Search results for "textuality"

showing 10 items of 109 documents

The Hangman's Game: Karen King-Aribisala's "diary of creation"

2008

The structure of King Aribisala's multi-layered novel "The Hangman's Game" is complex: each narrative thread reverberates onto the other, creating an intricate network of (sometimes distorting) mirrors, suggesting an interconnectedness between past and present, reality and fiction, living and writing. This paper endeavours to explore this complex relationship and to demonstrate how the protean phenomenon of resurgence informs "The Hangman's Game".

[SHS.LITT] Humanities and Social Sciences/Literaturemetafiction: postmodernismintertextualitémétafiction: postmodernismeKaren King-Aribisalaintertextuality[SHS.LITT]Humanities and Social Sciences/Literature[ SHS.LITT ] Humanities and Social Sciences/LiteratureNancy HustonHangman's Game
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Rinse, Repeat. Paratextual Poetics of Literary Twitter Collage Retweeted

2019

This essay studies what happens to the poetics of a text that was first written on or for a certain internet platform when it is later copy-pasted to a different literary medium – that of an edited and printed book. The main target of the discussion is Finnish author Karri Kokko’s conceptual literary work Retweeted (2016), a print-on-demand book, the roots of which are firmly in both the traditions of print media and the digital interfaces of the social media platform Twitter. The analysis pays close attention to the medial qualities of both Twitter and the conceptual novel that draws material from it. The essay aims to highlight the poetic qualities of the material produced and circulated …

collageTwitterverkkokirjoittaminensosiaalinen mediaprint-on-demandRetweetedpoetiikkaKokko Karrikollaasitaffectparateksticodexinterfacepoeticsinternetkoodeksitsocial media platformparatextuality
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The trees in the middle of Paradise (Gn 2:9) during the Great Lent: Orthodox hymnography as biblical interpretation

2022

The article examines the interpretation of the Scripture in Byzantine hymnography during the Great Lent. Some notable recent contributions focus on Andrew of Crete’s and Romanos the Melodist’s compositions, illustrating the hymnographic way of understanding the Scriptures. The author of this study presents a selection of stanzas from hymns of the Triodion that refer to the trees of Paradise. Hymnography perceives the trees in Genesis 2–3 in direct connection with the cross. Only rarely is the tree of life a metaphor for Jesus, as the shadow of the tree of the cross is seldom a metaphor for protection. Another interesting aspect in relation to hymnography is the fact that it represents a typ…

crossHistoryMetaphormedia_common.quotation_subjectBS1-2970Tree of lifelentPractical TheologyNew Testamenttrees of Paradise; Byzantine Hymnography; cross; Triodion; Lent; intertextuality.ParadiseIntertextualitymedia_commonLiteraturebusiness.industryInterpretation (philosophy)triodionReligious studiestrees of paradiseintertextualityBV1-5099DepictionThe Biblebyzantine hymnographyExegesisbusinessHTS Teologiese Studies/Theological Studies
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Dagens Rødhette i en flerkulturell kontekst – mulighet for en ny identitet?

2013

The starting point for this article is the tendency in recent Norwegian children’s and Ya fiction to thematize cultural encounters in an increasingly multicultural and globalized world. The picturebook Little Miss Eye Flap ( Skylappjenta , 2009) written by the Pakistani-Norwegian author and actor Iram Haq and illustrated by Endre Skandfer, presents a modern version of traditional folktales such as Little Red Riding Hood and Rapunzel . However, the traditional structure of home – away – home gives particular emphasis to the phase of homelessness, not providing any safe return to harmony. This condition of liminal space between cultures is discussed in light of the concepts of reflexive ident…

cultural identityHistoryLiterature and Literary TheoryVisual Arts and Performing ArtsCultural identitymedia_common.quotation_subjectlcsh:Literature (General)HybridityFocalizationReflexivityfolktalepicturebookshybridityReligious studiesIntertextualitymedia_commonLiteratureVDP::Humaniora: 000::Litteraturvitenskapelige fag: 040::Nordisk litteratur: 042Little Red Riding Hoodbusiness.industryGeneral Medicinelcsh:PN1-6790intertextualityMulticulturalismLiminalityCitationbusinessBarnboken
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My – kobieta, pisarka. Metafora kobiecego losu w utworze "Knížka s červeným obalem" Alexandry Berkovej

2016

czeska literatura kobiecaintertekstualnośćczeska literatura XX wiekuintertextualityCzech literature of the 20th centuryAlexandra BerkováCzech literature written by womenécriture féminineKnížka s červeným obalemPrace Filologiczne. Literaturoznawstwo
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Ankkalinna - portti kahden maailman välillä : Don Rosan Disney-sarjakuvat postmodernina fantasiana

2014

fiktioAku Ankka (sarjakuva)fantasiakirjallisuusgenretkansanperinnekerrontaDonald DucknarratologiapostmodernismiRosa Donintertekstuaalisuuscomicsvisuaalinen lukutaitokirjallisuudentutkimuspostmodernismBarks Carlfantasysarjakuvatprimary and secondary worldsintertextualitysarjakuvahahmottarinatpopulaarikulttuuriDisney Waltmaailmakulttuurintutkimusfantasia
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David Cronenberg's Having to Make the Word Be Flesh

2004

International audience; Cet article part d'une remarque faite par Cronenberg dans un entretien où il dit vouloir « transformer le mot en chair ». La démarche créatrice que décrit le cinéaste, démarche en trois temps — écriture, mise en scène des corps et objets, et « mise en cadre » — est comparée à la représentation de ces étapes dans ses films, de sorte que la première conclusion à laquelle on arrive est que Cronenberg est, en quelque sorte, cinéaste malgré lui : un cinéaste qui se passerait de la « mise en cadre ». Aussi, la formule de Cronenberg, qui subvertit le texte biblique en inversant la création divine, apparaît comme une pique contre le littéralisme puritain qui habite le cinéma…

fleshDavid Cronenbergtextuality[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art historybody[ SHS.ART ] Humanities and Social Sciences/Art and art history
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Towards a digital model to edit the different paratextuality levels within a textual tradition

2008

In the textual tradition of a literary work, our sources (manuscripts, printed books etc.) commonly bear, together with the "main text", different kinds of "paratexts" commenting on it (including interlinear annotations, glosses, scholia, footnotes, modern scholarly introductions and commentaries, and many others). This article proposes a unified model for a document-based digital critical edition including both the 'main texts' and the 'paratexts' as they appear in different single sources. The problematic aspects of such an "enlarged" digital edition are discussed, including the relations between the different 'paratexts' and the 'main text' they refer to 'within each single textual sourc…

informatica umanistricaComputer scienceparatestualitàClassics; electronic publication; electronic editing; scholia; gloss; paratextlcsh:D111-203informatica umanistrica; edizione critica digitale; manoscritto; paratestualità; glosse; digital humanities; scholarly digital edition; manuscript; paratextuality; glossaelcsh:Medieval historyelectronic editingscholarly digital editionparatextDigital Humanities scholarly digital edition manuscript paratextuality glossaeInformatica Umanistrica edizione critica digitale manoscritto paratestualità glosseglossaeClassicsLiteraturemanuscriptmanoscrittobusiness.industryglosseelectronic publicationglossCritical editionScholiascholiaParatextedizione critica digitaledigital humanitiesbusinessparatextualityDigital edition
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Suitable for Western Audiences: UNESCO and the Self-fulfilling Prophecy of Cinematic Cultural Diplomacy

2020

Through a reading of cinematic cultural diplomacy in the post-World War II UNESCO context, this study focuses on the potential cinema holds for speaking to the politics of difference. Traditionally seen as problematic and conflictual, this study suggests that for UNESCO, difference is not the source of war and conflict, but of peace. It provides an analysis of Orient: A Survey of Films Produced in Countries of Arab and Asian Culture, a 1959 film catalogue published by UNESCO and the British Film Institute with the aim to “stimulate the presentation of films which might give audiences in the West a fuller and more informed idea of the ways of life of Eastern peoples”. This study treats the c…

international relationskansainväliset suhteetdiplomatiainternational organisationskulttuuridiplomatiaelokuvatpolitics of differenceglobal governanceintertextualitydiplomacyUNESCOkansainväliset järjestötglobaali hallintaintertekstuaalisuusfilmscultural diplomacyerontekemisen politiikka
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"Dżafar z Bagdadu" Janusza Makarczyka jako cenne źródło wiedzy o historii i literaturze arabskiej epoki Abbasydów

2018

This article deals with Janusz Makarczyk’s bestselling historical romance Jafar of Baghdad, first published in 1950. Makarczyk had a varied career as a journalist, travel writer of the ‘globtrotter school’, military officer, diplomat and academic; his deep involvement with the Middle East and Arab history began in the 1926 when he was sent to the Polish consulate in Jerusalem. The life of Jafar ibn Yahya provided him not only with enough material for a gripping story of love and romance but also a pretext for painting a broad canvas of historical events and personages. Addressed to younger readers, the book is didactic in the sense that it offers them basic information about Islam (e.g. the…

intertekstualnośćHarun al-RashidszyicisunniciHarun ar-RaszidJafar ibn YahyaadagiaPolish literature of the 20th centuryJanusz Makarczyk (1901–1960)Dżafarislamthe Orient and Islam in popular fictionKoranintertextualityBarmakidzihistorical romanceAbbasydziAbbasid EmpireRuch Literacki
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