6533b85bfe1ef96bd12bb4f3

RESEARCH PRODUCT

Interaction features for prediction of perceptual segmentation:Effects of musicianship and experimental task

Olivier LartillotMartin HartmannPetri Toiviainen

subject

Visual Arts and Performing ArtsComputer scienceSpeech recognitionComputationmedia_common.quotation_subjectsegmentation taskBoundary (topology)Novelty detection050105 experimental psychologyTask (project management)03 medical and health sciences0302 clinical medicinePerception0501 psychology and cognitive sciencesSegmentationmedia_commonStructure (mathematical logic)05 social sciencesNoveltyboundary strengthta6131segmentation density030217 neurology & neurosurgeryMusicnovelty detectionmusical training

description

As music unfolds in time, structure is recognised and understood by listeners, regardless of their level of musical expertise. A number of studies have found spectral and tonal changes to quite successfully model boundaries between structural sections. However, the effects of musical expertise and experimental task on computational modelling of structure are not yet well understood. These issues need to be addressed to better understand how listeners perceive the structure of music and to improve automatic segmentation algorithms. In this study, computational prediction of segmentation by listeners was investigated for six musical stimuli via a real-time task and an annotation (non real-time) task. The proposed approach involved computation of novelty curve interaction features and a prediction model of perceptual segmentation boundary density. We found that, compared to non-musicians’, musicians’ segmentation yielded lower prediction rates, and involved more features for prediction, particularly more interaction features; also non-musicians required a larger time shift for optimal segmentation modelling. Prediction of the annotation task exhibited higher rates, and involved more musical features than for the real-time task; in addition, the real-time task required time shifting of the segmentation data for its optimal modelling. We also found that annotation task models that were weighted according to boundary strength ratings exhibited improvements in segmentation prediction rates and involved more interaction features. In sum, musical training and experimental task seem to have an impact on prediction rates and on musical features involved in novelty-based segmentation models. Musical training is associated with higher presence of schematic knowledge, attention to more dimensions of musical change and more levels of the structural hierarchy, and higher speed of musical structure processing. Real-time segmentation is linked with higher response delays, less levels of structural hierarchy attended and higher data noisiness than annotation segmentation. In addition, boundary strength weighting of density was associated with more emphasis given to stark musical changes and to clearer representation of a hierarchy involving high-dimensional musical changes. peerReviewed

10.1080/09298215.2016.1230137https://vbn.aau.dk/da/publications/06e4f152-6063-4751-8f38-7840a3e74519