Search results for "visual arts."

showing 10 items of 1102 documents

Early Bronze Age painted wares from Tell el-'Abd, Syria: A compositional and technological study

2018

Abstract The ‘Euphrates Monochrome Painted Ware’ (henceforth EMPW) is a ceramic style attested in the Middle Euphrates region in northern Syria at the beginning of the Early Bronze Age, ca. 2900–2700 BCE. This style is not an isolated phenomenon; rather, it must be understood in the context of a general, albeit short-lived, re-introduction of painted ceramics into local assemblages of Greater Mesopotamia. In the present study, we investigate the technology and provenance of the painted pottery from Tell el-'Abd (North Syria) and its relation to contemporary ceramics retrieved at this site. We apply a combination of macroscopic observations, ceramic petrography, and micro X-ray diffraction (…

Archeology060102 archaeologyMesopotamia010401 analytical chemistryContext (language use)Ceramic technology Compositional analysis Early Bronze Age Painted pottery Syrian Middle Euphrates06 humanities and the artsCeramic petrography01 natural sciencesArchaeology0104 chemical sciencesStyle (visual arts)Bronze AgeMonochromeAssemblage (archaeology)0601 history and archaeologyPotterySettore L-OR/05 - Archeologia E Storia Dell'Arte Del Vicino Oriente AnticoJournal of Archaeological Science: Reports
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Response by C. Aranegui Gascó to E. Papi’s review of Lixus 3 (JRA 26 [2013] 800-7)

2015

ArcheologyGeographyVisual Arts and Performing ArtsClassicsJournal of Roman Archaeology
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Coinage and images of the imperial family: local identity and Roman rule

2013

In his speech “About harmony between the cities”, Publius Aelius Aristides, the famous orator of the mid-2nd c. A.D., admonishes the three most eminent cities of Asia — Pergamum, Ephesus and Smyrna — to put an end to their rivalries. He regards as useless their envy and struggle to be first among the cities in the province of Asia. He cautions against such rivalries, which could lead to an unwanted intervention by Roman authorities. He continues (Or. 23 [Keil = 42 Dindorf] 62): Is there a child or an old man so much out of mind that he would ignore that this is our present situation and that this is thank heaven the ruling law: one city, the first and greatest, has the whole world under one…

ArcheologyHarmony (color)HistoryVisual Arts and Performing Artsbiologymedia_common.quotation_subjectbiology.organism_classificationSmyrnaEliteRhetorical deviceRhetoricEmperorHeavenClassicsGovernorClassicsmedia_commonJournal of Roman Archaeology
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Julien : les années parisiennes

2009

This article intends to scrutinize in what ways Julian’s stay in Gaul as a Caesar were decisive in Julian’s political and military education, and whether a specific ruling style and manner may be detected in the Parisian years of Julian’s government. Relying on a critical analysis of the documentation (Julian himself, Mamertinus, Ammianus, Libanios), the author examines the military and civilian aspects of Julian’s training as an apparently inexperienced ruler but quick learner. She carries out a prosopographical study of the Caesar’s circle and the administrative staff which was then on duty, combining friendly and hostile persons. Gaul offered him a training ground and he became even the …

ArcheologyHistoryGovernmentbusiness.product_categorymedia_common.quotation_subjectProsopographyArtTest (assessment)Style (visual arts)PoliticsRulerCapital (economics)Julian Gaul Paris Celts Caesar Emperor capitalbusinessHumanitiesDutyClassicsmedia_common
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L’évolution récente des expositions temporaires sur le Moyen Âge en Italie: Public, thèmes, finalités

2011

This article proposes a reflection about Italian art exhibitions on Middle Ages all over the twentieth century in order to understand the reception of medieval history in Italy. The Italian case is compared with the other European countries and their own relationships with Middle Ages. The articles studies also the important changes in the cultural offer and in the museum function during the last decade of the twentieth century and analyses their major consequences on the exhibitions. Lastly the ‘status’ of the exhibited objects and their mise-en-scene are examined.

ArcheologyHistoryHistoryVisual Arts and Performing ArtsAnthropologystatus of the exhibited objectArt history[SHS.ART]Humanities and Social Sciences/Art and art historyExhibitionMedieval historyMise en scènemise-en-scènecultural offerMiddle Agesreception of medieval historylcsh:NX440-632Exhibitions of medieval artmuseum functionslcsh:History of the artsComputingMilieux_MISCELLANEOUSZograf
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The ‘grave of the Court Pit’, A rediscovered Bronze Age tomb from Carchemish

2014

This paper examines the British Museum unpublished records related to an Early Bronze (EB) Age pithos burial uncovered a century ago in the Inner Town at Carchemish. The grave, cursorily cited and variously dated (Chalcolithic, EB or even LBA) in the final reports, was described in some detail by Hogarth and Thompson; a precise dating is, however, possible today thanks to the information of paramount importance given by T. E. Lawrence who identified and took a picture of the associated finds, which was recently rediscovered in the Carchemish Archives. The pithos can be now ascribed to the third quarter of the third millennium BC and helps to confirm the recent theory according to which the …

ArcheologyHistoryHistoryVisual Arts and Performing ArtsMesopotamiaReligious studiesChalcolithicengineering.materialAncient historyArchaeologyCarchemish British Museum excavations T. E. Lawrence D. G. Hogarth EBA burial customs Euphrates Banded Ware Syrian BottlesBronze AgeengineeringBronzeSettore L-OR/05 - Archeologia E Storia Dell'Arte Del Vicino Oriente AnticoQuarter (Canadian coin)
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S. Seelentag, DER PSEUDOVIRGILISCHE CULEX: TEXT-ÜBERSETZUNG-KOMMENTAR (Hermes Einzelschriften 105). Stuttgart: Franz Steiner, 2012. Pp. 260. isbn9783…

2013

ArcheologyHistoryLiterature and Literary TheoryVisual Arts and Performing ArtsClassicsJournal of Roman Studies
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Le motif du médecin tyran de Platon à Galien

2014

At various points in Method of medicine and in a passage in the Commentary on the Hippocratic Epidemics Galen takes up the image of the tyrant doctor employed by Plato in the famous passage in the Laws in which, to illustrate the role of the proem to the law, he introduces the contrast between doctors of freemen and doctors of slaves (Leg. IV 719e 8-720e 5) : this is an unexplored chapter of Galen’s Platonism.

ArcheologyHistoryPlatone Galeno metafora politica medicina greca filologia greca.Visual Arts and Performing ArtsClassicsSettore L-FIL-LET/05 - Filologia ClassicaSettore L-FIL-LET/02 - Lingua E Letteratura GrecaPériodiques Scientifiques en Édition Électronique
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Masada: From Jewish Revolt to Modern Myth

2021

For a site as famous as Masada (Arabic es-Sebba), we have been lacking a good overview. There is a popular treatment of the excavations (Yadin 1966), a resume of the excavations in light of the fin...

ArcheologyHistoryVisual Arts and Performing ArtsArabicJudaismmedia_common.quotation_subjectReligious studieslanguageMythologyArtAncient historylanguage.human_languagemedia_commonPalestine Exploration Quarterly
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Stèles funéraires d'époque ibérique

2003

We wish to present in this paper a general study of the funereal stelas in Iberian culture. We begin with the analysis of the Peninsular tradition preceding the development of the Iberian world in order to consider this type of funereal monument within the landscape of cemeteries which seem to be more and more complex and varied. We will assess the different groups of stelas (5th-1st centuries B.C.) on the basis of their morphology, iconography and, in some cases, epigraphs. We present some examples from the provinces of Castellón and Teruel which have been subjected to recent studies.

ArcheologyHistoryVisual Arts and Performing ArtsArchéologie ibérique ; monuments funéraires ; stèles anthropomorphes ; stèles décorées ; stèles épigraphiquesIbèrica PenínsulaArqueologiaClassicsPériodiques Scientifiques en Édition Électronique
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