Search results for "picasso"

showing 10 items of 11 documents

Picasso y Christian Zervos. Los dibujos escultóricos del cuaderno de Cannes, en 1927, y las esculturas biomórficas modeladas en París, en 1928

2012

This article establishes the analysis of Picasso´s drawing in Cannes, in 1927, and their relation with the sculptures fashioned in París in 1928. The review of this drawing with a new plastic purpose and the comparison with other preceding sculptures in different materials facilitate a new reading, and explain the artist evolution in that specialty and the unpublished nature of immediate sculptures. The influence on important avant-garde and surrealist artists increases the interest in this review and the conclusions reached. El artículo plantea el análisis de los dibujos escultóricos de Picasso en Cannes, en 1927, y la relación establecida con las esculturas que modeló en París en 1928. La…

Avant-gardeVanguardiasContemporary SculptureUNESCO::HISTORIA::Historia por especialidades::Historia del arteEscultura ContemporáneaArtículoOrganic AbstractionSurrealismoAbstracción orgánicaPicasso:HISTORIA::Historia por especialidades::Historia del arte [UNESCO]Surrealism
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El Picasso coruñés como inicio inexcusable y referencia de su proyecto revolucionario (1891-1895)

2013

Análisis de uno de los períodos más desconocidos de Pablo Picasso, el que vivió en A Coruña cuatro años (1891-1895), siendo todavía adolescente y que los expertos consideran clave en el desarrollo de su proyecto. Allí dio inicio a su lenguaje versátil y a un inventario de géneros e iconografías que persistirían como identidad hasta el final de su vida. Sería muy difícil entender al verdadero Picasso pasando por alto este período juvenil, al que los biógrafos generalistas apenas han hecho caso, al contrario de los más rigurosos especialistas, que lo consideran fundamental. Research into one of the least known periods of Pablo Picasso. He lived for four years in A Coruña when he was a teenage…

El Picasso coruñés como inicio inexcusable y referencia de su proyecto revolucionario (1891-1895) ArtículoUNESCO::HISTORIA::Historia por especialidades::Historia del arte:HISTORIA::Historia por especialidades::Historia del arte [UNESCO]
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Symmetry meets AI

2021

We explore whether Neural Networks (NNs) can {\it discover} the presence of symmetries as they learn to perform a task. For this, we train hundreds of NNs on a {\it decoy task} based on well-controlled Physics templates, where no information on symmetry is provided. We use the output from the last hidden layer of all these NNs, projected to fewer dimensions, as the input for a symmetry classification task, and show that information on symmetry had indeed been identified by the original NN without guidance. As an interdisciplinary application of this procedure, we identify the presence and level of symmetry in artistic paintings from different styles such as those of Picasso, Pollock and Van…

FOS: Computer and information sciencesComputer Science - Machine Learning0303 health sciencesTheoretical computer scienceArtificial neural networkComputer Vision and Pattern Recognition (cs.CV)PhysicsQC1-999Computer Science - Computer Vision and Pattern RecognitionFOS: Physical sciencesGeneral Physics and Astronomy01 natural sciencesMachine Learning (cs.LG)Task (project management)High Energy Physics - Phenomenology03 medical and health sciencesHigh Energy Physics - Phenomenology (hep-ph)0103 physical sciencesHomogeneous spacePICASSOHidden layerSymmetry (geometry)010306 general physics030304 developmental biologySciPost Physics
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Un viaje de ida y vuelta al otro mundo. El Cabaret del Diavolo de Gino Gori y Fortunato Depero en Roma (1922-1925)

2023

The Roman cabarets linked to Futurism were meeting places where the programme of the manifesto Ricostruzione futurista dell’universo was applied. Following the experiences of Bragaglia and Marchi at the Circolo delle Cronache d’Attualità and the setting by Giacomo Balla at the Bal Tic Tac, the entrepreneur and poet Gino Gori commissioned Fortunato Depero to decorate the Cabaret del Diavolo. Based on Dante’s Commedia, Depero would create an integral design of three spaces that configured an allegorical inverted reading of the Florentine poet’s journey to the afterworld. Its originality and careful advertising made the cabaret one of the representative spaces of the Roman nightlife which, des…

Futurismopablo picassopinturaRomaDecorationVisual Arts and Performing Artsmarie-thérèse walterInfiernoRomeVanguardiasexualidadmonstruosidadCabarébañistasAvant-gardeHellDecoraciónCabaret“UNESCO:HISTORIA”Futurism
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El Guernica. Estudio iconográfico. Jesús María González de Zárate

2014

Recension critica del libro de Jesua Maria Gonzalez de Zarate: El Guernica. Estudio iconografico, Ayuntamiento de Gernika-Lumo, Fundartes, 2013, 93 pp.

Linguistics and LanguageHistoria del arte Filología hispánicaVisual Arts and Performing ArtsCommunicationGuernica Picasso Gonzáles de Zárate IconografíaLanguage and Linguistics
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Recensione: André Breton, Il surrealismo e la pittura, Abscondita, Milano 2010, in Rivista di studi filosofici "Syzetesis", febbraio/2011, http://www…

2011

La vicenda editoriale del saggio Il surrealismo e la pittura ripercorre in parte la biografia intellettuale di André Breton: la prima edizione del 1928, uscita per i tipi di Gallimard, è frutto di un assemblaggio di articoli che Breton pubblica sulla rivista «La Révolution surréaliste» dal luglio 1925 all'ottobre 1927. A questa prima, seguiranno altre due edizioni riviste e ampliate dallo stesso Breton: Le surréalisme et la peinture suivi de Genèse et perspective artistique du surréalisme et de fragments inédits, Brentano's, New York 1945; Le surréalisme et la peinture, Paris, Gallimard 1965 (ripubblicato recentemente nelle Œuvres complètes IV, a cura di M. Bonnet, Paris, Gallimard 2008). Q…

MassonErnstde ChiricoPitturaBretonSurrealismoPicasso
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La alegoría de la ii República Española en el Guernica de Picasso

2018

In 1937, Pablo Picasso was chosen by the Republican Gov-ernment to be the artistic representative in the Spanish pavilion at the International Exhibition in Paris. The subject of the work was to be a denunciation of the Spanish Civil War. Picasso took his inspiration from the Guernica Tragedy, and the result was what is undoubtedly one of the most universally renowned paintings of the 20th century. As the artist never offered an interpretation of the painting, historians have since made an enormous variety of hypotheses. One of them suggests that the female figure carrying an oil lamp is the personification of the Republic.

allegorylcsh:Fine Artspicassospanish republicinternational expositionlcsh:NguernicaPotestas. Estudios del Mundo Clásico e Historia del Arte
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Virikkeitä antiikin Kreikan vaasimaalauksesta modernistien ilmaisuun : tapaustutkimuksina Gustav Klimt ja Pablo Picasso

2014

Tässä tutkielmassa tarkastelen antiikin Kreikan vaasimaalausten modernistien ilmaisuun antamia virikkeitä keskittyen formaalien piirteiden suoraan vaikutukseen, sivuten aiheita ja symboleita sekä epäsuoraa vaikutusta. Tutkielman rakenteen muotoutumiseen ja kuva-aineiston, lähinnä formalistiseen, purkuun on löytynyt työkaluja sekä taidehistorian että semiotiikan metodeista: tärkeimpinä Panofskyn kolmitasoinen malli, Gombrichin skeeman käsite sekä Kandinskyn, Arnheimin ja Rieglin näkemykset. Olen rajannut tarkasteltavan kuvaston antiikin Kreikasta alueellisesti Attikan niemimaahan keskittyen Ateenaan, mikä antaa luontevasti aikarajaukseksi geometrisen, arkaaisen ja klassisen kauden. Modernist…

antiikkimodernismityyliornamentiikkakuva-analyysimuotokuvatPicasso PabloTapaustutkimusvaasimaalausornamentiikka (koristetaide)Klimt Gustavformalismi
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L'intermédiaire Vollard

2009

filiation[SHS.DROIT]Humanities and Social Sciences/Law[SHS.DROIT] Humanities and Social Sciences/LawVollardPicasso[ SHS.DROIT ] Humanities and Social Sciences/LawCézanne
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Vollard l'intermédiaire

2011

filiation[SHS.DROIT]Humanities and Social Sciences/Law[SHS.DROIT] Humanities and Social Sciences/LawintermédiaireVollardPicasso[ SHS.DROIT ] Humanities and Social Sciences/LawCézanne
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