Search results for "seeing"

The affective impact of sightseeing bus tour experiences:using Affective Events Theory (AET) to examine length-of-stay and electronic word-of-mouth

2022

This study investigates the key components and influences of positive affect and electronic word-of-mouth (eWOM) on tourist visits at two developing urban destinations, namely Birmingham, United Kingdom and Valencia, Spain. These two data collection sites yielded evidence gathered from 627 and 615 sightseeing bus tourists, respectively. Through the analytic lens of Affective Events Theory (AET), data was examined, and results verify the significant mediating role of affect in two regards: (1) tourists’ decision to extend their visits, and (2) eWOM of sightseeing bus tour experiences. The moderating role of past sightseeing experiences in these relationships was also supported by the data an…

Sightseeing in Guidebooks

2007

Sightseeing in Guidebook

2007

Wittgenstein’s “Inner and Outer”: Overcoming Epistemic Asymmetry

2013

In this article, I identify three ways in which Wittgenstein opposed an idea of epistemic asymmetry between the first person and the secondor-third person. Examining the questions of 1) absence of doubt about my own experience and uncertainty about the experiences of others, 2) ineffability of subjective experience and 3) immediacy of my knowledge of my own experience contrasted with my merely inferential knowledge about the experiences of others, I see Wittgenstein’s remarks about “inner and outer” as a many-faceted denial of the claim that people’s minds are in some deep way unknowable to others. These considerations also serve to clarify Wittgenstein’s relation to behaviorism. 1. Wittgen…

Symbolika odoru w "Pachnidle" i "Gołębiu" Patricka Süskinda

2012

All Eyes on Me : Behaving as Soloist in Duo Performances Leads to Increased Body Movements and Attracts Observers’ Visual Attention

2020

Duo musicians exhibit a broad variety of bodily gestures, but it is unclear how soloists’ and accompanists’ movements differ and to what extent they attract observers’ visual attention. In Experiment 1, seven musical duos’ body movements were tracked while they performed two pieces in two different conditions. In a congruent condition, soloist and accompanist behaved according to their expected musical roles; in an incongruent condition, the soloist behaved as accompanist and vice versa. Results revealed that behaving as soloist, regardless of the condition, led to more, smoother, and faster head and shoulder movements over a larger area than behaving as accompanist. Moreover, accompanists …