Search results for "metonymy"
showing 10 items of 25 documents
Objetos-testigo. Fracturas y reconstrucciones del relato identitario
2020
The presentation will be divided into three movements: fractures, reconstructions and archives. Each movement will correspond to a different typology of objects: shoes, nails and beams, clothes. The aim is to show the process of defamiliarization/refamiliarization of some of the objects present in the testimonial stories of Miguel Lawner ( Return to Isla Dawson ) and Marta Dillon ( Aparecida ), as well as in a corpus of photographic images ((Javier Garcia, Lourdes Almeida, Gustavo Gutierrez) and artistic and performative works (Alfredo Lopez Casanova, Colectivo de Hijos, Elina Chauvet, Doris Salcedo). As a whole, they are objects that exhibit resistance and resilience, creations that are op…
“Another Munich We Just Cannot Afford”: Historical Metonymy In Politics
2016
The appeasement of Hitler and the Munich Agreement is a rhetorical comparison used commonly in international relations to defend politico-military action. On the basis of conceptual history and rhetorics, we examine cases of political speech in this paradigm. Firstly, we discuss time and conceptualize experience into first and second order experiences. Secondly, the roles of metaphor, metonymy and analogy in relation to thought and action are examined. We then contextualise Munich 1938, and present three cases demonstrating the political usage of this metonymy since WWII. These range from the Suez Crises to the Gulf War and on-going War on Terror. These cases show that “Munich” can be used …
Deliberate use of metaphor and metonymy as mnemonic devices for identification in a non-linguistic modality
2020
De M. Bergeret a D. Toni de Bearn: Llorenç Villalonga, ironista
2012
El present article investiga la importància de la ironia en la producció literària de Llorenç Villalonga. En primer lloc analitza l’ús de la ironia en l’escriptor francès Anatole France, mestre admirat de Villalonga, i de manera particular en el seu personatge Lucien Bergeret, la màxima creació de l’autor. En segon lloc estudia la concepció de la ironia en Villalonga i del seu ús a la seua novel·la Bearn o la sala de les nines, amb una atenció especial al seu protagonista, l’ eiron D. Toni de Bearn, personatge íntimament relacionat amb el professor Bergeret francià, i als models novel·lístics de la novel·la de tesi i de la novel·la d’aprenentatge o de formació. This paper is devoted to stud…
Visualization of Jacques Lacan’s Registers of the Psychoanalytic Field, and Discovery of Metaphor and of Metonymy. Analytical Case Study of Edgar All…
2017
International audience; We start with a description of Lacan’s work that we then take into our analytics methodology. In a first investigation, a Lacan-motivated template of the Poe story is fitted to the data. A segmentation of the storyline is used in order to map out the diachrony. Based on this, it will be shown how synchronous aspects, potentially related to Lacanian registers, can be sought. This demonstrates the effectiveness of an approach based on a model template of the storyline narrative. In a second and more comprehensive investigation, we develop an approach for revealing, that is, uncovering, Lacanian register relationships. Objectives of this work include the wide and genera…
How an idea germinates into a projext or the intransitive resultative construction with Entity-Specific change-of-state verbs
2014
[EN] This study discusses how seven of Levin’s (1993) entity-specific change-of-state verbs (i.e. bloom, blossom, flower, germinate, sprout, swell, and blister) are subsumed into the intransitive resultative construction by highlighting and making use of the external and internal constraints proposed by the Lexical Constructional Model (LCM; Ruiz de Mendoza and Mairal 2007). External constraints refer to cognitive mechanisms such as high-level metaphor and/or metonymy whereas internal constraints are concerned with the encyclopedic and event structure makeup of verbs. The Internal Variable Conditioning constraint is at work when the information encapsulated by a predicate determines the cho…
The Polysemy of the verbs «pegar», «apegar» and «empegar» in Catalan : a synchronic manifestation of semantic change
2015
In this paper we study the polysemy that the verbs pegar ('hit/stick'), apegar ('stick') and empegar ('stick') possess today in the Catalan language. First of all, we perform a thorough description of the meanings that each of these verbs have acquired not only in the standard but also in the colloquial language. Each of the meanings has been differentiated from the others by analysing the most prominent dictionaries currently available and a corpus of written texts. Additionally, a number of surveys on the spoken language have also been taken into account. Our research has shown that in the different Catalan dialects they do not always have the same meanings or the same verb forms. To be a…
La llengua catalana en la literatura de viatges del primer terç del vuit-cents
2022
Aquest treball analitza les descripcions de la llengua catalana que feren els viatgers que van recórrer els Països Catalans i, especialment, el País Valencià al llarg del primer terç del segle XIX. Alhora, examina les observacions i les percepcions lingüístiques d'aquests viatgers sobre la llengua catalana, i especialment sobre la seva unitat/diversitat interna, la seva catalogació entre la resta de les llengües romàniques i l'ús d'aquesta per part dels habitants d'aquests territoris. Les obres que s'hi estudien no són només llibres de viatges, sinó també aquells textos informatius que servien als viatgers per a orientar i contextualitzar els seus itineraris: guies de viatge i obres de topo…
: Metonymy, Identification and Subjecthood in Stanley Kubrick's Lolita (1962)
2009
The author argues that, in order to bypass the Hays code, the eroticism in Kubrick's film is produced by metonymy, both verbal and non-verbal. Basing his study on the works of Christian Metz and Laura Mulvey, and more broadly on Lacanian psychoanalysis, the author analyzes how the film first constructs the character of Lolita as a “sexual object” subjected to the male gaze, then deconstructs its own construction by enabling Lolita to accede to the symbolic order, thus breaking out of the solipsistic imaginary the pedophile had confined her to. The film puts the spectator in the pervert's shoes by encouraging primary identification with the camera eye, secondary identification with Humbert H…