Search results for "queering"

showing 2 items of 2 documents

OVERTURE Love Love is a Pink Cake or Queering Chopin in Times of Homophobia

2021

An introduction to the three essays included in this section. The article highlights the right to know whether Chopin was gay and contextualizes this inquiry in a very long and pervasive historiographical tradition, essentially twohundred years long, dedicated to examine Chopin sexual orientation, on the one hand, and on the other the more recent tradition of queering western classical music composers. The main point is not to demonstrate categorically that Chopin was ?gay? (a relative, modern identity marker in any case) but rather to highlight the discourses that have presented him as unequivocally heterosexual.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASessentially twohundred years longAntoni An introduction to the three essays included in this section. The article highlights the right to know whether Chopin was gay and contextualizes this inquiry in a very long and pervasive historiographical tradition:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]revista de investigación musical: territorios para el arte 590908 2021 7 8182075 OVERTURE Love Love is a Pink Cake or Queering Chopin in Times of Homophobia Pizàand on the other the more recent tradition of queering western classical music composers. The main point is not to demonstrate categorically that Chopin was ?gay? (a relativeterritorios para el arte 590908 2021 7 8182075 OVERTURE Love Love is a Pink Cake or Queering Chopin in Times of Homophobia Pizà [revista de investigación musical]dedicated to examine Chopin sexual orientation2386-8260 13268 Itamaron the one handmodern identity marker in any case) but rather to highlight the discourses that have presented him as unequivocally heterosexual. 421 427
researchProduct

Producing Disgust : Profanation, the Carnivalesque, and Queering as Keys for Understanding the Unsettling Pop Cultural Performance of Die Antwoord

2023

This chapter looks at the terminology that we have for discussing deliberate disgust production. Terms such as profanation, the carnivalesque and queering describe processes that attack, highlight, and possibly question a society’s norms and power relations by portraying something that might otherwise be sacred or conventional in an inappropriate, parodic or weird manner. Since norm violations may induce disgust, these terms may be considered as engaging with disgust. Yet the aims and outcomes of the engagement that they describe seem different. Via a case study of the irritating, disgust inducing performances of the South African rap rave trio Die Antwoord, I show how these terms provide d…

queeringsukupuolen moninaisuusräppäritpoikkeavuuskyseenalaistamineninhokarnevalismipopmusiikkiseksuaalisuusprofaanivaltarakenteetnormithip hop
researchProduct