Search results for "medieval"
showing 10 items of 1745 documents
De mandato aliorum et voluntate. Responsabilità e concorso nella dottrina di diritto comune: il Tractatus de maleficiis di Alberto Gandino
2013
Ex tabula omnium antiquissima… Alle radici dell’iconografia moderna di Santa Rosalia
2012
Si affronta dal punto di vista storico-artistico, stilistico-formale, iconografico, un'icona della metà del XIII secolo oggi nel Museo Diocesano di Palermo ritenuta finora la più antica testimonianza figurativa del culto a Santa Rosalia, e si presentano le indagini diagnostiche ed il restauro conservativo della stessa
Ammonium phosphate method in preservation of marble artifact
2022
In questo lavoro si studiano gli effetti dell'uso del fosfato di ammonio come consolidante nell'ambito del restauro e del consolidamento di una colonna binata nel lato est del chiostro di Santa Maria La Nova a Monreale, Palermo, Italia This paper studies the effects of using ammonium phosphate as a consolidating agent in the restoration and consolidation of a binata column in the east side of the cloister of Santa Maria La Nova in Monreale, Palermo, Italy
Scene giudiziarie nelle tragedie e nelle commedie latine del XII e XIII secolo. 1. Il «Mathematicus» di Bernardo Silvestre e il «Milo» di Matteo di V…
2014
The latin “elegiac comedy” and the latin “tragedy” of XIIth and XIIIth centuries display a big and vari-ous richness of topics, themes, subjects and literary features: use of the elegiac couplets, ovidian imita-tion, meaning of love, incidence of dialogic and narrative sections, and so on. One of these topics is represented by the “scenes of trial by jury” which happen in some of the medieval comedies and trag-edies. This paper, after an introduction to the literary kind, is dedicated to the analysis of the “scenes of trial by jury” which we can find in two texts, a tragedy (Bernardus Silvestris’ Mathematicus) and a comedy (Matthew of Vendôme’s Milo).
Recensione a Corpus Rhythmorum Musicum saec. IV-IX. IV. Rhythmi computistici. I. Anni Domini notantur in praesenti linea. Edizione critica e traduzio…
2022
Recensione al vol. Corpus Rhythmorum Musicum saec. IV-IX. IV. Rhythmi computistici. I. Anni Domini notantur in praesenti linea. Edizione critica e traduzione a cura di Ch. SAVINI e I. VOLPI, ediz. musicale di S. BARRETT, revisione di Fr. STELLA, Firenze 2021 Review of the volume: Corpus Rhythmorum Musicum saec. IV-IX. IV. Rhythmi computistici. I. Anni Domini notantur in praesenti linea. Edizione critica e traduzione a cura di Ch. SAVINI e I. VOLPI, ediz. musicale di S. BARRETT, revisione di Fr. STELLA, Firenze 2021
Sabratha. La catacomba e le aree funerarie cristiane
2016
This paper starts from the processing of the data, both edited and acquired in 2010 by a series of dedicated surveys in Sabratha made by researchers at the University of Palermo, in collaboration whit the cnr itabc for the prin 2008 Project, carried out under the responsibility of Prof. Rosa Maria Carra Bonacasa. The researchers have made a preliminary study for an archaeological gis of Sabratha to gather informations on the monuments already studied, or under study, and to promote analysis regarding the riuse of space in the Regiones iii-v of Sabratha, after the destruction attribuited to the earthquake on 21th July 365. We present the results of the study on the Early Christian funerary a…
Expressions multiplicatives en textos catalans medievals
2015
Explicitació i aclariment de passatges amb expressions multiplicatives en textos medievals en català: (1) "Estar en quatre tants" (Facet); (2) "A cent doblàries" (Vita Christi d'Isabel de Villena); (3) "Doble és l'afany" (poema 1 d'Ausiàs March). An explicitation and clarification of three medieval Catalan texts' passages with multiplicative expressions: (1) "Estar en quatre tants" (Facet); (2) "A cent doblàries" (Vita Christi by Isabel de Villena); (3) "Doble és l'afany" (Ausiàs March, poem 1).
Bartomeu de Tresbens, physician and astrologer in the service of king Peter the Ceremonious and the infant John: between the service to the Crown and…
2018
Bartomeu de Tresbens was a physician, astrologer and philosopher at the service of two kings of the Crown of Aragon, Peter IV the Ceremonious and his son, Duke John, the future John I the Hunter, between 1360 and 1375, approximately. His major work of astrological content has hardly been studied, except for the Llibre de les nativitats (Book of Nativities). Similarly, most of his biography is not known. The documents, which are mainly the correspondence of its relationship with the monarchy, are preserved, but also other records that connect him to the municipalities of Barcelona and Cervera. Particularly in the latter case, Tresbens was tempted by the municipal authorities for being the ph…
"II –Il monastero benedettino", in Bonacasa Carra RM, Schirò G, Vitale E, Manenti M, "Il Monastero benedettino di Monreale. Dati storico-archeologici…
2016
In the Norman hunting park dominating the Conca d'Oro, in the second half of the XII century the monumental complex of Monreale began as a rational unitary body, consisting of the royal palace, the Duomo and the Benedictine convent which, from 1176, housed hundred Cluniac monks of Cava de 'Tirreni, called here by King William II; a wall, originally equipped with twelve towers, protected the religious community from possible external attacks. The goal of the founder was the creation of a strong instrument for the Christianization of western Sicily - still predominantly Muslim -, and at the same time of a prestigious dynastic mausoleum, in the explicit intent to rival all previous sacred impe…
La font de Llíria: Edició del primer milacre vicentí publicat (1822)
2014
El present treball estudia el primer milacre vicentí de què es té constància que va ser imprés: La font de Llíria. Editat anònim a València, el 1822, per primera vegada, és una mostra del teatre popular i de carrer del segle XIX i, a més de ser reeditat en diferents ocasions, arribà a inspirar altres autors posteriors. The present work studies the first trext printed wich is considered a milacre (dramatic piece about Saint Vincent Ferrer). La font de Lliria was published anonymously in Valencia, in 1822, for the first time, and it is a sample of popular theater of the nineteenth century. It has been reedited on several occasions, and it has come to inspire later authors.