Graffiti and Street Art Research : An Outsider Perspective
In this paper we discuss our endeavours and experiences in the field of graffiti and street art research (GSAR) in the form of a dialogue. We reflect on planning and engaging with GSAR, contemplate our (field) work, analyse the methods we have developed, and shed light on the possibilities that arose during research processes. In particular, we focus on what it is like to do GSAR as outsiders, i.e. as those who are not writers or artists themselves, or who do research into a graffiti or street art scene that is foreign to them. peerReviewed
Embodied graffiti and street art research
Graffiti and street art research (GSAR) has become more acknowledged within the academic discourse; however, it has much to gain from theorising its methodological aspects. As a multidisciplinary field, GSAR has mostly used qualitative research methods, exploring urban space through methods that range from visual recordings to ethnography, emphasising the researchers’ reflexivity. This qualitative approach has, however, paid little attention to the role of embodied practices. In this paper we discuss how embodied methodologies provide multisensory research results where the experienced moments, the participant’s and researcher’s senses, cognition and mobility in urban spaces are connected.…