Search results for "letter"

showing 10 items of 4021 documents

Borges y Escher: el laberinto Barroco y las paradojas de la percepción del neo-Barroco

2016

En los laberintos barrocos se consuma el placer perverso de la complejidad artificiosa, el gusto por una arquitectura virtual que metaforice las infinitas trayectorias de un universo inextricable. Uno de los signos tangibles de la crisis neobarocca que aparece en la poética de Borges se puede encontrar sin lugar a dudas en la presencia de las metáforas geométricas del laberinto. También Escher, a través de sus representaciones gráficas del inestable equilibrio que existe entre ilusión y desilusión, entre descifración y duda ontológica, entre figuras posibles e imposibles, termina por inscribirse plenamente en el ámbito de la crisis neobarroca.

Cultural StudiesHistoryEnthusiasmNeo-BarrocoLiterature and Literary TheoryVisual Arts and Performing ArtsParadoja; Borges; Escher; Barroco; Neo-Barroco; laberinto; metáfora.media_common.quotation_subjectlaberintoParadoja Borges Escher Barroco Neo-Barroco laberinto metáfora.ArtmetáforaEscherPleasureParadojaBorgesEscherPoeticsSettore L-LIN/06 - Lingua E Letterature Ispano-AmericaneBarrococomputerVirtual architectureHumanitiesmedia_commoncomputer.programming_language
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Il nucleo di manoscritti arabi provenienti da San Martino delle Scale e conservati presso la Biblioteca Centrale della Regione Siciliana

2019

Abstract Among the manuscripts located into the Central Library of the Sicilian Region “Alberto Bombace” in Palermo there is a corpus of Arabic manuscripts coming from the Benedictine Monastery of San Martino delle Scale, as testified by the shelf-mark S.M., indicating that they used to belong to the Library of San Martino delle Scale’s Monastery. Through an in-depth philological and historical investigation, the author will try to give a general description of the documents providing a reconstruction of their arrival to San Martino delle Scale first and then to the Central Library of the Sicilian Region.

Cultural StudiesHistoryLiterature and Literary TheorySociology and Political ScienceArabicScale (music)language.human_languageGeographySan Martino delle ScaleSettore L-OR/12 - Lingua E Letteratura ArabaCentral Library of the Sicilian RegionlanguageArabic manuscriptHumanitiesSicilianOriente Moderno
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Framing Migrant Memories: Lampedusa's Fragmented Archives

2022

The small island of Lampedusa, a key destination of the Central Mediterranean Route connecting Africa to Italy, offers a special observatory on the contemporary trans-Mediterranean odyssey of migrants, although often transformed into a “border spectacle.” Upon landing, migrants are stripped of their belongings, as these are impounded by the authorities. Such an act of dispossession is intended to deprive them of their histories, family ties and cultural identity. Photographer Mario Badagliacca has portrayed a selection of these lost and retrieved items in his work Fragments (2013). Each object reveals expectations, fears, desires, endurance, but cannot tell a full story. They are fragments …

Cultural StudiesLinguistics and LanguageBorder SpectacleLiterature and Literary TheoryMario Badagliacca's FragmentLampedusa; Black Mediterranean; Border Spectacle; Mario Badagliacca's Fragments; photography and poetry; Maaza Mengiste's “Nepenthe”; African Diaspora; ArchivesLampedusaphotography and poetryArchiveAfrican DiasporaSettore L-LIN/10 - Letteratura IngleseBlack MediterraneanMaaza Mengiste's NepentheAltre Modernità
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La heterodoxia en la poesía visual española del siglo XXI

2014

Resumen: Toda vanguardia esconde un malestar y una rebeldia contra la realidad que aflige al individuo y que se vuelve objeto de critica en las obras. En este sentido, tras aclarar a que nos referimos cuando hablamos de poesia visual, analizaremos algunas obras que han aparecido por primera vez en 2014, interpretandolas como reaccion contra la perdida de valores de la sociedad postmoderna. La finalidad sera demostrar que la poesia visual espanola del siglo XXI no ha renunciado a su heterodoxia, puesto que elige justamente este universo donde todo es rapido, fluido, superficial, complejo e inasible para seguir denunciando desde su interior la incomunicacion y la alienacion a la que nos han l…

Cultural StudiesLinguistics and LanguageHistoryLiterature and Literary Theorycultura de masasVisual poetryVisual poetryAlienationPoesía visualpoesíaLanguage and Linguisticsethical commitmentpoesía visual compromiso ético cultura de masas incomunicación alienaciónmass culturealienaciónMass culturepoesía española conteporáneaCommunicationPhilosophycompromiso éticoVisual poetry; ethical commitment; mass culture; incommunication; alienation;incommunicationSettore L-LIN/05 - Letteratura SpagnolaPoesía visual; compromiso ético; cultura de masas; incomunicación; alienación;alienationLiteraturaLiteratura; poesíaHumanitiesEthical commitmentincomunicaciónKamchatka. Revista de análisis cultural.
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Le memorie ingarbugliate. Tensioni autobiografiche nell’Uva puttanella e in Contadini del Sud di Scotellaro

2016

L’intervento s’inserisce nel dibattito sull’autobiografismo di Scotellaro nelle sue due maggiori opere in prosa, arrivateci incomplete e non pronte per la pubblicazione:Contadini del Sud e, soprattutto, L’uva puttanella, che Scotellaro definiva in fase di preparazione un ‘‘romanzo’’. Se Contadini del Sud, nelle parti disponibili oggi, sembra anticipare alcuni esiti dell’attuale non-fiction per via dell’uso disinvolto del materiale documentario, del risalto dato alle testimonianze e alle ricognizioni sul campo, della creazione di veri e propri ‘‘personaggi’’ a tutto tondo che si esprimono direttamente sulla pagina, L’uva puttanella ha caratteristiche che ne sottolineano invece l’inattualita`…

Cultural StudiesLinguistics and Languageautobiography ellipsis storyline ScotellaroLiterature and Literary TheorySettore L-FIL-LET/14 - Critica Letteraria E Letterature ComparateLanguage and LinguisticsForum Italicum: A Journal of Italian Studies
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In Other Words: The Ethics of the Translator in 17th-century al-Andalus. The Perspective of Aḥmad Ibn Qāsim al-Ḥaǧarī al-Andalusī

2015

This study focuses on a particular aspect of the Translation Studies orDirāsāt al-tarǧamah, i.e. the ethics of the translator.Starting from the analysis of concepts like “cultural otherness” or “linguistic hospitality”, theorized by Antoine Berman, Lawrence Venuti and Paul Ricoeur, and concerning the translator’s process of mediating between languages and between cultures, it will be taken into account the specific case of a muslim traveller and interpreter, Aḥmad ibn Qāsim al-Ḥaǧarī al-Andalusī (d. 1051/1641), author of theKitāb Nāṣir al-dīn ʿalà l-qawm al-kāfirīn, who was asked, by a Christian authority (the Archbishop of Granada), to translate some Arabic manuscripts.In such a context, t…

Cultural StudiesLiteratureHistoryLiterature and Literary TheorySociology and Political ScienceArchbishopbusiness.industryInterpretation (philosophy)media_common.quotation_subjectContext (language use)Artcomputer.software_genreEthics of the translator Al-Andalus rihlah Linguistic hospitalityFaithSettore L-OR/12 - Lingua E Letteratura ArabaHospitalityTranslation studiesHermeneuticsbusinesscomputerInterpretermedia_commonOriente Moderno
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“This England”: Re-Visiting Shakespearean Landscapes and Mediascapes in John Akomfrah’s The Nine Muses (2010)

2017

The paper will offer a reading of John Akomfrah’s The Nine Muses (2010), a 90-minute experimental feature film that has been defined as “one of the most vital and original artistic responses to the subject of immigration that British cinema has ever produced” (Mitchell). It will focus on the multifarious ways in which the film makes the “canonical” literary material that it incorporates, including Shakespeare, interact with rarely seen archival material from the BBC regarding the experience of Caribbean and South Asian immigrants in 1950s and 1960s Britain. It will argue that through this interaction the familiarity of Western “canonical” literature re-presents itself as an uncanny landscap…

Cultural StudiesMediascapeLinguistics and LanguageenglishnessLiterature and Literary TheoryVisual Arts and Performing Artsmedia_common.quotation_subjectSubject (philosophy)hamletEnglish literature060401 art practice history & theorymigrationLanguage and LinguisticsEnglishnePoliticsMovie theaterReading (process)SociologyTheologyUncannyHamlet (place)media_commonarchivebusiness.industry06 humanities and the artspostcolonial shakespearerichard iihome and hospitality060202 literary studiesJohn Akomfrah Migration Archive Media Interference Rhizomatic Shakespeare Postcolonial Shakespeare Home and Hospitality Englishness Richard II Hamletrhizomatic shakespeareAesthetics0602 languages and literaturejohn akomfrahLiterary criticismJohn Akomfrah Migration Archive Media Interference Rhizomatic Shakespeare Postcolonial Shakespeare Home and Hospitality Englishness Richard II Hamlet.businessPR1-9680Settore L-LIN/10 - Letteratura Inglese0604 artsmedia interferenceMulticultural Shakespeare
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L'uomo e il suo ambiente nella Grecia antica: per una "ecopoiesi"

2017

The modern concept of “nature” was born in the XVIIIth Century: a nature as object, submitted to man’s reason. A long traditon sees the origin of the modern notion of nature in the Greek phúsis. To go from phúsis invites us on the contrary to be critical towards the modern paradigm of a nature opposed to culture. Actually the domination of nature and the exploitation by man of what are for us “natural resources” is at the core of the ideological, economical and financial model imposed on us by neoliberal capitalism. This model shapes and destroys the communities of men as well as their environments. To face anthropologically the Greek phúsis invites us to break off with a technological capi…

Culture - Nature - Ancient Greek Philosophy and Medicine - Nomos - Phusis - Anthropopoiesis - Ecological ThinkingSettore L-FIL-LET/02 - Lingua E Letteratura Greca
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Gold(I)-Catalyzed Intermolecular Cycloaddition of Allenamides with α,β-Unsaturated Hydrazones: Efficient Access to Highly Substituted Cyclobutanes

2014

α,β-Unsaturated N,N-dialkyl hydrazones undergo a mild [2 + 2] cycloaddition to allenamides when treated with a suitable gold catalyst. The method, which represents the first application of N,N-dialkyl hydrazones in gold catalysis, is compatible with a wide variety of substituents at the alkenyl moiety of the hydrazone component, proceeds with excellent levels of regio- and diastereoselectivity, and provides densely substituted cyclobutanes with good to excellent yields.

CyclobutanesLetterHydrazoneStereoisomerismBiochemistryMedicinal chemistryCatalysisCatalysisCombinatorial Chemistry TechniquesMoleculeOrganic chemistryMoietyPhysical and Theoretical ChemistryCycloadditionchemistry.chemical_classificationCycloaddition ReactionMolecular StructureOrganic ChemistryIntermolecular forceHydrazonesStereoisomerismAllenamidesCycloaddition3. Good healthAlkadienes:Investigación::23 Química [Materias]chemistryGoldCyclobutanes
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Le regole del beneficio. Commento tematico a Seneca, "de beneficiis", libro I

2013

Questo volume rappresenta la prima tappa di un più ampio progetto che mira a dotare il de beneficiis di Seneca di un commento tematico, costruito e organizzato intorno alle molteplici problematiche che attraversano l’opera. I sette libri del trattato furono composti dal loro autore con l’esplicito intento di fornire una lex ad un insieme di pratiche che a Roma erano fondanti di molte relazioni, come quella tra patroni e clienti, tra padri e figli, tra princeps e sudditi. L’opera, ritornata negli ultimi vent’anni al centro degli interessi della comunità scientifica, merita anche per la sua riconosciuta complessità una più adeguata collocazione nell’ambito della produzione filosofica di Senec…

DE BENEFICIISSettore L-FIL-LET/04 - Lingua E Letteratura Latina
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