kulutuscitizenshipjulkinen keskusteluvastuullisuusmedia_common.quotation_subjectkansalaisuusConsumer educationgovernmentalityNewspaperlehdistökirjoitteluCritical discourse analysisintertekstuaalisuusSustainable consumptionMarketingCitizenshipfood waste reductionGovernmentalitymedia_commonruokahävikkiConsumption (economics)consumersustainable consumptioncritical discourse analysisdiskurssintutkimusdiskurssianalyysiintertextualityFood wastefood wasteconsumer responsibilitykuluttajatBusiness
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Retoryka pamięci - wybrane problemy teoretyczne

2009

memoryintertextualitylanguagerhetoricmnemonicsmetaphors of memorystylisticsStudia Slavica = Slovanské Studie / Uniwersytet Opolski, Ostravská Univerzita
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Metafikcija un intertekstualitāte Lemonija Sniketa "Nelaimīgo notikumu virknē"

2019

Šī bakalaura darba mērķis ir pētīt metafikcijas un intertekstualitātes izmantojumu literatūrā un to, kā tās pielietotas Lemonija Sniketa darbos, īpašu vērību veltot tieši metafiktīvo elementu analīzei. Metodes, kas tiek izmantotas šajā darbā, ir teorētiskās literatūras apskatīšana un “Nelaimīgo notikumu virknes” grāmatu praktiskā analīze. Rezultāti liecina, ka šajā darbā vēstītājs bieži uzrunā lasītāju tieši gan paskaidrojot vēstījumu, gan daloties zināšanām, gan iekļaujot intertekstuālus elementus tā palielinot lasītāja izpratni un radot vēstītāja klātesamības efektu, šķietami nojaucot robežu starp vēstītāju un lasītāju. Tā kā Snikets ir pieaugušais, kurš raksta galvenokārt bērniem domātus…

metafictionintertextualityLemony SnicketValodniecībanarratorallusions
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: Russell Banks, Raymond Carver, David Cronenberg, Bret Easton Ellis, David Lynch

2008

The use of the French adjective “malsain” (usually translated in English as “unhealthy,” “unwholesome” or “sick”) to judge a work of art has led me to question the relevance of this metaphor, the way this value is determined, the reasons which lead the subject to consume shocking material and the possibility to distinguish art from mere symptom. I consider the unhealthy, on the one hand, as a relation of transmission which produces an aesthetic based on metaphor and metonymy, and on the other, as a subjective value delivered by a self or a law, and I argue that, as it is entirely discursive, the unhealthy is in effect an uncanny metonymy. I show that the works under study represent and cond…

normintertextualitéréception[SHS.LITT]Humanities and Social Sciences/Literaturein-betweenreception theorytragiquesubjectivitéaltéritémetaphorparody[SHS.LITT] Humanities and Social Sciences/Literatureentre-deuxsubjectivityéthiquegrotesquehumormétaphoreparodiehumourartificenature[ SHS.LITT ] Humanities and Social Sciences/Literatureethicsnormeintertextualitymétonymiediscoursetragicmetonymydiscoursotherness
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Da Croce a Vico, vita come opera

2022

This paper is dedicated to the investigation of a particular discursive genre, that of philosophical autobiography. Although the dialogue between philosophers is not only about the doctrine they propose, but also about the genres through which they decide to communicate that doctrine, the philosophical autobiography is usually regarded as having no doctrinal value. In this genre the enunciative scene is made explicit, so that the ‘I’ who thinks coincides with the ‘I’ who writes and, in some cases, also with the ‘I’ who lives. We will investigate the enunciation procedures and, above all, the relations between enunciation and enunciatee.

philosophical autobiography text intertextuality Descartes Cogito
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Mobile - käyttöliittymä Michel Butorin tekstikoneeseen

2014

poststructuralismreceptionmyytitrepresentationvastaanottohypertekstigenretButor Micheltulkintamythmetafiktiointertextualitypoststrukturalismiintertekstuaalisuusmimesisdialogisuussimulacrumopen worktekstilajitmultimodaalisuustekijyys
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Paramedia : thresholds of the social text

2017

This work is an adaptation of Gerard Genette’s theory of paratexts to social media. Paratexts are information surrounding texts, and usually helping the user to decide whether or not to consume a text. In social media, a plurality of new information surrounds texts we read every day. They are dynamic by nature and have different authors: the social platforms, like Facebook or YouTube; the authors of texts, and the users who comment and share them. This collection of four articles will debate the ethos in social media, what is an author in social media, what are the identified paratexts in selected social media websites and the limits of interpretation of paratexts in contemporary Brazilian …

sisältötuotantosocial mediaverkkokirjoittaminenhypertekstiperitekstisosiaalinen mediaparatextsdigital contentcontent strategydata-driven decision-makingintertextualityperitextsdigitaalinen kulttuuriparatekstiliterary theorytekijyys
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Tolkien's Land of Heroes : Fëanor, a tragic hero of Middle-Earth in comparison to Seppo Ilmarinen from the Kalevala

2013

Tämän kandidaatintutkielman tarkoituksena oli analysoida Fëanoria, fantasiakirjailija J.R.R. Tolkienin luomaa fiktiivistä sankarihahmoa. Kuvaileva kirjallisuustutkimus jakaantui kahteen osaan: Toisaalta Fëanoria verrattiin traagisen sankarin käsitteeseen käyttämällä Aristoteleen Runousopissa (330-320 eKr.) kuvailemia sääntöjä ja vaatimuksia. Toisaalta Fëanoria verrattiin Kalevalan myyttiseen seppähahmoon, Seppo Ilmariseen. Fëanoria ja Seppo Ilmarista vertailemalla tarkasteltiin myös yleisemmin J.R.R. Tolkienin teosten ja Kalevalan, Suomen kansalliseepoksen välistä vuorovaikutussuhdetta. Tutkimuksen materiaalina käytettiin Kalevalan lisäksi J.R.R. Tolkienin Silmarillionia, joka on suurilta o…

the KalevalaintertextualityAristotleSeppo IlmarinenJ.R.R. Tolkientragic herotragedyThe SilmarillionFëanor
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