Search results for "visual arts"
showing 10 items of 1155 documents
El Guernica. Estudio iconográfico. Jesús María González de Zárate
2014
Recension critica del libro de Jesua Maria Gonzalez de Zarate: El Guernica. Estudio iconografico, Ayuntamiento de Gernika-Lumo, Fundartes, 2013, 93 pp.
Fernando R. de la Flor: De Cristo. Dos fantasías iconológicas
2013
Recension critica del libro de Fernando R. de la Flor: De Cristo. Dos fantasias iconologicas, Abada Editpores, Madrid, 2011.
Abel Neves� Inter-Rail as a Political Play
2017
En Inter-Rail (1999), Abel Neves ens apropa al 25 d’Abril contraposant-hi dues generacions: la dels que van viure el pas de la dictadura a la democracia i la dels seus fills, que veuen aquell fet amb llunyania i sense cap nostalgia. Aquesta obra va ser un encarrec de la companyia A comuna. Teatro de pesquisa a Neves per commemorar el 25e aniversari de la Revolucio dels Clavells. El nostre treball proposa una lectura politica de la peca a partir d’una pauta d’analisi innovadora per veure el grau de compromis social que presenta el text teatral.
Expresivitatea limbajului popular în romanul haiducesc „Iancu Jianu, zapciu de plasă” și „Iancu Jianu, căpitan de haiduci” de Nicolae D. Popescu
2021
This paper analyzes the expressivity of popular language from the novels ”Iancu Jianu, Head of Administration” and ”Iancu Jianu, Captain of the Hajduks” by N.D. Popescu. The popular language is a language specific aspect, a language version and a main component of the oral version of the national language. In literary works, the popular language has a stylistic purpose. The aesthetic value of the text is the result of the process by which the expressiveness of the writer`s language is converted into an individual literary rule. The stylistic processes and brands encountered in popular language are national specific and they reflect the history, the way of thinking and the feelings of Romani…
KEIR ELAM. Shakespeare’s Pictures: Visual Objects in the Drama
2018
Usos impropios de los términos 'Iconografía' e 'iconología'
2013
ABSTRACT: A reflection on the meaning of the terms «iconography» and «iconology», as defined by the fields of Art History and Archeology, in a strict sense, as disciplines concerned with the description and interpretation of images, respectively. In the everyday use of these terms we can also observe an inappropriate meaning when the object itself to which one of these disciplines is applied is designated as «iconography». Likewise, the term «iconology», in its migration from Art History to areas such as Theology, has come to acquire —in one concrete case analyzed here— a completely inappropriate meaning due to the loss of the correct epistemological orientation. KEY WORDS: Iconography, Ico…
Ludus sphaerae per annulum ferreum: tradición alegórico-emblemática del beugelen
2016
ABSTRACT: Beugelen was a game, described early on by Erasmus, which gained wide popularity in the Netherlands, played both in palaces and villages, as evidenced by numerous engravings of the 16th and 17th Centuries. Therefore, it is not surprising to find its allegorical-symbolic exploitation, associated with concepts such as mental laziness (Heinrich Aldegrever), the fatal consequences of the game (Johannes David) and the effects of human and divine love (Peter Rollos, Typus mundi , Ludovicus van Leuven and Willem den Elger). In the light of previous emblematic repertories, I delve into the meaning of a number of paintings, paying special attencion to works of Lucas Gassel ( David and Bath…
Laurentius Lotus [Lorenzo Lotto]. De Amore
2014
ABSTRACT: In the study presented here of some portraits by Lorenzo Lotto, I have attempted to establish a reading of the image, of the details that the artist offers us in his canvas which, to my way of thinking, orient us towards the semantic meaning of the painting. In this concrete case I deal with the theme of love. This entails, therefore, an in-depth exploration of the story that the artist wishes to consider through his work, with the aim of recording and classifying the image by analyzing both its graphic as well as literary precedents. KEY WORDS: Lorenzo Lotto, Portrait, Love, Allegory, Iconography. RESUMEN: En el estudio presentado aqui sobre algunos retratos de Lorenzo Lotto, se …
Imagen y palabra en la devoción al Sagrado Corazón de Jesús: un cuadro de P. Battoni y un poema de F. Arévalo
2016
ABSRACT: In this study I relate the building of the Basilica of Estrela (Lisbon) to the painting by Pompeo Battoni and the poem by Faustino Arevalo, both dedicated to the Sacred Heart of Jesus, whose worship, suffering a similar fate to that of the suppressed Society of Jesus (1773), went beyond the ecclesiastical sphere and became a source of controversy in the secular milieu of the period. KEYWORDS: P. Battoni, F. Arevalo, Sacred Heart of Jesus, Jesuits. RESUMEN: En este trabajo se relacionan la construccion de la basilica de la Estrela (Lisboa) y, especialmente, el cuadro de Pompeo Battoni y el poema de Faustino Arevalo, dedicados estos ultimos al Sagrado Corazon de Jesus, cuyo culto, co…
L´on faict sçavoir que l´on vendra. El anuncio y catálogo impreso de la subasta de pinturas del Príncipe de Portugal (Bruselas, 1670)
2018
ABSTRACT: In 1670, in Brussels, a printed advertisement announced the auction of a valuable set of a hundred paintings, property of the late Fernando Alejandro de Portugal. A printed broadside announced the sale, and included the names of the artists and titles of the works, as well as their formats and the material form of the pieces, in some cases. Therefore, the advertisement is also an auction catalogue, one of the first to be printed in early modern Europe. This article seeks to tell the story of the print history of the humble broadside as advertisement and catalogue, as well as its content and information on the owners of this extraordinary collection of paintings.
 
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