Rompiendo el silencio. Infancias amenazadas

Characterization of prehispanic cosmetics found in a burial of the ancient city of Teotihuacan (Mexico)

The present paper reports the chemical data obtained on samples of pigmenting materials contained in 31 miniature vessels found in a burial found in Teopancazco, a multiethnic neighborhood center located in the southeastern sector of the archaeological site of Teotihuacan (Central Mexico) and the analytical protocol established for the complete characterization of these archaeological materials. For this purpose a multi-technique approach based on the combination of several non destructive and micro-destructive instrumental techniques, namely, light microscopy (LM), scanning electron microscopy-X-ray micro-analysis (SEMe EDX), transmission electron microscopy (TEM), voltammetry of micropart…

Multianalytical characterization of pigments from funerary artefacts belongs to the Chupicuaro Culture (Western Mexico): Oldest Maya blue and cinnabar identified in Pre-Columbian Mesoamerica

Abstract The colours used in Pre-Hispanic Mesoamerica to decorate walls, codices or artefacts have been the subject of numerous studies, with particular attention to Maya blue, red and white pigments. However, most of these studies have been focused on emblematic cultures of the Classic period (ca. 300–1000 CE), such as Teotihuacan and Maya cultures. This work proposes a new chronology of the preparation and use of these pigments, particularly Maya blue, by analysing samples of the Pre-Classic period (ca. 1800 BCE–300 CE). The samples belong to ceremonial artefacts decorated with blue, red and white pigments, in a funerary context from the Chupicuaro culture, which was developed between 600…

El patrimonio cultural en riesgo

From Maya Blue to “Maya Yellow”: A Connection between Ancient Nanostructured Materials from the Voltammetry of Microparticles

The yellow hue of a series of samples from wall paintings in several Mayan archaeological sites can be attributed to the presence of indigoid compounds, including isatin and dehydroindigo, attached to palygorskite, a local phyllosilicate clay. SEM/EDX, TEM, UV/Vis spectroscopy, and voltammetry of microparticles show that the ancient Mayas could prepare indigo, Maya Blue, and "Maya Yellow" during successive stages. Copyright © 2011 WILEY-VCH Verlag GmbH & Co. KGaA, Weinheim.

Identification of indigoid compounds present in archaeological Maya blue by pyrolysis-silylation-gas chromatography–mass spectrometry

Abstract A study based on the use of pyrolysis-silylation-gas chromatograpy–mass spectrometry (Py-GC–MS), which aimed to identify indigoid compounds and to clarify the multicomponent composition of Maya blue (MB) pigment, has been carried out. A series of reference compounds and synthetic MB specimens prepared in the laboratory have been analysed by this technique. An analysis of archaeological MB samples from 14 Maya archaeological sites from Mexico and Guatemala has also been performed. The obtained results demonstrate that, in addition to indigo, oxidised species such as dehydroindigo, which is formed as a result of redox processes taking place while preparing the pigment, are present in…

Discovery of indigoid-containing clay pellets from La Blanca: significance with regard to the preparation and use of Maya Blue

Analytical studies using extraction/liquid chromatography, pyrolysis–silylation gas chromatography–mass spectrometry, visible and infrared spectroscopies, solid state voltammetry and electron microscopy on a set of spherical greenish pellets discovered in the Structure 4H1 of the ancient Maya site of La Blanca (Peten Department, Guatemala), dated in the Terminal Classic period, confirm the presence of indigoids (dehydroindigo, indigo) associated to palygorskite. The appearance of such pieces, whose origin and function is uncertain, but most likely correspond to residuals of a decorative plaster, can be considered as indicative of the use of Maya Blue in a quotidian context, thus suggesting …

The Maya wall paintings from Chajul, Guatemala

The recent renovation of a house in Chajul in western Guatemala has revealed an unparalleled set of wall paintings, most probably from the Colonial period (AD 1524–1821). The iconography of the murals combines pre-Columbian elements with imported European components in a domestic rather than a religious setting, making them a unique example of Colonial-period art. Here, the authors present the results of iconographic, chemical and radiocarbon analyses of the Chajul house paintings. Dating to the seventeenth to eighteenth centuries AD, the paintings may be connected to a revival of the local religious organisation (cofradías) in the context of waning Spanish colonial control.

Desde el olvido. "Angeles perdidos" en los Barrios Rojos de la India

Life after death: a physicochemical study of materials used by the ancient Maya in human bone ointments

Ancient Maya believed in life after death. They used to prepare dead bodies during burial ceremonies whose purpose was to celebrate the dead and to help them passing through the way from earthly life to the beyond one. Bodies preparation included coloured scented body ointment application, with a deep symbolic connotation and probably also a conservative purpose. The aim of this research was to characterize pigments and binders used by ancient Maya in the preparation of body oint ments used to paint human bones. Emblematic painted bone samples from Xcambó (Maya archaeological site located in the municipality of Dzemul, in the Mexican state of Yucatán) were investigated through a non-destruc…

Insights into the Maya Blue technology: greenish pellets from the ancient city of La Blanca.

Financial support is gratefully acknowledged from the MEC Projects CTQ2011-28079-CO3-01 and 02 which are also supported with ERDF funds. Research was conducted within the "Grupo de anlisis cientifico de bienes culturales y patrimoniales y estudios de ciencia de la conservacion" Microcluster of the University of Valencia Excellence Campus. The authors would like to thank Dr. Isabel Solana (SCSIE, UV), Dr. Jose Luis Moya Lopez, and Manuel Planes Insausti (Microscopy Service UPV) for their technical support.

Los niños de la guerra: paradojas

Investigation of modern oil paints through a physico-chemical integrated approach. Emblematic cases from Valencia, Spain

Abstract The study and the characterisation of modern and contemporary oil paintings is still a challenging issue, in particular considering the significant changes in paint production across the 19th and 20th centuries. This paper presents the results of the first physico-chemical integrated study of the artistic materials used in six paintings from the School of Art and Higher Design of Valencia (Escola d'Art i Superior de Disseny, EASD-Valencia), artworks created between 1871 and 1943 by four famous Valencian artists: Salustiano Asenso Arozarena, Salvador Abril I Blasco, Enrique Navas Escuriet and Jose Bellver Delmas. A wide range of inorganic and organic compounds was identified through…