Musical training predicts cerebello-hippocampal coupling during music listening.
Cerebello-hippocampal interactions occur during accurate spatiotemporal prediction of movements. In the context of music listening, differences in cerebello-hippocampal functional connectivity may result from differences in predictive listening accuracy. Using functional MRI, we studied differences in this network between 18 musicians and 18 nonmusicians while they listened to music. Musicians possess a predictive listening advantage over nonmusicians, facilitated by strengthened coupling between produced and heard sounds through lifelong musical experience. Thus, we hypothesized that musicians would exhibit greater functional connectivity than nonmusicians as a marker of accurate online pr…
Perception of Segment Boundaries in Musicians and Non-Musicians
In the act of music listening, many people break down musical pieces into chunks such as verses and choruses. Recent work on music segmentation has shown that highly agreed segment boundaries are also considered strong and are described by using multiple cues. However, these studies could not pinpoint the effects of data collection methods and of musicianship on boundary perception. Our study investigated the differences between segmentation tasks performed by musicians in real-time and non real-time listening contexts. Further, we assessed the effect of musical training on the perception of boundaries in real-time listening. We collected perceived boundaries by 18 musicians and 18 non-musi…
Enhancing the efficacy of integrative improvisational music therapy in the treatment of depression : study protocol for a randomised controlled trial
Abstract Background Depression is among the leading causes of disability worldwide. Not all people with depression respond adequately to standard treatments. An innovative therapy that has shown promising results in controlled trials is music therapy. Based on a previous trial that suggested beneficial effects of integrative improvisational music therapy (IIMT) on short and medium-term depression symptoms as well as anxiety and functioning, this trial aims to determine potential mechanisms of and improvements in its effects by examining specific variations of IIMT. Methods/design A 2 × 2 factorial randomised controlled trial will be carried out at a single centre in Finland involving 68 adu…
Musical interaction in music therapy for depression treatment
Music therapy is efficacious for the treatment of depression. Compared to other psychotherapeutic forms, it allows for the emergence of various modes of mutual interaction, thus enabling multiple channels for emotional expression and fostering therapeutic alliance. Although musical interaction patterns between client and therapist have been regarded as predictors of therapeutic outcome in depression, this has not yet been systematically investigated. We aim to address this gap by analyzing the possible linkage between musical interaction features and changes in depression score. In a clinical trial, digital piano improvisations from 58 Finnish clients and their therapists were recorded ove…
Music Therapy for Depression Enhanced With Listening Homework and Slow Paced Breathing: A Randomised Controlled Trial
Introduction: There is evidence from earlier trials for the efficacy of music therapy in the treatment of depression among working-age people. Starting therapy sessions with relaxation and revisiting therapeutic themes outside therapy have been deemed promising for outcome enhancement. However, previous music therapy trials have not investigated this issue.Objective: To investigate the efficacy of two enhancers, resonance frequency breathing (RFB) and listening homework (LH), when combined with an established music therapy model (trial registration number ISRCTN11618310).Methods: In a 2 × 2 factorial randomised controlled trial, working-age individuals with depression were allocated into gr…
sj-docx-1-pom-10.1177_03057356221084368 – Supplemental material for Musical interaction in music therapy for depression treatment
Supplemental material, sj-docx-1-pom-10.1177_03057356221084368 for Musical interaction in music therapy for depression treatment by Martin Hartmann, Anastasios Mavrolampados, Petri Toiviainen, Suvi Saarikallio, Katrien Foubert, Olivier Brabant, Nerdinga Snape, Esa Ala-Ruona, Christian Gold and Jaakko Erkkilä in Psychology of Music
Multi-scale Modelling of Segmentation
While listening to music, people often unwittingly break down musical pieces into constituent chunks such as verses and choruses. Music segmentation studies have suggested that some consensus regarding boundary perception exists, despite individual differences. However, neither the effects of experimental task (i.e., real-time vs. annotated segmentation), nor of musicianship on boundary perception are clear. Our study assesses musicianship effects and differences between segmentation tasks. We conducted a real-time experiment to collect segmentations by musicians and nonmusicians from nine musical pieces. In a second experiment on non-real-time segmentation, musicians indicated boundaries a…
Kinematics of perceived dyadic coordination in dance
We investigated the relationships between perceptions of similarity and interaction in spontaneously dancing dyads, and movement features extracted using novel computational methods. We hypothesized that dancers’ movements would be perceived as more similar when they exhibited spatially and temporally comparable movement patterns, and as more interactive when they spatially oriented more towards each other. Pairs of dancers were asked to move freely to two musical excerpts while their movements were recorded using optical motion capture. Subsequently, in two separate perceptual experiments we presented stick figure animations of the dyads to observers, who rated degree of interaction and si…
Crossing Phrase Boundaries In Music
This paper presents a new model for segmenting symbolic music data into phrases. It is based on the idea that melodic phrases tend to consist of notes, which increase rather than decrease in length towards the phrase end. Previous research implies that the timing of note events might be a stronger predictor of both theoretical and perceived segmentation than pitch information. Our approach therefore relies only on temporal information about note onsets. Phrase boundaries are predicted at those points in a melody where the difference between subsequent note-to-note intervals reaches minimal values. On its own, the proposed model is parameter-free, does not require adjustments to fit a partic…
Musical Feature and Novelty Curve Characterizations as Predictors of Segmentation Accuracy
Novelty detection is a well-established method for analyzing the structure of music based on acoustic descriptors. Work on novelty-based segmentation prediction has mainly concentrated on enhancement of features and similarity matrices, novelty kernel computation and peak detection. Less attention, however, has been paid to characteristics of musical features and novelty curves, and their contribution to segmentation accuracy. This is particularly important as it can help unearth acoustic cues prompting perceptual segmentation and find new determinants of segmentation model performance. This study focused on spectral, rhythmic and harmonic prediction of perceptual segmentation density, whic…
Hyperfeinstruktur und Isotopieverschiebung im Kupfer II-Spektrum
Mit getrennten Isotopen wurde Hyperfeinstruktur und Isotopieverschiebung von insgesamt 24 Ubergangen des Kupfer II-Spektrums im ultravioletten Spektralbereich zwischen Termen der Konfigurationen 3d9 4s−3d9 4p und 3d9 4s−3d9 5s bestimmt und die Aufspaltungsfaktoren der Terme der Konfiguration 3d9 4p ermittelt. Die Isotopieverschiebung der Ubergange 3d9 4s−3d9 4p betragt 25 mK und die der Ubergange 3d9 4s−3d9 5s 12 mK. Das Zustandekommen der Isv wird diskutiert.
Analyzing multidimensional movement interaction with generalized cross-wavelet transform
Humans are able to synchronize with musical events whilst coordinating their movements with others. Interpersonal entrainment phenomena, such as dance, involve multiple body parts and movement directions. Along with being multidimensional, dance movement interaction is plurifrequential, since it can occur at different frequencies simultaneously. Moreover, it is prone to nonstationarity, due to, for instance, displacements around the dance floor. Various methodological approaches have been adopted for the study of human entrainment, but only spectrogram-based techniques allow for an integral analysis thereof. This article proposes an alternative approach based upon the cross-wavelet transfor…
Multi-Scale Modelling of Segmentation : Effect of Music Training and Experimental Task
While listening to music, people, often unwittingly, break down musical pieces into constituent chunks such as verses and choruses. Music segmentation studies have suggested that some consensus regarding boundary perception exists, despite individual differences. However, neither the effects of experimental task (i.e. realtime vs annotated segmentation), nor of musicianship on boundary perception are clear. Our study assesses musicianship effects and differences between segmentation tasks. We conducted a real-time task experiment to collect segmentations by musicians and non-musicians from 9 musical pieces; in a second experiment on non-realtime segmentation, musicians indicated boundaries …
Postural and gestural synchronization, sequential imitation, and mirroring predict perceived coupling of dancing dyads
Body movement is a primary nonverbal communication channel in humans. Coordinated social behaviors, such as dancing together, encourage multifarious rhythmic and interpersonally coupled movements from which observers can extract socially and contextually relevant information. The investigation of relations between visual social perception and kinematic motor coupling is important for social cognition. Perceived coupling of dyads spontaneously dancing to pop music has been shown to be highly driven by the degree of frontal orientation between dancers. The perceptual salience of other aspects, including postural congruence, movement frequencies, time-delayed relations, and horizontal mirrorin…
Interaction features for prediction of perceptual segmentation:Effects of musicianship and experimental task
As music unfolds in time, structure is recognised and understood by listeners, regardless of their level of musical expertise. A number of studies have found spectral and tonal changes to quite successfully model boundaries between structural sections. However, the effects of musical expertise and experimental task on computational modelling of structure are not yet well understood. These issues need to be addressed to better understand how listeners perceive the structure of music and to improve automatic segmentation algorithms. In this study, computational prediction of segmentation by listeners was investigated for six musical stimuli via a real-time task and an annotation (non real-tim…
Effects of musicianship and experimental task on perceptual segmentation
The perceptual structure of music is a fundamental issue in music psychology that can be systematically addressed via computational models. This study estimated the contribution of spectral, rhythmic and tonal descriptors for prediction of perceptual segmentation across stimuli. In a real-time task, 18 musicians and 18 non-musicians indicated perceived instants of significant change for six ongoing musical stimuli. In a second task, 18 musicians parsed the same stimuli using audio editing software to provide non-real-time segmentation annotations. We built computational models based on a non-linear fuzzy integration of basic and interaction descriptors of local musical novelty. We found tha…
sj-docx-1-pom-10.1177_03057356221084368 – Supplemental material for Musical interaction in music therapy for depression treatment
Supplemental material, sj-docx-1-pom-10.1177_03057356221084368 for Musical interaction in music therapy for depression treatment by Martin Hartmann, Anastasios Mavrolampados, Petri Toiviainen, Suvi Saarikallio, Katrien Foubert, Olivier Brabant, Nerdinga Snape, Esa Ala-Ruona, Christian Gold and Jaakko Erkkilä in Psychology of Music