Search results for "madne"
showing 10 items of 20 documents
Le discours du fou dans le récit romantique européen (Allemagne, France, Russie)
2012
The thesis studies the linguistics, philosophy and aesthetics of literary language of the madman in the Romantic era. It focuses on The Devil's Elixirs (Hoffmann, 1815),The Crumb Fairy (Nodier, 1832), The Diary of a Madman(Gogol, 1835), The Sylph(Odoevsky, 1837) and Aurelia(Nerval, 1855). Other narratives are more promptly summoned, as The Night Watches(Bonaventura, 1804) or Louis Lambert(Balzac, 1832).The madman is a problematic being: he is both unhealthy and inhabited by a divine inspiration. This paradox finds a new relevance in the first half of the nineteenth century. On the one hand, the development of Alienism tends to define mental pathologies from a medical point of view. On the o…
“The View from Without: Madness and the Other in the Narrators of ‘The Tell-Tale Heart’ and ‘The Cask of Amontillado.’”
1992
International audience
La lecture lacanienne du roman durassien "Le Ravissement de Lol V. Stein" : l'expérience « autre » de l’inconscient et du langage
2020
Inscribed in human condition, Loss is an integral part of Duras’s work. It is a leitmotif of the novel Le Ravissement de Lol V. Stein (The Ravishing of Lol Stein), in which the feeling of love is shown as ambivalent, connected − on the one hand − with ecstasy, admiration and exaltation, and on the other – with suffering, loneliness, pain and absence. Considered from the Lacanist perspective, the text allows us to see the originality of Duras’s prose, which involves capturing the unspeakable, the thing that escapes rational analysis and conventional writing technique: the subconscious. The author refers to it both in the thematic and stylistic layers, thus emphasizing the fragmentary nature …
That Crazy World We’ll Live in : Emotions and Anticipations of Radical Future Technology Design
2020
Humans behave towards and experience technological design in conflicting and contradictory ways. On the one hand, the very mention of the word ‘future’ conjures expectations of the radically new and unexpected. On the other hand, previous research has shown that people have a threshold for the level of change and the unexpected that they can cope with. Their expectations are dominated by mental images of familiar associations with what has been previously associated with the future. As a rule, humans cope with incremental changes, yet have difficulty accepting the entirely unfamiliar. This makes it harder to imagine a future of radical technology design and interactions, particularly when a…
Bringing madness home : the multiple meanings of home in Janet Frame's Faces in the water, Bessie Head's A question of power and Lauren Slater's Proz…
2012
"Diagnoosin paikka. Naisten kertomuksia psykiatrian potilaiksi tulemisesta"
2006
Le silence des fous chez Zola et Maupassant
2017
Itis difficult to define all the meanings and connotations of silence depicted in literary works. In the 19th century, where the Realism and the Naturalism paid much attention to the study of both physical and mental illnesses, silence was considered as one of the distinctive signs of madness. The paper analyzes four examples of this phenomenon in selected Zola s and Maupassant s texts (novels and short stories) whose characters, all mad or maniac, embody various aspects of the silence regarded as a pathological condition of a human being.
Le dévoilement du sens à travers les avatars différents de la féminité chez Marguerite Duras
2016
Madness is an inherent quality of female protagonists in the prose of Marguerite Duras. It manifests itself through melancholy, sadness, loneliness, misunderstanding or absence arising from abandonment. The behaviour of female characters, marked by distress or “the disease of death”, is irrational, nonsensical and difficult to understand. Their attitude defies logic and attempts to capture this specificity of writing focused on the emotive sphere, on what is inexpressible. This article discusses the perception of femininity and its various incarnations, manifesting themselves through specific language, sexuality and obsessions inscribed in the nature of the weaker sex. The destruction of pe…
Du sens à la folie dans "La Folle de Chaillot" de Jean Giraudoux
2016
The play entitled The Madwoman of Chaillot (1945) by Jean Giraudoux (1882– 1944) is a poetic expression, through a true/false game, of the author’s anxiety concerning the politics of the excessive exploitation of the Earth’s natural resources and its consequences. The idea of getting rich no matter what has been ridiculed with mastery, due to the characteristics of the style of the author of Electra, such as parody, irony, and agility. The main character is ambivalent, which allows interpretative variations and makes the matter of the play complicated and equivocal, which has been proved by the Polish staging of the play in 1947.
Le périple erratique de la mendiante durassienne
2022
Marguerite Duras focuses on a rejected individual on the margins of society. Her literary characters oppose being perceived as devoid of autonomy, contesting the fixed model of a submissive and passive woman. On the contrary, they reject the social order and the traditional system of values, claiming the right to freedom and thus demonstrating transgressive female behaviour. Duras’ heroine, a mysterious, crazy person who is looking for love and is aware of her otherness and alienation, appears as a kind of femme fatale or a witch. This image of a “different” woman – a disturbing, unhappy, lost, borderline person experiencing a specific crisis – is best illustrated by a beggar. She identifie…