Search results for "ta6122"
showing 10 items of 15 documents
Trauma and storytelling in Betty Louise Bell’s Faces in the Moon
2018
The dominant understanding of trauma as an epistemological crisis that can be mimetically passed on to readers has in the twenty-first century been criticized for its apolitical and ahistorical ori...
Commenting on Historical Writings in Medieval Latin Europe : A Reconnaissance
2015
Modern scholarship seems to undervalue medieval commentaries on historical writings. This article intends to bring this phenomenon to scholars’ attention by providing a preliminary overview of the forms and subjects of such commentaries. It examines various types of evidence including not only a few commentaries proper (Nicolas Trevet’s on Livy and John of Dąbrówka’s on Vincent of Cracow), but also different apparatus consisting of more or less systematic interlinear and marginal glosses and commentary-like additions to vernacular translations, mostly of Italian and French origin. It begins by considering various consultation-related signs and annotations, such as cross-references. Then, it…
Reframing belonging : affective localism and the early fiction of Reino Rinne
2017
ABSTRACTThe early fiction of a novelist and journalist born in the north of Finland, Reino Rinne (1913–2002), is illustrative of the post-war interest in a redefinition of cultural belonging. The aim of this article is to offer a reading of Rinne’s works that throws light on the way they exemplify a post-war articulation of affective localism. What is especially characteristic of the affective localism produced in Rinne’s early fiction is the deployment of certain narrative elements, realism as an aesthetic regime, tropes of spatial belonging and historical myths that are endowed with affective charge. A comparison between Rinne's first novel Tunturit hymyilevat. Kuvaus Lapista 1900-luvun a…
Epistemic, interpersonal, and moral stances in the construction of us and them in Christian metal lyrics
2011
Abstract Religious groupings and subcultures both tend to have well-articulated interests, aims, and values that unite certain people but also alienate those who do not share their interests. The case is then made for the construction of difference between ‘us’ and ‘them’. This paper examines the construction of such a group boundary in the previously little studied context of the Christian metal (CM) music subculture. The focus of analysis is on the kinds of stances that are taken and attributed to ‘us’ and ‘them’ in the English lyrics of Finnish CM groups. The particular types of stance are related to questions of epistemology, interpersonality, and morality. The paper shows that the bord…
Narrative Tools for Games : Focalization, Granularity, and the Mode of Narration in Games
2015
This article looks at three narratological concepts—focalization, granularity, and the mode of narration—and explores how these concepts apply to games. It is shown how these concepts can be used as tools for creating meaning-effects, which are understood here as cognitive responses from the player. Focalization is shown to have a hybrid form in games. This article also explores the different types of narrators and granularities in games, and how these three concepts can be used to create meaning-effects. This is done by discussing examples from several games, for example, Assassin’s Creed III, Skyrim, Fallout: New Vegas, and Civilization.
In-Between: Genre and Gender Hybridity, and Pirkko Saisio's NovelPunainen erokirja
2012
This article discusses intersections of genres and genders and their theorization in the contemporary literary scene and suggests a queer reading of a short-listed contemporary Finnish novel, written by the well-known author and theatre figure Pirkko Saisio. The aim of the article is to present feminist genre theories, influenced by Bakhtinian conception of genres, Foucauldian and Butlerian theorizations of genders and sexualities, and the critical discussions in queer studies. The article reads Saisio's novel as a demonstration through an adaptation of a theoretical concept, namely genre hybridity, combined with another concept adaptation, gender hybridity. The article concludes by suggest…
The Finland of Poetry Revisited Four Snapshots
2015
A poem is a condensation of signs and a method characteristic of every human being for investigating a shared reality. Accordingly, a human being also lives and exists poetically in this common world. This being so, the primacy of the mother tongue refers to the lived language, which mediates the possibility for us of carving out our own unique imprint on existence. Similarly, the native land signifies a milieu where a human being takes on a reality amidst other objects, surrounded by them and as one of them. Poetry creates harmony between past and present. peerReviewed
Spatial and bodily metaphors in narrating the experience of listening to sad music
2014
Abstract. This study focuses on the a ffective experiences of listening to self - identified sad music. Previous studies have concentrated on the emotions induced by music by r ationalizing and labelling emotions. However, focusing on such categorization leaves the subjective experiences of the individual aside. The aim of this article is to broaden the methodology of studying music and emotion by analyzing the metaphorical langu age used in the narratives about the subjective experience of listening to music. A total of 373 participants answered to open - ended questions about the experiences of listening to sad music via an online - survey. The responses were then analyzed using syst emat…
Narrating Selves amid Library Shelves : Literary Mediation and Demediation in S. by J. J. Abrams and Doug Dorst
2019
This essay focuses on the various forms of narrating, mediating, and interpreting selves within and around a book object, the novel S. (2013) by J. J. Abrams and Doug Dorst. The novel S. is an experiment in producing a deceivingly realistic replica of a maltreated library book object, but its discursive practices also rely on familiar literary forms, harking back to epistolary commonplaces, as well as to marginalia, both ancient and modern. The book object S., which carries the text of the novel-within-a-novel, the readers' multilayered markings, and paraphernalia, forms an archive dramatizing the workings of memory, thought, and emotion. That archive also demonstrates how the characters co…