Search results for "performativity"
showing 5 items of 25 documents
Feedbacksløyfer i teater for svært unge tilskuere. Et bidrag til en performativ teori og analyse
2010
Feedback loops in theatre for very young audiences contributes to a performative theatre theory and performance analysis. Moreover, the dissertation explores an underexposed field in theatre studies: theatre for children under three years of age – sometimes as young as six months old. My starting point has been the presumption that theatre artists receive productive challenges from such young audiences, and that aesthetic strategies in performances can be read as answers to such challenges. The study focuses on the significance of very young children’s pronounced presence as theatre audiences, in what I call a non-discreet audience style. The methodological aim has been to develop a mode of…
Urban Space and Gender Performativity in Knut Hamsun’s Hunger and Cora Sandel’s Alberta and Freedom
2018
In this article, I discuss the combination of city life and gender performativity in two Norwegian classics, Knut Hamsun’s Hunger (2016) [Sult, 1890] and Cora Sandel’s Alberta and Freedom (1984) [Alberte og friheten, 1931]. These are modernist novels depicting lonely human subjects in an urban space, the first one featuring a man in Kristiania (now Oslo) in the 1880s, the second one a woman and her female acquaintances in Paris in the 1920s. I interpret and compare the two novels by focusing on their intertwined construction of gender performativity and urban space. Gender norms of the city life are critical premises for how the subjects manage to negotiate with different options and obstac…
Violencia, mito y sabotaje en Cóbraselo caro, de Élmer Mendoza
2014
ResumenSiguiendo los fundamentos de la crítica como sabotaje, este ensayo analiza la novela de Élmer Mendoza, Cóbraselo caro, como un efecto performativo de la lectura de la novela de Juan Rulfo, Pedro Páramo. A través del estudio de las relaciones lingüísticas, temáticas y situacionales entre esas dos novelas, muestra que Cóbraselo caro, aun siendo un efecto performativo de Pedro Páramo, supone el auto-sabotaje de Élmer Mendoza en relación a buena parte de su narrativa. Pone de relieve, además, que ese auto-sabotaje se lleva a cabo a través del empleo del mito prehispánico de los huesos que se convierten en piedras curativas como una forma de limpieza de la violencia presente en la socieda…