Search results for "visual"

Response by C. Aranegui Gascó to E. Papi’s review of Lixus 3 (JRA 26 [2013] 800-7)

2015

Coinage and images of the imperial family: local identity and Roman rule

2013

In his speech “About harmony between the cities”, Publius Aelius Aristides, the famous orator of the mid-2nd c. A.D., admonishes the three most eminent cities of Asia — Pergamum, Ephesus and Smyrna — to put an end to their rivalries. He regards as useless their envy and struggle to be first among the cities in the province of Asia. He cautions against such rivalries, which could lead to an unwanted intervention by Roman authorities. He continues (Or. 23 [Keil = 42 Dindorf] 62): Is there a child or an old man so much out of mind that he would ignore that this is our present situation and that this is thank heaven the ruling law: one city, the first and greatest, has the whole world under one…

Music, gender and rituals in the Ancient Mediterranean: revisiting the Punic evidence

2012

Abstract Music, playing instruments and performing rituals are bodily activities and as such they can be studied stressing their corporeal features. Music and sounds are usually essential elements in rites, and bodies play an essential role in bringing together music and rituals. We explore these issues focusing on Punic terracotta figurines playing musical instruments recovered from the island of Ibiza (fifth to third centuries bc).

Ceramic Ethnoarchaeometry in Western Sardinia: Production of Cooking Ware at Pabillonis

2014

Ceramic ethnoarchaeology has been used to explore fully the chaine operatoire and to understand all of the stages and factors involved in pottery production, such as raw material selection or paste recipes used by the potters. This work presents the results of the application of compositional analysis undertaken in the village of Pabillonis (western Sardinia, Italy), the main cooking ware production centre of the island. Pottery and local clays have been characterized using a combination of analytical techniques. By integrating the ethnographic information and the archaeometric approach, it was possible to reconstruct the operational sequence, exploring the relationship between the processi…

Julien : les années parisiennes

2009

This article intends to scrutinize in what ways Julian’s stay in Gaul as a Caesar were decisive in Julian’s political and military education, and whether a specific ruling style and manner may be detected in the Parisian years of Julian’s government. Relying on a critical analysis of the documentation (Julian himself, Mamertinus, Ammianus, Libanios), the author examines the military and civilian aspects of Julian’s training as an apparently inexperienced ruler but quick learner. She carries out a prosopographical study of the Caesar’s circle and the administrative staff which was then on duty, combining friendly and hostile persons. Gaul offered him a training ground and he became even the …

The Use of Facial Characteristics as Engendering Strategies in Phoenician-Punic Studies

2016

Facial characteristics such as discs on cheeks or exaggerated chins have been traditionally used to interpret Phoenician-Punic materials as representing either females or males. Beards and pointed chins, for instance, have been considered male attributes for terracotta masks, while disks have been interpreted as feminine makeup when present on figurines and ostrich eggshells. However, problems and even paradoxes of interpretation emerge when such characteristics appear on objects already (and perhaps arbitrarily) alternately gendered male or female. Thus, the cosmetic disks on “feminine” figurines become “warts” and “astral symbols” when appearing on “male” masks. Such conundrums show how s…

L’évolution récente des expositions temporaires sur le Moyen Âge en Italie: Public, thèmes, finalités

2011

This article proposes a reflection about Italian art exhibitions on Middle Ages all over the twentieth century in order to understand the reception of medieval history in Italy. The Italian case is compared with the other European countries and their own relationships with Middle Ages. The articles studies also the important changes in the cultural offer and in the museum function during the last decade of the twentieth century and analyses their major consequences on the exhibitions. Lastly the ‘status’ of the exhibited objects and their mise-en-scene are examined.

The ‘grave of the Court Pit’, A rediscovered Bronze Age tomb from Carchemish

2014

This paper examines the British Museum unpublished records related to an Early Bronze (EB) Age pithos burial uncovered a century ago in the Inner Town at Carchemish. The grave, cursorily cited and variously dated (Chalcolithic, EB or even LBA) in the final reports, was described in some detail by Hogarth and Thompson; a precise dating is, however, possible today thanks to the information of paramount importance given by T. E. Lawrence who identified and took a picture of the associated finds, which was recently rediscovered in the Carchemish Archives. The pithos can be now ascribed to the third quarter of the third millennium BC and helps to confirm the recent theory according to which the …

S. Seelentag, DER PSEUDOVIRGILISCHE CULEX: TEXT-ÜBERSETZUNG-KOMMENTAR (Hermes Einzelschriften 105). Stuttgart: Franz Steiner, 2012. Pp. 260. isbn9783…

2013

CORRELATION BETWEEN SPECTRAL, SEM/EDX AND ELECTROCHEMICAL PROPERTIES OF MAYA BLUE: A CHEMOMETRIC STUDY*

2009

Visible spectra, composition from SEM/EDX and solid-state electrochemical data are correlated for a set of 12 Maya Blue samples from different archaeological sites of Campeche and Yucatan (Mexico). In addition to indigo and dehydroindigo, indirubin and other possibly indigo-type compounds can be detected in Maya Blue samples. Application of hierarchical cluster analysis techniques allows similarity relationships to be established between samples from different sites, confirming prior results which suggest that the preparation of Maya Blue pigment evolved with time during the Maya culture following a ramified scheme.