Search results for "musica."

National identity, national music and popular music in the Italian Music Press during the long 19th century

2011

Discusses the notions of national identity, national music and popular music as they emerged in Italian music periodicals during the years 1840–1890, in relation to the process of Italy’s political unification and the dissemination of foreign operas such as French grands opéras in the years 1840–1870 and Wagner’s Musikdramen from 1871 on. Essays and articles by relevant critics and musicians, such as Abramo Basevi and Francesco D’Arcais are discussed. Articles by lesser known journalists such as Pietro Cominazzi and Mattia Cipollone are also taken into account. The use of words like “national” and “popular” is analysed when referring to Italian opera, to its history and to the operas by for…

Feature selection for classification of music according to expressed emotion

2009

La Comedia nueva e le scene italiane nel Seicento. Trame, drammaturgie, contesti a confronto.

2016

I rapporti fra teatro italiano e teatro spagnolo del Seicento sono oggetto di specifiche ricerche disciplinari da una quarantina d’anni. Questo volume è il primo a tentare, da una parte, di tracciare la storia di questi studi nei campi dell’ispanistica, della musicologia e della storia del teatro, e dall’altra di individuare nuovi percorsi di ricerca interdisciplinari, esemplificati nei saggi in esso contenuti. Le cinque sezioni di cui il libro si compone mostrano alcune delle tematiche più proficue: il rapporto di scambio con la Commedia dell’Arte; l’appropriazione di trame e drammaturgieda parte degli autori teatrali italiani (anche di quelli che scrivono testi per musica); lo scardinamen…

Ludus in Fabula: Music and Play in Stravinsky's "The Rake's Progress" (1951)

2009

L'opera in breve: Nabucco

2010

Learning English through and for singing : learner experiences of the interrelation of music and language

2015

Kielen ja musiikin yhtäläisyydet ja eroavaisuudet ovat herättäneet mielenkiintoa viime vuosina niin neurotieteiden, psykologian, musiikkitieteiden, kuin kielitieteidenkin parissa. Koska kieli ja musiikki ovat molemmat kommunikaation välineitä, on luonnollisesti kiinnostavaa tutkia, millaisia yhtäläisyyksiä tai eroavaisuuksia niiden prosessoiminen sisältää. Näitä samankaltaisuuksia on sitten pyritty hyödyntämään useilla eri osa-alueilla, yhtenä niistä kielenoppimisessa. Tämän tutkielman tarkoituksena oli luoda katsaus klassisen laulajan kielenoppimiseen: ammatin asettamiin kielellisiin vaatimuksiin, sekä oppimisen haasteisiin ja etuihin. Tutkimuksella oli kaksi tavoitetta: niistä ensimmäisen…

Teacher beliefs about student agency in whole-class playing

2022

This study explores music teachers’ beliefs of student agency in whole-class playing and investigates what characterises student agency through teachers’ values, actions and observations within this unique multimodal and -dimensional learning environment. Our abductive analysis of 11 interviews reveals that the role of teacher support is significant in enacting students’ agency. This study provides insights into student agency through the eyes and actions of teachers within the context of whole-class playing and suggests that the enactment of different aspects of student agency is an essential feature necessary for whole-class playing to succeed. peerReviewed

Medicina e musica in Platone: Il "Timeo" e il progetto paideutico della "Repubblica"

2006

Tra note e parole Letteratura e musica nel Novecento D‟Annunzio Montale Calvino Zanzotto

2012

Ecouter Bernart de Ventadorn. Lecture de quatre unica musicaux: BdT 70.42 (X), 24 (W), 17 (G) et 25 (R)

2017

Etant donné que motz et sos des troubadours sont souvent étudiés séparément dans la tradition d'études scientifiques, nous allons essayer d'intégrer les données philologiques et musicologiques pour présenter une 'lecture' chantée et commentée de quatre pièces parmi les moins connues (et les moins enregistrées) de Bernart de Ventadorn, qui nous offrent néanmoins un aperçu assez représentatif des différentes typologies musicales associées à ses chansons par la tradition manuscrite.