Search results for "paint"

showing 10 items of 605 documents

Obesity in Aging and Art

2009

THIS issue of Journal of Gerontology: Medical Sciences highlights new findings on obesity in older persons and its consequences for health and function (1,2,3). The obesity epidemic is spreading rapidly in both developed and developing countries, and perspectives on the negative effects of overweight and obesity abound in recent medical literature. What do we know so far about obesity over the lifetime? Obesity does not spare older persons (4). Obese older persons experience a wide range of negative consequences, including metabolic abnormalities, arthritis, pulmonary diseases, cataracts, cancer, impaired mobility, disability, and mortality. Given the already extensive knowledge base, why a…

GerontologyAgingSettore MED/09 - Medicina Internamedia_common.quotation_subjectMedicine in the ArtsContext (language use)SculptureOverweightHistory 18th CenturyHistory 17th CenturyPortraitmedicineHumansObesityHistory Ancientmedia_commonHistory 15th Centuryaging obesity sarcopenia artGender studiesHistory 19th CenturyHistory 20th Centurymedicine.diseaseObesityHistory MedievalSymbolFeelingHistory 16th CenturyBeautyJournal of Gerontology: MEDICAL SCIENCESPaintingsHypothalamic pituitary axisGeriatrics and Gerontologymedicine.symptomPsychology
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Sicilian Glass Paintings in Ecclesiastical Collections

2017

The article deals with Sicilian religious paintings on glass kept in the oratory of the cathedral of Malta

Glass paintings Sicily MaltaSettore L-ART/02 - Storia Dell'Arte Moderna
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Reproduction and growth of the painted comber Serranus scriba (Serranidae) of the Marine Reserve of Lanzarote Island (Central-Eastern Atlantic)

2005

Abstract The population biology of painted comber Serranus scriba (Linnaeus, 1758) of the Canary Islands coast was studied to estimate gonad morphology, sexuality, age and growth. Analysis of gonad organization and development revealed that it is a functional simultaneous hermaphrodite. Its anatomy and growth pattern of the reproductive cells is similar to that described in other species of the genus Serranus , although the sequence of vesicles appearing varies during vitellogenesis. Spawning season occurred from January to September with a peak in June. Individuals reached 50% maturity at 17.3 cm TL and 95% at 22.7 cm TL. Length–weight relationship was described by the following parameters…

GonadbiologySerranidaeRange (biology)EcologyZoologyAquatic ScienceOceanographybiology.organism_classificationSerranusPainted combermedicine.anatomical_structureHermaphroditemedicineAllometryOtolithEstuarine, Coastal and Shelf Science
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Le patrie di Guttuso

2021

A trentacinque anni dalla morte di Renato Guttuso, autore che occupa un posto di rilievo nel panorama della pittura del XX secolo, il contributo ne prende in esame la cultura visuale con particolare riferimento alla tradizione siciliana. A partire dalle prove giovanili, al centro di una fortuna controversa, l'articolo offre una disamina della relazione strettissima tra Guttuso e Bagheria ripercorrendo gli esordi dell'artista nel solco della tradizione pittorica tardo-ottocentesca ma non privi di importanti rimandi alla produzione successiva orientata verso una spiccata originalità. Thirty-five years after the death of Renato Guttuso, an author who occupies a prominent place in the panorama …

Guttuso Archive20th century paintingSettore L-ART/04 - Museologia E Critica Artistica E Del RestauroContemporary artRenato GuttusoGuttuso MuseumMuseo GuttusoSettore L-ART/03 - Storia Dell'Arte ContemporaneaArchivi GuttusoPittura del XX secoloArte Contemporanea
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Jaume Mateu y el retablo de San Sebastián de Villar del Cobo (Teruel)

2014

[ES] In 1428 the painter Jaume Mateu, who was trained in the workshop of the international Gothic master of Valencia, Pere Nicolau, painted an altarpiece dedicated to San Blas for the jurist Juan Gomez from Villar del Cobo. The parish church of this town still retains some paintings that belong to an old Gothic altarpiece with scenes of San Sebastián, San Fabián, San Jorge and a Crucifixion. This study analyzes the style of the preserved works and places them in the circle of the Valencian painter documented in Villar.

Gótico InternacionalPainterUNESCO::HISTORIA::Historia por especialidades::Historia del arteRetabloPinturaPere NicolauInternational GothicPaintingJaume MateuAltarpieceVillar del CoboHISTORIA DEL ARTEValenciaJaume Mateu y el retablo de San Sebastián de Villar del Cobo (Teruel) ArtículoPintor:HISTORIA::Historia por especialidades::Historia del arte [UNESCO]
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Martín I y la aparición del gótico internacional en el reino de Valencia

2003

This article focuses on the real presence of Martin I in the Kingdom of Valencia during a long period of time. This fact supposed the arrival and establishment of flemish, Italian painters and the own Crown of Aragón in the city of Turia. Orders not only by Martin I, first as a prince and later as the king, and close members of his court, but also by the own City Council allowed Valencia to be one of the most interesting cities for understanding the development of the International Gothic Style in the Crow of Aragon.<br><br>La presencia de Martín I en el reino de Valencia durante largos periodos de tiempo supuso un atractivo para el establecimiento de pintores flamencos, italian…

Gótico internacionalOrfebreríaHistoryHistorylcsh:D111-203lcsh:Medieval historyD111-203PinturaPaintingKingdomarteLong periodMedieval historyMiniaturaInternational Gothic StyleValenciaMiniatureMartín I el HumanopinturaPaintingbiologyminiaturaMartin I king of Aragonmartín i el humanobiology.organism_classificationGoldsmithinglanguage.human_languageStyle (visual arts)FlemishorfebreríalanguagePintura MiniaturaValenciaArtegótico internacionalvalenciaHumanitiesArtAnuario de Estudios Medievales
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Conservation state of two paintings in the Santa Margherita cliff cave: role of the environment and of the microbial community

2021

Abstract The conservation of ancient paintings sited in humid environments is an actual challenge for restorers, because it needs the knowledge of the materials the paintings are made up and of their interaction with a peculiar surrounding environment; thus, tailored procedures and strategies aimed at restoring and preserving paintings are necessary. The Santa Margherita’s cave in Castellammare del Golfo (Trapani, Italy) is a natural cave, containing the remains of paintings, in a poor state of conservation, belonging to an ancient church dated back to the Middle Age. The present manuscript reports the monitoring of environmental conditions (i.e., temperature and humidity) in a full year as…

Health Toxicology and Mutagenesismedia_common.quotation_subjectNatural (archaeology)Cave paintingCave paintingState (polity)CaveCliffEnvironmental ChemistrySulfates and chloridesmedia_commongeographyPaintinggeography.geographical_feature_categoryBacteriaMicrobiotaTemperatureConservation PlanPlan (archaeology)HumidityEnvironmental monitoringGeneral MedicinePollutionArchaeologyhumanitiesConservation planPaintingsBacterial community
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Lucrècia Borja. L'alteració d’una identitat i l’errònia atribució de la pintura de Flora de Bartolomeo Veneto

2017

Resum: Aquest treball preten emfatitzar l’erronia identitat que ha arribat fins als nostres dies de Lucrecia Borja i l’equivocada atribucio que se n’ha fet d’alguns retrats. Com ara, la pintura de Flora (c.1520), pintada per Bartolomeo Veneto, que ha passat a la historia com una indissoluble identificacio de Lucrecia. Els estudis actuals han demostrat que representa un model ideal influit pel context literari probablement relacionat amb Pietro Bembo. Durant el Renaixement, els retrats representen molt mes que una identitat concreta i mimetica. Son suports de prestigi i transmissio ideologica, de virtuts morals, memoria, etc. En l’ambit artistic venecia de principis del segle XVI sorgeixen m…

HistoryLiterature and Literary Theorymedia_common.quotation_subjectlcsh:Literature (General)Short paperlcsh:D111-203lcsh:Medieval historyContext (language use)Borja Lucrècia 1480-1519 -- PortraitsLanguage and LinguisticsPortraitRetrats del Renaixement -- ItàliaVeneto Bartolomeo 1502-1531Portraits Renaissance -- Italymedia_commonUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASPaintingPoetryHistoriographyArtBorja Lucrècia 1480-1519 -- Retratslcsh:PN1-6790Poeticslcsh:D204-475:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]ExegesisHumanitieslcsh:Modern history 1453-SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna
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Reflexiones sobre el pintor Jacomart: un nuevo retablo de la Visitación (1455)

2017

espanolpresente texto da a conocer la noticia de un encargo por parte del mercader valenciano Pere de Llorach al prestigioso pintor Jacobus Baco, Jacomart, en 1455. Se analiza la importancia de este ret ablo con el tema de la Visitacion en el marco de los estudios sobre la figura de este controvertido pintor. Esta noticia inedita permite plantear una reflexion sobre el artista, que sigue presentando numerosas incognitas EnglishThis text provides new documentary evidence about a retable commissioned by the Valencian merchant Pere de Llorach to the prestigious painter Jacobus Baco, Jacomart, in 1455. The i mportance of this retable depicting the Visitation is taken into account in the perspec…

HistoryPaintingJacomartVisual Arts and Performing Artslcsh:Fine Artslcsh:NX1-820lcsh:Arts in generalValencianlanguage.human_languageGenealogyPintura góticaGeographyretabloslanguageValencialcsh:NHumanitiesMaestro de BonastreBSAA arte
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THE OLIGARCH AND THE PAINTBRUSHES: A BIOGRAPHICAL SKETCH OF ANDREU GARCIA, PRIEST = EL OLIGARCA Y LOS PINCELES: BREVE SEMBLANZA DEL PRESBÍTERO ANDREU…

2014

The documents regarding the Valencian priest Andreu Garcia († November 1452) show a quite interesting character. Garcia’s family belonged to local oligarchy. Moreover, he had a substantial income related with the Cathedral. He had contact, too, with Carthusians, Observant Friars and probably with Beghards (the books of his library suggest this last idea). Garcia took part, as an intermediary or as a sponsor, in many artistic orders that involved the best workers and the best customers of the city. Besides, he had a strong relationship with painters like Simó Llobregat, Jaume Mateu, Gonçal Sarrià and Joan Reixac. The priest could also have practiced painting, judging by the belongings that w…

Historylcsh:Fine ArtsVisual Arts and Performing Artsmedia_common.quotation_subjectarte bajomedievalSocial Art Historycoleccionismolcsh:History of the artsmedia_commonpinturaArt collectionbiologylcsh:NX1-820GarciaArtlcsh:Arts in generalbiology.organism_classificationBiographical sketchpaintingLate Medieval ArtHistoria Social del Artesponsorshiplcsh:Nlcsh:NX440-632Historia del ArteHumanitiesBrevepatrocinioEspacio Tiempo y Forma. Serie VII, Historia del Arte
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