Search results for "musica."
showing 10 items of 1262 documents
La música de cine como recurso pedagógico para la didáctica de la audición musical en los libros de texto de enseñanza secundaria
2014
La presente comunicación responde al interés de los autores por conocer la incidencia de la música de cine en el repertorio que se utiliza en los libros de texto de enseñanza secundaria para llevar a cabo las actividades relacionadas con la audición musical.
Mērķtiecīga mūzikas uztvere kā pirmsskolas vecuma bērnu audzināšanas līdzeklis
1999
Pirmsskolas vecuma bērnu muzikalitātes attīstības pedagoģiskais aspekts
2004
Latviešu tautasdziesmas kā pirmsskolas vecuma bērnu muzikālās dzirdes un balss attīstīšanas līdzeklis
1995
Mūzika kā studējošās jaunatnes garīgo vērtību veidošanās līdzeklis:( nozaru pedagoģija)
1998
Advisor: Grudulis, Ludviks
Manoscritti del Settecento napoletano nel fondo musicale della Cattedrale di Piazza Armerina
Franz Schreker. Un compositore "nel crepuscolo del mondo"
2010
Franz Schreker (1878-1934) fu uno dei più noti e controversi autori di teatro musicale della Germania fra le due guerre. Nel 1933 la sua musica venne proibita ed egli morì poco dopo l'avvento al potere di Hitler. Il saggio traccia un breve profilo biografico dell'autore e si sofferma sulla genesi, il soggetto e i caratteri musicali dell'opera in tre atti "Die Gezeichenten" (I predestinati, 1913-15).
Hitler regala una città agli ebrei. Musica e cultura nel ghetto di Theresienstadt
2008
l volume ricostruisce la vicenda culturale del ghetto di Theresienstadt, nel quadro della "soluzione finale" del problema ebraico (1941-45). In particolare, vengono descritte le biografie e le più importanti partiture realizzate - prima e durante la loro deportazione - da alcuni fra i compositori rinchiusi nel Lager (Pavel Haas, Hans Krasa, Viktor Ullmann). Il testo si avvale di un repertorio iconografico proveniente, in parte, dagli archivi del Unites States Holocaust Memorial Museum di Washington D.C. e del Yad Vashem di Gerusalemme. In appendice è riportata la prima traduzionelie italiana del saggio di Miroslav Karny "Il Lager per famiglie di Theresienstadt (BIIb) a Birkenau (settembre 1…
Musicians--same or different?
2009
In the neuroscience of music, musicians have traditionally been treated as a unified group, as if the demands set by their musical activities would be more or less equal in terms of perceptual, cognitive, and motor functions. However, obviously, their musical preferences differentiate them to a higher degree, for instance, in terms of the instrument they choose and the music genre they are mostly engaged with as well as their practicing style. This diversity in musicians' profiles has been recently taken into account in several empirical endeavors. The present contribution will review the evidence available about the various neurocognitive profiles these different kinds of musicians display.
A module for syntactic processing in music?
2006
Music and language have rules governing the structural organization of events. By analogy to language, these rules are referred to as the ‘syntactic rules’ of music. Does this analogy imply that the brain actually performs syntactic computations on musical structures, similar to those for language and based on a specialized module [1–3]? In contrast to linguistic syntax, which involves abstract computation between words, rules governing musical syntax are rooted in psychoacoustic properties of sound: syntactically related events are related on a sensory level and involve only weak acoustical deviance.