Search results for "personnage"

showing 10 items of 18 documents

Architectures en vertige et « topographie » du personnage chez Julien Green

2018

L’architettura è senza dubbio uno degli assi fondamentali attorno al quale si dispiega l’immaginario di Julien Green, la cui opera è ricca di dimore, castelli, camere, biblioteche, spazi urbani. Attraverso l’analisi di tre romanzi (Mont-Cinère, Adrienne Mesurat, Minuit), l’articolo si propone di mostrare, per mezzo del riferimento metodologico ai Séminaires e agli Écrits di Lacan, che gli spazi architettonici rappresentati assumono nello scrittore una dimensione trascendente che realizza lo slittamento dagli spazi reali alla topologia soggettiva dei personaggi. Architecture is undeniably one of the fundamental axes around which the imagery of Julien Green unfolds, whose work is full of hous…

20th century french literatureJulien Greenarchitecturecharacterslittérature XXe sièclearchitetturapersonnagesletteratura francese del XX secoloimmaginariopersonaggiSettore L-LIN/03 - Letteratura FranceseLacantopologiaimaginaire: Julien Greenimagerytopologie
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"Quels beste ce pooit estre" : Merlin et le bestiaire dans trois Suites du Merlin en prose : d'une poétique du personnage à une poétique du roman

2016

One of the most eminent figures of Arthurian literature, renowned in the Middle Ages as in later periods, Merlin remains however a polymorphous and contradictory character. A study focusing on two aspects will allow us to perceive his ambiguities and to form the poetics of the character. Firstly, from a relational perspective, the bestiary, that is to say the literary fauna, constitutes an element of this definition. In Prose Merlin’s retrospective prose sequels (the “Vulgate” Suite, the “Post-Vulgate” Suite and the Livre d’Artus), romances which constitute the apex of thirteenth century Arthurian texts in prose, this relation axis encounters an intertextual perspective. By its extent and i…

CharacterMerlinVita Merlini[SHS.LITT]Humanities and Social Sciences/LiteraturePersonnageBestiarySuites du Merlin en proseProse MerlinRoman de BrutMerlin en prose[ SHS.LITT ] Humanities and Social Sciences/LiteratureIntertextualitéProse Merlin “Suites”[SHS.LITT] Humanities and Social Sciences/LiteratureHistoria Regum BritanniaeBestiaireFictionIntertextuality
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"La construction du personnage dans les derniers récits de Raffaele La Capria"

2018

C’est à la fin des années soixante-dix, au moment où d’anciens protagonistes des avant-gardes littéraires (comme Sollers en France ou Eco en Italie) renouent avec la fiction, que Raffaele La Capria, l’un des précurseurs dans la péninsule du roman expérimental, renonce définitivement au genre. Amore e Psiche, publié pour la première fois en 1973, fera l’objet de plusieurs remaniements sans que l’auteur en soit jamais satisfait. À partir des années quatre-vingt, La Capria ne publie plus que des...

Federico Fellinimutations du récit[SHS.LITT]Humanities and Social Sciences/Literature"roman"Daniele Del GiudiceRaffaele La CapriaLIT004200Laura ParianiAntonio Tabucchi[ SHS.LITT ] Humanities and Social Sciences/LiteraturerécitDSBGianni Celati[SHS.LITT] Humanities and Social Sciences/LiteratureItalo CalvinoGoffredo Parise"personnage"personnagelittérature italienne contemporaineromanLiterature Romance
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L’imaginaire trichologique dans l’œuvre de Julien Green (1924-1930)

2015

I capelli e, per estensione, la pelosità occupano generalmente un ruolo importante nel campo dell'antropologia e dell'etnologia, dove sono oggetto di numerosi studi. Trovano anche un posto significativo nella categoria della descrizione e più specificamente in quella del ritratto. Nell’opera letteraria di Julien Green le notazioni sui capelli e, più in generale, sul sistema tricologico dei personaggi sono numerose e partecipano pienamente alla costituzione dell’ "effet-personnage". Questo articolo si propone di esaminare dettagliatamnte il rapporto che intrattengono nell'immaginario dell'autore attraverso una lettura dei suoi primi racconti (Christine, Le Voyageur sur la terre, Léviathan (L…

Julien Green20th century Literaturedescrizione e ritratto dei personaggiimmaginario tricologicodescription et portrait des personnageLetteratura XX secoloSettore L-LIN/03 - Letteratura Francesedescription and portrait of the charactertrichological imaginaryimaginaire trichologiqueLittérature XXe siècle
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Meeting Apart: Woody Allen's Characters, Films and Spectators

2007

An analysis of the relationships between Woody Allen's films (from "Take the Money and Run", 1969, to "Anything Else", 2003) and their spectators, starting frim a definition of the public image of the filmmaker then focusing on the film persona and the way the films represent authorial figures and the paradoxical meeting between film and spectator(s).

Woody ALLENcinéma nord-américainpersonaAmerican film studiesréceptioncomedyrelation spectatoriellepersonnage[OTHER] domain_othercharacterization[ OTHER ] domain_othercomédie
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Figaro en verve et en musique

2015

PV nat; National audience; Dans l’histoire du théâtre et de l’opéra, Figaro se présente comme une figure charnière, apparaissant dans des moments de grande mutation historique et politique, ce qui en fait son actualité. Ce personnage est abordé ici selon trois axes : historico-politique, dramaturgique et scénique.

[SHS.LITT] Humanities and Social Sciences/LiteratureFigaroaxe1[SHS.LITT]Humanities and Social Sciences/LiteratureLe personnage de Figaro[ SHS.LITT ] Humanities and Social Sciences/LiteratureComputingMilieux_MISCELLANEOUS
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« Le corps des personnages comme frontière allégorique dans le Livre d’Artus (XIIIe siècle »

2019

International audience

[SHS.LITT] Humanities and Social Sciences/LiteratureMerlin[SHS.LITT]Humanities and Social Sciences/LiteraturecorpspersonnageLivre d'ArtusComputingMilieux_MISCELLANEOUSfrontière
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« Quels beste ce pooit estre. Merlin et le bestiaire dans trois Suites du Merlin en prose. D’une poétique du personnage à une poétique du roman. Résu…

2016

International audience

[SHS.LITT] Humanities and Social Sciences/LiteratureMerlin[SHS.LITT]Humanities and Social Sciences/Literaturepersonnagebestiairelittérature des XIIe et XIIIe sièclesromanComputingMilieux_MISCELLANEOUS
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The representation of the women in Arrancame la vida and Mal de amores by Angeles Mastretta

2010

On the basis of two novels by Ángeles Mastretta, Arráncame la vida and Mal de amores - whose publication is separated by a ten years interval – I have attempted to show how the female character responds to a specific project of representation and writing. The present thesis emphasises both the variety of characters in the two novels and the constants that allow establishing a "system of characters" corresponding to the exploration of the subject matter dear to the novelist: the status of women in the society, their possibilities to act as well as the relationships they enter, which have a prominent place in Mastretta’s novels. The first part of this analysis underlines the supremacy of the …

[SHS.LITT] Humanities and Social Sciences/LiteratureRomanTransgression[SHS.LITT]Humanities and Social Sciences/LiteratureIdentité fémininePersonnage féminin20ème siècleMexiqueNo english keywords[ SHS.LITT ] Humanities and Social Sciences/LiteratureRoman fémininMastretta
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« Gauvain, le « grant porc », le « Gringalet » et les « oisellons » dans le Livre d’Artus (XIIIe siècle). Le bestiaire intertextuel comme élément de …

2014

International audience

[SHS.LITT] Humanities and Social Sciences/LiteratureXIIIe siècle[SHS.LITT]Humanities and Social Sciences/LiteraturepersonnagebestiaireGauvainLivre d'ArtusComputingMilieux_MISCELLANEOUS
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