Search results for "thou"

showing 10 items of 350 documents

Histophotometry: a new method for automated histological examination of solid tissue samples demonstrated on bladder cancer.

1979

The purpose of this study was to demonstrate the ability of a new method to discriminate between benign and malignant tissue. Tissue samples from three patients with bladder tumours and one patient with bladder diverticula have been examined by histophotometry. This method, based on the correlation of nuclear volume and nucleic acid contents per cell uses thick formalin fixed samples. The results are obtained by measurements averaging more than one hundred thousand cells per sample. By this histophotometric examination a clear differentiation between malignant and benign tissue could be achieved. It was also possible to determine the degree of malignancy and to differentiate between infiltr…

Thousand cellsPathologymedicine.medical_specialtyBladder cancerUrologyHistological TechniquesHistologyFormalin fixedBiologyIn Vitro TechniquesMalignancymedicine.diseaseSolid tissuePhotometryBladder TissueUrinary Bladder NeoplasmsmedicineHumansHistological examinationUrological research
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Radical analyticity and radical pro-drop scenarios of diachronic change in East and mainland Southeast Asia, West Africa and Pidgins and Creoles

2020

Abstract The paucity or absence of inflectional morphology (radical analyticity) and the omission of verbal arguments with no concomitant agreement (radical pro-drop) are well-known characteristics of East and mainland Southeast Asian languages (EMSEA). Both of them have a special status in typology and linguistic theory. Radical analyticity is known under the term of ‘morphological isolation’ and has recently been described as ‘diachronically anomalous’ (McWhorter 2016), while radical pro-drop is a theoretical challenge since Rizzi (1986). The present paper offers an alternative view on these characteristics based on data from EMSEA languages, radically analytic West African languages and …

TypologyThought experiment050101 languages & linguisticsHistory05 social sciencesGeneral MedicineSoutheast asian050105 experimental psychologyLinguisticsSoutheast asiaWest africaWest africanTheoretical linguistics0501 psychology and cognitive sciencesMainlandAsian Languages and Linguistics
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Entre el documental y la ficción, o las fantasías de un ventrílocuo

2004

El caso de la película ‘Sanz y el secreto de su arte’ del ventrílocuo valenciano Francisco Sanz reviste un enorme interés en el conjunto del cine mudo español. Se trata de un filme inclasificable y un buen ejemplo de hibridación genérica, pues combina con habilidad las estrategias del documental y la ficción. La indagación en la personalidad de su autor y en las especiales circunstancias que de producción del filme hacen posible entender y valorar el significado de la película en toda su dimensión. The case of the film 'Sanz and the secret of his art' produced by the Valencian ventriloquist Francisco Sanz is of enormous interest throughout the Spanish silent film. This is an unclassifiable …

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASFrancisco Sanzhibridación genérica:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]cine mudo españolcine aficionadoMaximiliano ThousSanz y el secreto de su arte
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El matrimonio en el pensamiento social de Luis Vives: entre la antropología y la teoría política

2017

Se estudia el pensamiento de Vives acerca del matrimonio, defendiendo que este forma parte no solo de sus ideas pedagogicas, sino tambien de su pensamiento social. Se analiza primero el matrimonio como ley natural y, mas extensamente, como ley humana. Se ponen de manifiesto algunas similitudes entre las ideas expuestas por el humanista y la moderna antropologia del parentesco, especialmente en lo relativo a la relacion entre prohibicion del incesto y exogamia. El sistema de subordinacion de genero que se desprende del analisis de Vives permite ubicar a este como un teorico del patriarcado moderno, con implicaciones politicas y sociales. Vives’ thinking about marriage is studied, arguing tha…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASSocial thoughtPhilosophyExogamy:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]EthnologyHumanitiesVIVESIANA
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Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888

2021

At the end of the 19th century, Spanish carnivals have been marked by the participation of the different tunas or also known as, estudiantinas. These groups achieved significant relevance in Galicia, especially in the city of Compostela, which, year after year, encouraged and supported the formation of groups of this nature to liven up the carnivals in the different Spanish cities. Although, different from its predecessors, the Santiago Tuna of 1888 ventured and made its mark in history, thanks to its intrepidity in having been the first Galician group that crossed the borders and enlivened the carnivals in the cities of the neighboring country, Portugal. This research, approached from a hi…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASapproached from a historical and descriptive perspectiveSpanish carnivals have been marked by the participation of the different tunas or also known asLeslie At the end of the 19th centuryrevista de investigación musical: territorios para el arte 590908 2021 7 8182068 Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888 Freitas de Torres2386-8260 13268 Itamarestudiantinas. These groups achieved significant relevance in Galiciayear after yeardifferent from its predecessorsPortugal. This researchand place it as an indispensable part of a traditionthrough primary and secondary sourcesterritorios para el arte 590908 2021 7 8182068 Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888 Freitas de Torres [revista de investigación musical]the Santiago Tuna of 1888 ventured and made its mark in historywhich lasts until today. 285 298:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]aims to carry out a review of the semblance Compostelana Estudiantina of 1888thanks to its intrepidity in having been the first Galician group that crossed the borders and enlivened the carnivals in the cities of the neighboring countryespecially in the city of Compostelaencouraged and supported the formation of groups of this nature to liven up the carnivals in the different Spanish cities. Althoughwhich
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La tradición clásica como referencia de vanguardia: la Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992)

2019

This article analyses the impact of classical tradition on the artistic production of Gregorio Prieto (1897-1992), painter par excellence of the Generation of 1927. It will be discovered how this influence, far from becoming a conservative reference, would constitute an incentive for his entailment with the avant-garde, especially with surrealism. Although the classic trace is found with more intensity in the creations produced during his Roman years, between 1928 and 1929, when he also made important trips to Sicily and Greece, Greece and Rome would nevertheless continue to be constitutive of his aesthetic experience throughout his later and extensive career.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASpainter par excellence of the Generation of 1927. It will be discovered how this influencewould constitute an incentive for his entailment with the avant-gardela Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992) García-Luengo Manchado [1135-9560 8276 Studia philologica valentina 536436 2019 21 7225816 La tradición clásica como referencia de vanguardia]between 1928 and 1929when he also made important trips to Sicily and Greecefar from becoming a conservative referenceGreece and Rome would nevertheless continue to be constitutive of his aesthetic experience throughout his later and extensive career. Gregorio Prieto ? Clásico ? Surrealismo ? Roma ? Greciaespecially with surrealism. Although the classic trace is found with more intensity in the creations produced during his Roman yearsGregorio Prieto ? Classicism ? Surrealism ? Rome ? Greece 117 132 https://pages.uv.es/SPhV/cas/numero21.wiki//pages.uv.es/SPhV/cas/numero21.wiki [Gregorio Prieto ? Classicism ? Surrealism ? Rome ? Greece 117 132 https]1135-9560 8276 Studia philologica valentina 536436 2019 21 7225816 La tradición clásica como referencia de vanguardia: la Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992) García-Luengo Manchado:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Javier This article analyses the impact of classical tradition on the artistic production of Gregorio Prieto (1897-1992)
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Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition

2021

Starting from sociologist Anne-Marie Green?s idea of ?common space?, and from Hans Robert Hauss? reception theory, the improvisation workshop is thought to be a way of transforming the practices of reception, in order to modify the nature of the culture of listening of each listener. Four research axis are, then, proposed, from the validation of the personal experience of the participants to the reception of the instant?s surprise as a factor of education, including the research of communicational tools specific to reception of music, capable of captivating the listeners with the original aspects of the unknown musical territories.

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASrevista de investigación musical: territorios para el arte 590908 2021 7 8182064 Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition Dutrathe improvisation workshop is thought to be a way of transforming the practices of receptioncapable of captivating the listeners with the original aspects of the unknown musical territories. 165 186Arthur Starting from sociologist Anne-Marie Green?s idea of ?common space?territorios para el arte 590908 2021 7 8182064 Le solo imprévu : l?atelier d?improvisation comme lieu d?échanges entre cultures d?audition Dutra [revista de investigación musical]2386-8260 13268 Itamarproposedthenincluding the research of communicational tools specific to reception of music:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]from the validation of the personal experience of the participants to the reception of the instant?s surprise as a factor of educationand from Hans Robert Hauss? reception theoryin order to modify the nature of the culture of listening of each listener. Four research axis are
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Ocho notas sobre la Casa Farnsworth de Ludwig Mies van der Rohe

2020

Mies was in the top of his career when he built the Farnsworth House. The analysis of this work shows some characteristics of his architectural thought: the relationships between architecture and nature, the definition of the pavilion type, his concept of architectural space, the role of structure and limits, the idea free plan and the meaning of construction

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASthe role of structure and limits0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707990 Ocho notas sobre la Casa Farnsworth de Ludwig Mies van der Rohe Calduch Cervera:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]the idea free plan and the meaning of construction 279 295Joan Mies was in the top of his career when he built the Farnsworth House. The analysis of this work shows some characteristics of his architectural thought: the relationships between architecture and naturehis concept of architectural spacethe relationships between architecture and nature [Joan Mies was in the top of his career when he built the Farnsworth House. The analysis of this work shows some characteristics of his architectural thought]the definition of the pavilion type
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Article 10 of the Charter of Fundamental Rights of the European Union on the freedom of thought, conscience, and religion

2022

In this publication, I comment you on article 10 of the Charter of Fundamental Rights of the European Union on the freedom of thought, conscience, and religion

UNESCO::CIENCIAS JURÍDICAS Y DERECHO::Derecho internacionalcharter of fundamental rightsfreedom of thought conscience and religioneuropean union
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Thought Experiments, Justice and Character

2012

A significant number of philosophers seem to assume that the study of thought experiments in light of a series of sketchy examples (and counterexamples) constitutes the best means to advance the philosophical debate. It is not my purpose to deny that thought experiments must play a role in philosophical reflection on moral issues, but to stress the need to complement this methodological resource with other means of understanding that may help us to discern the moral demands we may eventually confront. For, otherwise, one may unkowingly project onto the thought experiment itself a rather elementary comprehension of our moral practices, which may thereby seem confirmed.

UNESCO::FILOSOFÍA::Antropología filosóficarawlsUNESCO::ÉTICAthought experimentjusticecharacter
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