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showing 10 items of 121 documents

Interventistica eco-guidata per l’articolazione d’anca

2013

Lo scopo di questo lavoro è di rivedere le principali applicazioni della interventistica eco-guidata d’anca, descrivendone le indicazioni e la metodologia. L’ecografia è una metodica considerata sicura per i pazienti, in quanto non è stato dimostrato un possibile danno dovuto all’energia trasmessa dagli ultrasuoni ai tessuti del paziente, contrariamente alle metodiche che fanno uso di radiazioni ionizzanti, come la radiografia convenzionale e la tomografia computerizzata. Inoltre, l’ecografia risulta rapida ed efficace nel guidare l’ago verso la sede voluta evitando di intercettare strutture vascolari e/o nervose, consentendo quindi una maggiore sicurezza, rispetto alle tecniche interventis…

The purpose of this work is to review the main applications of ultrasound-guided hip intervention al procedures describing the indications and methodology. Ultrasound is a method considered safe for patients as it has not been shown a possible damage due to ultrasound energy transmitted towards the patient's tissues as opposed to methods that make use of ionizing radiation such as conventional radiography and computed tomography. In addition ultrasound is quick and effective in guiding the needle to the desired location avoiding vascular and/or nerve structures thus enabling greater security compared to the techniques performed in interventional fluoroscopy which also have the disadvantage of a large delivery of ionizing radiation for both patient and operator. Several authors have described the main techniques of ultrasound-guided hip intervention and its various applications that can be both diagnostic (as in the case of joint fluid aspiration to assess the presence or absence of septic arthritis) and therapeutic (as in the case of drugs inoculations or evacuation of exceeding intra-articular fluid).
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Una nuova acquisizione iconografica per la ricostruzione della tribuna di Antonello Gagini nella Cattedrale di Palermo

2022

La recente digitalizzazione di un dipinto di anonimo siciliano nelle collezioni del Museo de Historia di Madrid e il suo inserimento nei database del patrimonio culturale spagnolo ed europeo ha consentito di riportare all’attenzione della comunità scientifica un’importante raffigurazione pittorica della tribuna di Antonello Gagini nella Cattedrale di Palermo. Dopo avere ripercorso le principali fonti documentarie ed iconografiche relative alla tribuna, viene qui presentata l’opera oggi a Madrid, che fornisce un prezioso riscontro alle fonti fin qui note.

The recent digitisation of a painting by an anonymous Sicilian in the collections of the Museo de Historia in Madrid and its inclusion in the Spanish and European cultural heritage databases has made it possible to bring an important pictorial representation of Antonello Gagini’s tribune in Palermo Cathedral back to the attention of the scientific community. After reviewing the main documentary and iconographic sources relating to the tribune the work now in Madrid is presented here which provides a valuable comparison to the sources known so far.
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The Italian Method of la drammatica: its Legacy and Reception

2014

The volume The Italian Method of la drammatica: its Legacy and Reception includes the long and complex investigation to identify the Italian acting-code system of the drammatica used by nineteenth-century Italian actors such as Adelaide Ristori Giovanni Grasso Tommaso Salvini Eleonora Duse. In particular their acting inspired Stanislavky who reformed twentieth-century stage. The declamatory code of the drammatica was composed by symbols for notation of voice and gesture which Italian actors marked in their prompt-books. The discovery of the drammatica’s code sheds new light on nineteenth-century acting. Having deciphered the phonetic symbols of the code Anna Sica has given birth an investigation with a group of outstanding scholars in an attempt to explore the drammatica’s legacy and its reception in Europe as well as in Asia. At this stage new evidence has emerged proving that for instance the symbol used by the drammatica actors to sign the colorito vocale was known to English actors in the second half of the nineteenth century. By noting how Adelaide Ristori passed on her art to Irving’s actress Genevieve Ward and how Stanislavsky almost aflame moulded his system from Duse’s acting an unexplored variety in the reception of the drammatica’s legacy is revealed.Settore L-ART/05 - Discipline Dello Spettacolo
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Highly Functionalized Ferrocenes

2020

International audience; Ferrocene is unique among organometallic compounds, and serves notably as a versatile platform towards the production of ligands useful to promote transition metals chemistry. A general limiting aspect of the synthesis of ferrocene derivatives is the efficient access to sophisticated highly functionalized polysubstituted ferrocenes, i. e. bearing four or more substituents replacing hydrogen atoms on the cyclopentadienyl rings. These ferrocene derivatives can bear various functional or/and structuring spectator substituents. Their preparation involves synthetic difficulties resulting from the need of multiple functionalizations coexisting altogether, and satisfying fu…

Thesaurus (information retrieval)Setc.). Thus010405 organic chemistryChemistryOPNhighly functionalized ferrocenes010402 general chemistryN)-01 natural sciencesB)-and (NP)-0104 chemical sciencesInorganic ChemistryWorld Wide WebP')-which include notably (P(PB)-B)compounds[CHIM.COOR]Chemical Sciences/Coordination chemistryEuropean Journal of Inorganic Chemistry
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Una storia italiana: Giorgio e Isabella

2018

Si tratta, qui, della storia di due italiani dalla “pelle scura” raccontata, per Giorgio Marincola, da Carlo Costa e Lorenzo Teodonio in Razza partigiana e, per la sorella Isabella, da Wu Ming 2 e Antar Mohamed in Timira. Romanzo meticcio. Le loro vicende, così come molti altri aspetti della nostra storia coloniale, neocoloniale e postcoloniale, sono riemerse dal buio nel quale erano state occultate solo nell’ultimo quindicennio, grazie alla riapertura degli archivi che ha permesso di ridiscutere molti degli aspetti che nelle pagine di Storia, così come in quelle letterarie, erano stati raccontati in altro modo. I due testi, che hanno inevitabilmente finito per incontrarsi e che potremmo in…

This paper focuses on the story of two dark-skinned Italians written for Giorgio Marincola by Carlo Costa and Lorenzo Teodonio in Razza partigiana and for his sister Isabella by Wu Ming 2 and Antar Mohamed in Timira. Romanzo meticcio. The events of their lives as well as many other aspects of our colonial neocolonial and postcolonial history have re-emerged from the darkness in which they had been hidden only in the last fifteen years thanks to the reopening of the archives allowing to re-discuss many of the aspects that in the pages of History as well as in those of literature had been told in another way. The two works that could be inserted into the current defined as the "new Italian epic" dismantle a series of clichés and prejudices and invite us to reflect on the concept of Italian identity on colonialism and its consequence in the short and long term and particularly on racism.Settore L-FIL-LET/14 - Critica Letteraria E Letterature Comparate
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Análisis del comportamiento de la demanda de turismo rural desde la experiencia de la comarca El Alto Palancia

2004

This study is intended to delve into the tastes and preferences of tourists visiting rural areas in Spain as an alternative to the traditional sun and beach holiday that dominates Spanish tourism. This paper is focused on the demand side of rural tourism; more specifically the extent to which tourists visiting a Spanish rural area. El Alto Palancia region, exhibit different behaviours depending on age, gender, incomes and educational background. The homogeneity of behaviour across several categories of tourists was tested in two sets of variables. First, «interest in certain resources associated with rural tourism», focused on natural and architectural resources that sustains the tourist's …

Turismo ruralcomunidad valencianademandaGeography Planning and DevelopmentRural tourismlcsh:G1-922This study is intended to delve into the tastes and preferences of tourists visiting rural areas in Spain as an alternative to the traditional sun and beach holiday that dominates Spanish tourism. This paper is focused on the demand side of rural tourism; more specifically the extent to which tourists visiting a Spanish rural area. El Alto Palancia region exhibit different behaviours depending on age gender incomeTurisme ruralemore specifically the extent to which tourists visiting a Spanish rural area. El Alto Palancia regionEnvironmental protectionexhibit different behaviours depending on ageRegional sciencegenderdemandehomogénéitéEarth-Surface ProcessesprofileGeography (General)Demand sideperfilregion de Valenciamore specifically the extent to which tourists visiting a Spanish rural area. El Alto Palancia region exhibit different behaviours depending on age gender incomeGeographyincomeG1-922Turismo rural; comunidad valenciana; demanda; homogeneidad; perfil; Turisme rurale; region de Valencia; demande; homogénéité; profilehomogeneidadRural areaThis study is intended to delve into the tastes and preferences of tourists visiting rural areas in Spain as an alternative to the traditional sun and beach holiday that dominates Spanish tourism. This paper is focused on the demand side of rural tourismlcsh:Geography (General)Tourism
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Aportaciones documentales sobre cruces de orfebrería valencianas. Siglos XIV y XV

2020

The article intends to make a contribution of new documentary references, from the notarial funds of the Valencian archives, in which news about parish crosses and Lignum Crucis from the silversmith center of Valencia during the fourteenth and fifteenth centuries are collected. The importance of these typologies lies in being the main elements of Christian worship, so it was an essential piece in each parish that allowed the provision in them of models of varied typology and functionality; for that reason they are conserved from altar crosses, cross-shaped reliquaries ?known as Lignum Crucis or Veracruz ?to processional crosses, larger and representative of the parish community to which it …

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASPere Capellades0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707977 Aportaciones documentales sobre cruces de orfebrería valencianas. Siglos XIV y XV Candela Garrigósfor that reason they are conserved from altar crossesin which news about parish crosses and Lignum Crucis from the silversmith center of Valencia during the fourteenth and fifteenth centuries are collected. The importance of these typologies lies in being the main elements of Christian worshiplarger and representative of the parish community to which it belongs. The result of this research has been the knowledge of works by important silversmiths such as Pere Bernesfrom the notarial funds of the Valencian archivesso it was an essential piece in each parish that allowed the provision in them of models of varied typology and functionalitycross-shaped reliquaries ?known as Lignum Crucis or Veracruz ?to processional crossesReyes The article intends to make a contribution of new documentary references:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Francesc CetinaBertomeu Coscolláamong others. 63 78
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Du verbe instrumental dans la musique subsaharienne

2021

Sub-Saharan music results from the spoken language/instrumental language relation, directed by an oral culture. In this culture, these languages transmit ? beyond their singularities ? messages thanks to either a coded signal known by the linguistic community or previously defined among a group of individuals, or is used as a true meta-language copied on the articulated and usual language used every day. Here, an instrumental musical speech can then imitate and reproduce the tonal inflexions of the language to make its matter understandable. This fact is the natural result of a strong interaction and interrelation between the spoken language and the music as well as the conception that the …

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASan instrumental musical speech can then imitate and reproduce the tonal inflexions of the language to make its matter understandable. This fact is the natural result of a strong interaction and interrelation between the spoken language and the music as well as the conception that the Africans of South Sahara have of it. This concept underlying the very tight link between the musical fact and the Worddetermine and contribute to the distinctive goals of the speech? These are some of the major questions to which I the author try to bring elements of answers to clear up this subject. 145 1642386-8260 13268 ItamarApollinaire Sub-Saharan music results from the spoken language/instrumental language relation:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]territorios para el arte 590908 2021 7 8182063 Du verbe instrumental dans la musique subsaharienne Anakesa Kululuka [revista de investigación musical]these languages transmit ? beyond their singularities ? messages thanks to either a coded signal known by the linguistic community or previously defined among a group of individualsdirected by an oral culture. In this culturecontextual and expressive parameters that underliethe musical act then carries a communicative importance equal to the one in a spoken language. What concept rules such a language? What treatment is language subjected to in the affectation of its components in the musical discourse of to the instrumental Word and vice versa? What are the technicalor is used as a true meta-language copied on the articulated and usual language used every day. Hererevista de investigación musical: territorios para el arte 590908 2021 7 8182063 Du verbe instrumental dans la musique subsaharienne Anakesa Kululuka
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Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888

2021

At the end of the 19th century, Spanish carnivals have been marked by the participation of the different tunas or also known as, estudiantinas. These groups achieved significant relevance in Galicia, especially in the city of Compostela, which, year after year, encouraged and supported the formation of groups of this nature to liven up the carnivals in the different Spanish cities. Although, different from its predecessors, the Santiago Tuna of 1888 ventured and made its mark in history, thanks to its intrepidity in having been the first Galician group that crossed the borders and enlivened the carnivals in the cities of the neighboring country, Portugal. This research, approached from a hi…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASapproached from a historical and descriptive perspectiveSpanish carnivals have been marked by the participation of the different tunas or also known asLeslie At the end of the 19th centuryrevista de investigación musical: territorios para el arte 590908 2021 7 8182068 Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888 Freitas de Torres2386-8260 13268 Itamarestudiantinas. These groups achieved significant relevance in Galiciayear after yeardifferent from its predecessorsPortugal. This researchand place it as an indispensable part of a traditionthrough primary and secondary sourcesterritorios para el arte 590908 2021 7 8182068 Carnaval y música: una breve semblanza de la Tuna Compostelana de 1888 Freitas de Torres [revista de investigación musical]the Santiago Tuna of 1888 ventured and made its mark in historywhich lasts until today. 285 298:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]aims to carry out a review of the semblance Compostelana Estudiantina of 1888thanks to its intrepidity in having been the first Galician group that crossed the borders and enlivened the carnivals in the cities of the neighboring countryespecially in the city of Compostelaencouraged and supported the formation of groups of this nature to liven up the carnivals in the different Spanish cities. Althoughwhich
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Observaciones sobre una reflexión heterodoxa en los Comentarii de Juan Luis Vives a la Ciudad de Dios de San Agustín

2019

The Patres ecclesiae?s works were a frequent topic of discussion at the time in which many humanists stood against the decadent medieval scholastics. That Juan Luis Vives was part of this tradition is demonstrated in his commentaries on Saint Augustine works. Despite its pedagogical function, the scholia of the Valencian author became quite subjective. In this sense, his ecdotic work or, specially, his «criticisms and censures» can be mentioned. Here, Vives strongly disapproves of the intense political and intellectual turmoil of his epoch. Thus, this article is aimed at describing those annotations in which Vives adopts such an Erasmist point of view to comment Augustine?s De Civitate Dei.…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASthe reiteration of his arguments will be remarked throughout the Commentarii. The modus operandi of Vives is justified by propaedeutic issues and it stimulates the freedom of conscience. anotaciones ? reflexión crítica ? antiescolanticismo ? censurahis ecdotic work orVives strongly disapproves of the intense political and intellectual turmoil of his epoch. Thusthis article is aimed at describing those annotations in which Vives adopts such an Erasmist point of view to comment Augustine?s De Civitate Dei. Thereforewe will analyse the way in which Vives comments the contents of this work. MoreoverPedro The Patres ecclesiae?s works were a frequent topic of discussion at the time in which many humanists stood against the decadent medieval scholastics. That Juan Luis Vives was part of this tradition is demonstrated in his commentaries on Saint Augustine works. Despite its pedagogical function1135-9560 8276 Studia philologica valentina 536436 2019 21 7225813 Observaciones sobre una reflexión heterodoxa en los Comentarii de Juan Luis Vives a la Ciudad de Dios de San Agustín Fernández Requenaspeciallyhis «criticisms and censures» can be mentioned. Here//pages.uv.es/SPhV/cas/numero21.wiki [annotations ? critical reflexion ? anti-scholasticism ? censorship 69 81 https]:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]the scholia of the Valencian author became quite subjective. In this senseannotations ? critical reflexion ? anti-scholasticism ? censorship 69 81 https://pages.uv.es/SPhV/cas/numero21.wiki
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