0000000000061778
AUTHOR
V. Mollica Nardo
Portable Spectroscopic Techniques for the Non-invasive Identification of two historical yellow pigments: Applications and Practical Challenges
Abstract Decades of technological advances in instrumental analysis have transformed many techniques from laboratory in portable analytical tools with increasing their applicability in situ to the study of cultural heritage. It is known that the painting realisation varies from artist to artist, and the identification of the pigments provides a decisive contribution to trace their authenticity and to support an appropriate restoration work. However, in some cases, due to the complexity of painting composition, it is difficult to distinguish between pigments having a similar chemical composition and colour. Here, a systematic study through combined use of portable non-invasive spectroscopic …
Identifying the Unknown Content of an Ancient Egyptian Sealed Alabaster Vase from Kha and Merit’s Tomb Using Multiple Techniques and Multicomponent Sample Analysis in an Interdisciplinary Applied Chemistry Course
This article highlights the multianalytical study of exuded liquid from an ancient Egyptian sealed alabaster vase by Master's students in an applied chemistry for cultural heritage course. Master students are introduced to the field of Archaeometry that see the collaboration of experts in different areas of research such as conservators, curators of museums, physicists, chemists, etc. The sample is a residue exuded on the linen strip sealing an ancient Egyptian alabaster vase (inventory number S.8448) from the collection of the Museo Egizio in Turin (Italy). The students start to plan the noninvasive investigation by X-ray fluorescence (XRF), transmission electron microscopy (TEM), and ener…
A multivariate statistical approach of X-ray fluorescence characterization of a large collection of reverse glass paintings
We present an X-ray fluorescence spectroscopy (XRF) study combined with a multivariate approach that allow to detect compositional differences and similarities among the glass supports of a large set of reverse glass paintings belonging to the collection of the Mistretta museum. Reverse painting on glass is an old decorative technique used since the Roman time consisting in applying a cold paint layer on the reverse side of a glass support. The collection shows a large spreading of provenience and dating of the items. In consideration of the current classification solely based on stylistic criteria, we applied a multivariate analysis on the XRF measurements data set to find a more objective…
A combination of portable non-invasive techniques to study on reverse glass paintings at Mistretta museum
Abstract Reverse painting on glass is an old decorative technique used since the Roman time consisting in applying a cold paint layer on the reverse side. The Sicilian Regional Museum of forestry and pastoral traditions in Mistretta (Messina, Italy) houses the largest collection of reverse glass paintings in Italy with a total of 195 artworks. The artworks are attributed to the different Italian geographic area from north to south Italy. A combination of non-invasive analysis by using complementary portable spectroscopic instrumentations (mainly XRF and Raman Spectrometers) was applied on some selection of reverse glass paintings. The goal of the work is the characterization of the nature o…
The silver collection of San Gennaro treasure (Neaples): A multivariate statistic approach applied to X-ray fluorescence data
Abstract In this work we report an X-ray fluorescence spectroscopy (XRF) study combined with a multivariate approach allowing to detect compositional differences and similarities among the alloys used in realization of silver collection of San Gennaro items collection. The San Gennaro treasure in Naples (Italy) represents, in fact, one of the most important silver collections in the world. The classification of the collection items is very complex, not only for the large number of objects, but also in consideration that between 1600 and 1700, in Naples, more than 350 laboratories were active, most of them specialized in specific art of work. As a consequence, a given collection object could…